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                        <title>MCLC: Chinese lit and film panels at RMMLA</title>
                        
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                                                        <h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2016/10/05/chinese-lit-and-film-panels-at-rmmla/" target="_blank">Chinese lit and film panels at RMMLA</a></h3>
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                                                                                                                                        <p class="p1">Chinese Literature and Film since 1900 Panels at RMMLA, Oct 6 2016</p>
<p>We would like to share news about four panels on Chinese literature and film since 1900 in the upcoming Rocky Mountain Modern Language Association Annual Meeting, on October 6, Thursday, 8:15am-3:15pm, in Hilton Salt Lake City Center, Alpine East. Conference programs are as follows. We look forward to your participation at our panels.</p>
<p class="p1"><b>Panel 1 Transcending Boundaries: Sound, Mobility, and Sentiment in Sinophone Cinema</b></p>
<p class="p1">Thursday, Oct 6, 8:30am-10:00am in ALPINE EAST</p>
<p class="p1">Chair: Géraldine A. Fiss, University of Southern California</p>
<p class="p1">Presenters:</p>
<p class="p1"><b>Christopher Lupke</b>, University of Alberta. "Sound and Voice: Music in Hou Hsiao-hsien's Films."</p>
<p class="p1"><b>Ling Zhang</b>, State University of New York at Purchase. "Migration, Moving Images, Mobilization: The Imagery/Imagination of 'Nanyang' (Southeast Asia) in 1930's Chinese cinema."</p>
<p class="p1"><b>Yanhong Zhu</b>, Washington and Lee University. "Wild Land, Fierce Spirit: Transnational Vision and the Representation of National Identity and Ethnic Conflict in <i>Wolf Totem</i>."</p>
<p class="p1"><b>Yunwen Gao</b>, University of Southern California. "Kōshien Re-envisioned: Representing Colonial Hybridity in 1930s Taiwan."</p>
<p class="p1"><b>Panel 2 Reconfiguring Sensibility: Fiction and Poetry from Taiwan, Hong Kong, and China</b></p>
<p class="p1">Thursday, Oct 6, 10:15am-11:45am in ALPINE EAST</p>
<p class="p1">Chair: Yunwen Gao, University of Southern California</p>
<p class="p1">Presenters:</p>
<p class="p1"><b>Li-ping Chen</b>, University of Southern California . "Every Month Was the Same, Every Month Empty: The Mirror(ing) of History in Guo Songfen’s ‘Moon Seal’."</p>
<p class="p1"><b>Ka Lee Wong</b>, University of Southern California. "Grassroot Vulgarity as Hybridity: The Local Hong Kong Imagination in Chan Koonchung’s ‘Can Do Cha Chaan Ten’."</p>
<p class="p1"><b>Brad Lint</b>, Mansfield University. "Six Realms of Samsara: Buddhism and Mo Yan’s <i>Life and Death Are Wearing Me Out</i>."</p>
<p class="p1"><b>Géraldine A. Fiss</b>, University of Southern California. "Visible and Invisible Links: Zang Di’s Poetics and Thoughts on Rilke."</p>
<p class="p1"><b>Panel 3 Filming Time and Body: Genre and Media in Alternative Forms</b></p>
<p class="p1">Thursday, Oct 6, 12:00pm-1:30pm in ALPINE EAST</p>
<p class="p1">Chair: Li-ping Chen, University of Southern California</p>
<p class="p1">Presenters:</p>
<p class="p1"><b>Andrew Stuckey</b>, University of Colorado, Boulder. "Where's the History? Jia Zhangke's Mixed Documentary Form in '24 City'."</p>
<p class="p1"><b>Belinda Qian He</b>, University of Washington. "China as Meta-cinema: Spectatorship, Cinephilia, and the Problematization of Film Historiography."</p>
<p class="p1"><b>Melissa Mei-Lin Chan</b>, University of Southern California. "The Digital Media Revolution: Examining Hong Kong Video Collectives and the Censorship Apparatus."</p>
<p class="p1"><b>Angie C. Chau</b>, Arizona State University . "Corpses Crossing Borders: Posthumanity in Cao Fei's Films."</p>
<p class="p1"><b>Panel 4 Writing the Cultural Revolution: History, Memory, and Trauma in Contemporary China</b></p>
<p class="p1">Thursday, Oct 6, 1:45pm-3:15pm in ALPINE EAST</p>
<p class="p1">Chair: Ping Zhu, University of Oklahoma</p>
<p class="p1">Presenters:</p>
<p class="p1"><b>Ping Zhu</b>, University of Oklahoma. "The Lesbian Continuum and the Chinese Cultural Revolution."</p>
<p class="p1"><b>Kun Qian</b>, University of Pittsburgh. "Prisoners of the Cultural Revolution: Silence, Speech, and Memory."</p>
<p class="p1"><b>Zhuoyi Wang</b>, Hamilton College. "Revolutionary and Post-Revolutionary Cultural Hybridities in <i>Taking Tiger Mountain by Strategy</i> (1970) and <i>The Taking of Tiger Mountain</i> (2014)."</p>
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                                                        by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on October 5, 2016                                              </div>
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