MCLC: Insects in Chinese Literature

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Insects in Chinese Literature
NEW BOOK ANNOUNCEMENT
Cambria Press is pleased to announce the publication of Insects in Chinese Literature: A Study and Anthology by Wilt L. Idema.
This gist of Professor Idema’s newest book is well captured by Professor Judith T. Zeitlin (University of Chicago) who notes, "That prodigiously productive scholar and translator of Chinese literature is at it again. This time Wilt Idema takes us into the teeming world of creepy, crawling things—insects. Entertaining and erudite, and covering a mind-boggling range of genres, serious and parodic, the extraordinary range of Chinese writing on this subject—from culturally venerated insects like silkworms, cicadas, and crickets to universal scourges like fleas, mosquitos, and lice—over millennia is here made available for the first time."
Despite the “nonhuman” turn in the humanities, studies of animals in Chinese culture are still quite limited in number, while studies of insects in literature are even rarer and tend to focus on only a few aspects, such as cricket fights. The available studies on insects in Chinese literature are almost exclusively limited to insects in Chinese classical poetry, and so provide only a very limited view of the many ways in which insects have been viewed in Chinese culture at large.
This book helps to fill this gap. The first part of this volume begins with the fascination of modern author Lu Xun with entomological literature and satiric animal tales from the West. The book then traces the characterization of individual insects in three thousand years of classical Chinese poetry, from the ancient Book of Odes to the Qing dynasty (1644–1911), as emblems of virtues and vices. Separate chapters are dedicated to the selfless and diligent silkworm, the pure and outspoken cicada, the social organization of the ants and the bees (as well as the philandering tendencies of bees and butterflies), fighting crickets and disastrous locusts, slanderous flies, and sly mosquitoes, as well as body parasites as lice, fleas, and bedbugs. Each chapter includes extensive translations, highlighting lesser-known aspects of well-known poets and introducing original works by lesser-known authors.
Preceding the second part of the book is a short intermezzo devoted to insects in classical and vernacular narrative literature, which shows a preference for tales in which insects appear in human shape. The second part of the book delves into the popular literature of late imperial China, in which insects spoke their minds in the formal settings of weddings, funerals, wars, and court cases. A representative selection of such ballads and plays is discussed and translated and is followed by an epilogue, which contrasts the treatments of insects in Chinese and Western literature.
By contrasting the ways in which traditional Chinese belles lettres, traditional classical and vernacular literature, and popular songs and ballads treat insects, it becomes clear that each of these written traditions portrays insects in particular in its own way: as examples of virtues and vices, as fairies and demons in human guise, and as contentious characters speaking in their own voice. While some insects basically remain the same in all three traditions, other insects show unique characteristics in each tradition. Spiders, for instance, transform from wily hunters in classical poetry, to exhibitionists maidens in vernacular narrative, and to champions of justice in popular songs and ballads. Last but not least, the search for texts on insects reveals many works of considerable literary value which are presented in highly readable renditions.
Insects in Chinese Literature will be of interest to all persons who are interested in Chinese literature and comparative literature, all those who are interested in insects in Chinese culture at large, and all those who are interested in cultural entomology and animal studies.
See reviews of the book.
 
Table of Contents:
Chinese Dynasties
Introduction: Portrayal of Insects
Part I: Insects in Belles Lettres
Chapter 1: The Silkworm
Chapter 2: The Cicada
Chapter 3: Lessons Learned from Insects
Chapter 4: Fables on the Praying Mantis and the Spider
Chapter 5: The Ant, the Bee, and the Butterfly
Chapter 6: The Cricket, the Grasshopper, and the Locust
Chapter 7: The Fly and the Mosquito
Chapter 8: The Scorpion, the Louse, the Flea, and the Bedbug
Chapter 9: Group Portraits
Intermezzo
Chapter 10: Insects in Narrative Literature
Part II: Insects in Popular Literature
The Names of the Thirty-Six Kinds of Insects
Chapter 11: Weddings
The Precious Scroll of the Marriage of the Mantis
The Dragonfly’s Abduction of the Bride
The Mantis Abducts His Bride
The Dung Beetle Abducts His Bride
Chapter 12: Funerals
The Hundred-Day Insect
The War of the Insects
Chapter 13: Battles and Wars
The Battle of the Insects
The Song of the War of the Fly against the Mosquito
Chapter 14: Disputes and Court Cases
Southern Window Dream
The Louse Cries out his Grievances [followed by The Court Case of the Bedbug against the Mosquito]
The White Louse Voices his Grievances
Epilogue: Some Comparative Perspectives
Bibliography
Index
This book is part of the Cambria Sinophone World Series, headed by Victor Mair (University of Pennsylvania).
Insects in Chinese Literature will be launched at the 2019 AAS Conference this month; please visit the Cambria Press booth (403) in the book exhibit hall.  See the Cambria Press ad (p. 129) in the AAS program.
Order this book by April 30, 2019, to save 30% by using the coupon code AAS2019 at the Cambria Press website  (libraries can enjoy this discount too).
About the author: Wilt L. Idema is Professor Emeritus of Chinese Literature at Harvard University. A recipient of the prestigious Special Book Award of China, Dr. Idema’s many publications include The Red Brush: Writing Women of Imperial China; Personal Salvation and Filial Piety: Two Precious Scroll Narratives of Guanyin and Her Acolytes; Meng Jiangnü Brings Down the Great Wall: Ten Versions of a Chinese Legend; Heroines of Jiangyong: Chinese Narrative Ballads in Women’s Script; The White Snake and her Son; Judge Bao and the Rule of Law: Eight Ballad-Stories from the Period 1250–1450; Monks, Bandits, Lovers and Immortals: Eleven Early Chinese Plays; The Butterfly Lovers: The Legend of Liang Shanbo and Zhu Yingtai; Escape from Blood Pond Hell: The Tales of Mulian and Woman Huang; Battles, Betrayals, and Brotherhood: Early Chinese Plays on the Three Kingdoms; The Generals of the Yang Family: Four Early Plays; The Resurrected Skeleton: From Zhuangzi to Lu Xun; and ”The Immortal Maiden Equal to Heaven” and Other Precious Scrolls from Western Gansu.
by denton.2 at osu.edu on March 19, 2019
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