MCLC: Cross-Currents no. 5

[Denton, Kirk]

MCLC LIST
From: Martin Backstrom <backstrom at berkeley.edu>
Subject: Cross-Currents no. 5
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Cross-Currents: East Asian History and Culture Review
No. 5, December 2012 e-journal
URL: http://cross-currents.berkeley.edu/e-journal/issue-5)

Special Theme: Transcolonial Film Coproductions in the Japanese Empire:
Antinomies in the Colonial Archive
Guest editors:  Takashi Fujitani (U Toronto) and Nayoung Aimee Kwon (Duke)

Introduction (Takashi Fujitani and Nayoung Aimee Kwon)

Collaboration, Coproduction, and Code-Switching: Colonial Cinema and
Postcolonial Archaeology (Nayoung Aimee Kwon)

One Film, or Many?: The Multiple Texts of the Colonial Korean Film
Volunteer (Jaekil Seo)

Subverting Ethnic Hierarchy?: The Film Suicide Squad at the Watchtower and
Colonial Korea (Naoki Mizuno)

The Colonial and Transnational Production of Suicide Squad at the
Watchtower and Love and the Vow (Naoki Watanabe)

Between Ideology and Spectatorship: The “Ethnic Harmony” of the Manchuria
Motion Picture Corporation, 1937–1945 (Sookyeong Hong)

 Negotiating Colonial Korean Cinema in the Japanese Empire: From the
Silent Era to the Talkies, 1923-1939 (Chonghwa Chung)

Review Essays, Notes & Bibliographies

Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest (Jie Li)

Governmentality in Late Colonial Korea? (Henry Em)

Photo Essay
A Pictorial History of Changchun, 1898-1962 (Xinying Wang and Yishi Liu)

Readings from Asia
 
Review of Huang Xingtao 黄兴涛: “Ta” zi de wenhua shi  "她”字的文化史 [The
cultural 
history of feminine pronoun “ta”] (Gang Zhao)