MCLC: Chinese lit and film panels at RMMLA

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Chinese lit and film panels at RMMLA
Chinese Literature and Film since 1900 Panels at RMMLA, Oct 6 2016
We would like to share news about four panels on Chinese literature and film since 1900 in the upcoming Rocky Mountain Modern Language Association Annual Meeting, on October 6, Thursday, 8:15am-3:15pm, in Hilton Salt Lake City Center, Alpine East. Conference programs are as follows. We look forward to your participation at our panels.
Panel 1 Transcending Boundaries: Sound, Mobility, and Sentiment in Sinophone Cinema
Thursday, Oct 6, 8:30am-10:00am in ALPINE EAST
Chair: Géraldine A. Fiss, University of Southern California
Presenters:
Christopher Lupke, University of Alberta. "Sound and Voice: Music in Hou Hsiao-hsien's Films."
Ling Zhang, State University of New York at Purchase. "Migration, Moving Images, Mobilization: The Imagery/Imagination of 'Nanyang' (Southeast Asia) in 1930's Chinese cinema."
Yanhong Zhu, Washington and Lee University. "Wild Land, Fierce Spirit: Transnational Vision and the Representation of National Identity and Ethnic Conflict in Wolf Totem."
Yunwen Gao, University of Southern California. "Kōshien Re-envisioned: Representing Colonial Hybridity in 1930s Taiwan."
Panel 2 Reconfiguring Sensibility: Fiction and Poetry from Taiwan, Hong Kong, and China
Thursday, Oct 6, 10:15am-11:45am in ALPINE EAST
Chair: Yunwen Gao, University of Southern California
Presenters:
Li-ping Chen, University of Southern California . "Every Month Was the Same, Every Month Empty: The Mirror(ing) of History in Guo Songfen’s ‘Moon Seal’."
Ka Lee Wong, University of Southern California. "Grassroot Vulgarity as Hybridity: The Local Hong Kong Imagination in Chan Koonchung’s ‘Can Do Cha Chaan Ten’."
Brad Lint, Mansfield University. "Six Realms of Samsara: Buddhism and Mo Yan’s Life and Death Are Wearing Me Out."
Géraldine A. Fiss, University of Southern California. "Visible and Invisible Links: Zang Di’s Poetics and Thoughts on Rilke."
Panel 3 Filming Time and Body: Genre and Media in Alternative Forms
Thursday, Oct 6, 12:00pm-1:30pm in ALPINE EAST
Chair: Li-ping Chen, University of Southern California
Presenters:
Andrew Stuckey, University of Colorado, Boulder. "Where's the History? Jia Zhangke's Mixed Documentary Form in '24 City'."
Belinda Qian He, University of Washington. "China as Meta-cinema: Spectatorship, Cinephilia, and the Problematization of Film Historiography."
Melissa Mei-Lin Chan, University of Southern California. "The Digital Media Revolution: Examining Hong Kong Video Collectives and the Censorship Apparatus."
Angie C. Chau, Arizona State University . "Corpses Crossing Borders: Posthumanity in Cao Fei's Films."
Panel 4 Writing the Cultural Revolution: History, Memory, and Trauma in Contemporary China
Thursday, Oct 6, 1:45pm-3:15pm in ALPINE EAST
Chair: Ping Zhu, University of Oklahoma
Presenters:
Ping Zhu, University of Oklahoma. "The Lesbian Continuum and the Chinese Cultural Revolution."
Kun Qian, University of Pittsburgh. "Prisoners of the Cultural Revolution: Silence, Speech, and Memory."
Zhuoyi Wang, Hamilton College. "Revolutionary and Post-Revolutionary Cultural Hybridities in Taking Tiger Mountain by Strategy (1970) and The Taking of Tiger Mountain (2014)."
by denton.2 at osu.edu on October 5, 2016
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