[Vwoolf] seeking a source

Stuart N. Clarke stuart.n.clarke at btinternet.com
Mon May 31 03:48:38 EDT 2021


Possibly “Rambling Round Evelyn” in CR1:

But to return to happiness. It sometimes appears that if there is an insoluble difference between our ancestors and ourselves it is that we draw our happiness from different sources. We rate the same things at different values. Something of this we may ascribe to their ignorance and our knowledge. But are we to suppose that ignorance alters the nerves and the affections? Are we to believe that it would have been an intolerable penance for us to live familiarly with the Elizabethans? Should we have found it necessary to leave the room because of Shakespeare's habits, and to have refused Queen Elizabeth's invitation to dinner? Perhaps so. For Evelyn was a sober man of unusual refinement, and yet he pressed into a torture chamber as we crowd to see the lions fed.



  . . . they first bound his wrists with a strong rope or small cable, and one end of it to an iron ring made fast to the wall about four feet from the floor, and then his feet with another cable, fastened about five feet farther than his utmost length to another ring on the floor of the room. Thus suspended, and yet lying but aslant, they slid a horse of wood under the rope which bound his feet, which so exceedingly stiffened it, as severed the fellow's joints in miserable sort, drawing him out at length in an extraordinary manner, he having only a pair of linen drawers upon his naked body . . .



And so on. Evelyn watched this to the end, and then remarked that "the spectacle was so uncomfortable that I was not able to stay the sight of another", as we might say that the lions growl so loud and the sight of raw meat is so unpleasant that we will now visit the penguins. Allowing for his discomfort, there is enough discrepancy between his view of pain and ours to make us wonder whether we see any fact with the same eyes, marry any woman from the same motives, or judge any conduct by the same standards. To sit passive when muscles tore and bones cracked, not to flinch when the wooden horse was raised higher and the executioner fetched a horn and poured two buckets of water down the man's throat, to suffer this iniquity on a suspicion of robbery which the man denied--all this seems to put Evelyn in one of those cages where we still mentally seclude the riff-raff of Whitechapel. Only it is obvious that we have somehow got it wrong. If we could maintain that our susceptibility to suffering and love of justice were proof that all our humane instincts were as highly developed as these, then we could say that the world improves, and we with it. 


Stuart

From: Morgne Cramer via Vwoolf 
Sent: Monday, May 31, 2021 1:19 AM
To: vwoolf at lists.osu.edu 
Subject: [Vwoolf] seeking a source

Dear Woolfians,



I am trying to recall a passage I read long ago and cannot even remember if it was an essay or short story. What I recall is Woolf or her narrator is talking about how as civilization changes our emotional responses to the suffering of others changes too. The image I recall (vaguely) was her comparing times in history when people could walk by public hangings without much disturbance while in her time most people could not endure watching a public hanging without pain, severe upset, and public hangings were no longer acceptable.



I know this is vague—but does anyone recognize these "moment" in her prose and the source?



Morgne Cramer




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