MCLC: why Game of Thrones is dangerous

[Denton, Kirk]

MCLC LIST
From: kirk (denton.2 at osu.edu)
Subject: why Game of Thrones is dangerous
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Source: Washington Post (5/2/14):
http://www.washingtonpost.com/blogs/worldviews/wp/2014/05/02/why-game-of-th
rones-is-actually-dangerous-for-chinas-rulers/

Why ‘Game of Thrones’ is actually dangerous for China’s rulers
* BY ISHAAN THAROOR

So it turns out the Chinese state TV's recent broadcast of "Game of
Thrones" was an edited mess, according to disgruntled netizens quoted by
the South China Morning Post. The censors, it appears, hacked away at the
show's notorious gore and sex. Here's the SCMP:

"I estimate that they cut about twenty minutes," one disgruntled Weibo
commentator wrote after the first episode re-aired on Sunday. "The story
feels discontinuous… [When they began re-airing it], my first reaction was
'This can’t be!' Then my second reaction was, 'My God, what a mess.'"

"So they've cut about a quarter of all the fight scenes, then a quarter of
the nude scenes," another netizen quipped. "I guess that's okay if all you
want to watch is a medieval European castle documentary."

But "Game of Thrones" is not just a "medieval European castle
documentary." Nor is the HBO drama beloved around the world purely for its
frequent battles and orgies. Beyond its ice zombies and shrieking dragons,
the show offers an engrossing meditation on political power and personal
loyalties, drawn sometimes from real historical events and suffused with
real lessons for nations and governments. Indeed, if China's censors
watched more closely, they could find other reasons to keep on cutting.

The myth of the unified, centralized state

For a country of its size, China can tell a particularly strong narrative
of political unity. Generations of rulers in Beijing have linked their
legitimacy and right to govern to a shared past, stretching back thousands
of years -- maintained, even, by a continued tradition of imperial exams
-- into realms of myth. In one view, the ruling Communist Party is just
another dynasty, dependent on the aura of this linked history. To prove
its claims over the South China Sea, Beijing still points to the maps of
Ming dynasty navigators. To stress its sovereignty over the far-western
regions of Tibet and Xinjiang, both home to restive populations, Beijing
invokes the legacy of the Qing dynasty's conquests.

In "Game of Thrones," the centralized state -- the united Seven Kingdoms
of Westeros -- is an entity balanced on a thread, forever vulnerable to
the whims of the power-brokers of the land. The TV show compels you to
root for separatists -- the charismatic, stoic Starks of the North -- who
are trying to split away from the tyranny of the capital. Moreover, the
show reinforces over and over in the viewer's mind just how unnatural and
manufactured the centralized authority of a high king is. We learn that
Joffrey, an odious princeling who assumes the throne after the
death of his putative father, Robert Baratheon, is actually the product of
incest among the powerful Lannister clan. Joffrey's rule as monarch is
preserved only through the cynical alliances made by his grandfather Tywin
Lannister, a brutally Machiavellian figure in the series. In "Game of
Thrones," after all, earning the right to rule is a game. And the
kingdom's subjects -- its "small-folk" -- are all hapless pawns
within it. That's not quite the message China's authoritarian leadership
-- beset by its own palace feuds and tales of vice and corruption -- would
want internalized through its own realm.

The not so Great Wall

One of the few fantastical features of the Westerosi landscape is the
Wall, a massive sheet of ice that separates the realms of men from the
wild "free folk" and more terrifying creatures who stalk the glacial
unknown. It's modeled perhaps on Hadrian's Wall, the stone defense erected
by the Romans in Britain to keep out the fearsome Picts and other
unconquered tribes.

But the Wall also echoes the Great Wall, China's vast, ancient lines of
fortifications that snake wondrously through mountains and can supposedly
be seen from space. The Great Wall in a certain sense defined China --
less as a practical national boundary and more as a kind of organizing
principle, a cultural landmark. It was less about rebuffing marauding
barbarians -- who would have no problem invading and settling China
through the centuries -- and more about distinguishing the world that
existed behind and beyond its parapets and towers. In recent years, the
structure has also lent itself to another metaphor: China's Great
Firewall, the barriers put up by the country's Internet police, blocking
free access to information on the Web.

Despite its epic size, the Wall in "Game of Thrones" is not all it's
cracked up to be. On one level, as the wildlings eventually tell us, it
does more to define those kept within its defenses than without, marking a
land where commoners have to "bend the knee" to the hierarchies of the
feudal world. It is defended by a misbegotten pack of scoundrels, rapists
and rogues. And it is easily breached (not unlike China's Internet
controls). Some of civilization's greatest monuments are also signs of a
culture's real weaknesses rather than its strengths.

Dragonstone or Taiwan?

The most storied noble house in "Game of Thrones" is that of the
Targaryens, the silver-haired, dragon-riding family that begins the show
in exile across the sea. We learn that the Targaryens once ruled all of
Westeros until a rebellion, punctuated by a few hideous slaughters, chased
them to a small, craggy isle off the coast called Dragonstone. Not long
after the last of the Targaryens flee the island for more distant
hideaways, the rock becomes the fortress of Stannis Baratheon, another
lord who thinks himself the true ruler of Westeros. Dragonstone exists in
the series as a permanent reminder of dissent, brooding sullenly off the
shores of the realm.

It doesn't take a tremendous imaginative leap to see a parallel to China.
In 1949, Mao Zedong's Communists defeated the nationalist forces, the
remnants of which fled en masse to the island of Taiwan. To this day,
Beijing considers Taiwan a renegade province, while Taiwan -- the Republic
of China -- in theory claims suzerainty over all of the Chinese mainland.
The story of "Game of Thrones" makes one thing clear, though: It's the
dissidents from the renegade island who will ultimately reshape the
balance of power on the mainland.