From kllevenback at att.net  Fri Nov  1 13:10:50 2024
From: kllevenback at att.net (Kllevenback)
Date: Fri, 1 Nov 2024 13:10:50 -0400
Subject: [Vwoolf] Woolf sighting: Bibliophile: An Illustrated Miscellany:
	Mount, Jane: 9781452167237:
References: <9466DD3B-AFB9-4586-8ED5-DB6CE1DE31AE.ref@att.net>
Message-ID: <9466DD3B-AFB9-4586-8ED5-DB6CE1DE31AE@att.net>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

This is not an ad for Amazon, but?

https://urldefense.com/v3/__https://www.amazon.com/dp/1452167230/?tag=thewire06-20&linkCode=xm2&ascsubtag=F0401J3JBSSPQ3K5KEGRK6WBZ0FF8&asin=1452167230&revisionId=&format=4&depth=1__;!!KGKeukY!1NIFe2euawxApYfwwUzM_Mvs89oQkb9MlkgtNFgCJkra4vvVRIF2rNfYTb9Z14WvHESi8RlFUDTiAQNclwtjdkI$ 

Sent from my iPad

From mc at clarior.net  Fri Nov  1 13:49:00 2024
From: mc at clarior.net (Marie Claire Boisset)
Date: Fri, 1 Nov 2024 18:49:00 +0100
Subject: [Vwoolf] Woolf sighting: Bibliophile: An Illustrated
 Miscellany: Mount, Jane: 9781452167237:
In-Reply-To: <9466DD3B-AFB9-4586-8ED5-DB6CE1DE31AE@att.net>
References: <9466DD3B-AFB9-4586-8ED5-DB6CE1DE31AE.ref@att.net>
	<9466DD3B-AFB9-4586-8ED5-DB6CE1DE31AE@att.net>
Message-ID: <CA+E3Q3rOioXCp8Yu4EPR=wHpqWUCCHEPKb8EjHjSjsWT3VN-9w@mail.gmail.com>

Not an ad either, but...
Just received some of those & I quite like them... ??

https://urldefense.com/v3/__https://novellix.fr/product/virginia-woolf/__;!!KGKeukY!0XlBIksyMfEFSIjoy1SgHX9I1XLFKZ1aPIw25BVNFX-Ekmcm5nrXTnYRqjYd-q5xIuLK7fI0KqLTsA$ 



*Marie-Claire Boisset-Pestourie*


IMPORTANT: The contents of this email and any attachments are confidential.
They are intended for the named recipient(s) only. If you have received
this email by mistake, please notify the sender immediately and do not
disclose the contents to anyone or make copies thereof.
Please consider your environmental responsibility. Before printing this
e-mail message, ask yourself whether you really need a hard copy.


On Fri, Nov 1, 2024 at 6:11?PM Kllevenback via Vwoolf <vwoolf at lists.osu.edu>
wrote:

> This is not an ad for Amazon, but?
>
>
> https://urldefense.com/v3/__https://www.amazon.com/dp/1452167230/?tag=thewire06-20&linkCode=xm2&ascsubtag=F0401J3JBSSPQ3K5KEGRK6WBZ0FF8&asin=1452167230&revisionId=&format=4&depth=1__;!!KGKeukY!1NIFe2euawxApYfwwUzM_Mvs89oQkb9MlkgtNFgCJkra4vvVRIF2rNfYTb9Z14WvHESi8RlFUDTiAQNclwtjdkI$
>
> Sent from my iPad
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241101/5e466749/attachment.html>

From ericadelsandro at gmail.com  Mon Nov  4 08:00:00 2024
From: ericadelsandro at gmail.com (Erica Delsandro)
Date: Mon, 4 Nov 2024 08:00:00 -0500
Subject: [Vwoolf] Of Potential Interest: MAPP x Feminist Modernist Studies
Message-ID: <CAHDzjj9ompDXmrHR4L0w1N-GZG3bf6tcv9jGJ8iPb5iw2B68nQ@mail.gmail.com>

Hello All!

I write again with an opportunity that may be of interest to folks on this
list. Thanks in advance for reading and sharing!



*Feminist Modernist Studies is honored to be collaborating with MAPP (The
Modernist Archives Publishing Project <https://urldefense.com/v3/__https://www.modernistarchives.com/__;!!KGKeukY!1SjNFM6AZPaXjamtw-dGtYudJh550VWf0g6pe9E__YBTtGUgbVImLP5MqJzsfqVFlVwuEjoscRcRuim_-FarXkXvlR3eIFoK4x74XsGo$ >)
for an Out of the Archives takeover across our three issues in 2026. The
MAPP Team will be working closely with our esteemed Out of the Archives
Editor, Urmila Seshagiri, to highlight the feminist contributions made
possible by MAPP. Check out the attached CFP and please distribute it
widely. What a fantastic opportunity to bring feminism, modernism, and
digital humanities together through a shared commitment to the archives!The
CFP is attached below. Please check it out!*


-- 

*Erica Gene Delsandro*

*she/her/hers*
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241104/a263aae7/attachment-0001.html>
-------------- next part --------------
A non-text attachment was scrubbed...
Name: FMSxMAPP(Proposal).pdf
Type: application/pdf
Size: 101516 bytes
Desc: not available
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241104/a263aae7/attachment-0001.pdf>

From stringsoflight at hotmail.co.uk  Mon Nov  4 12:16:41 2024
From: stringsoflight at hotmail.co.uk (stringsOf Light)
Date: Mon, 4 Nov 2024 17:16:41 +0000
Subject: [Vwoolf] dates of Sketch (between what time was it composed?)
Message-ID: <AM6PR01MB56550B4D81EB27947F90B50083512@AM6PR01MB5655.eurprd01.prod.exchangelabs.com>

Dear all

Can anyone help me with this enquiry. I have read Laura Marcus' paper "Some Ancestral Dread:" Woolf. Autobiography , and the Question of "Shame" which comes from the book Virginia Woolf and Heritage.

In this paper (on p268) she says that A Sketch of The Past was composed between April 1939 and November 1940. I am wondering if anyone knows how did she derive to that conclusion? And is there anywhere else I can read about when the Sketch was composed?

Would be grateful for any help.


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241104/05195c96/attachment.html>

From vrfavre at gmail.com  Mon Nov  4 13:10:08 2024
From: vrfavre at gmail.com (=?UTF-8?Q?Val=C3=A9rie_Favre?=)
Date: Mon, 4 Nov 2024 12:10:08 -0600
Subject: [Vwoolf] =?utf-8?q?Online_seminar_=E2=80=93_A_Room_of_One?=
	=?utf-8?b?4oCZcyBPd24gaW4gU3BhaW4g4oCTIDE0IE5vdmVtYmVyIDIwMjQg4oCT?=
	=?utf-8?q?_6pm_CET_=28on_Zoom=29?=
Message-ID: <CAMJxUDh6034-o=ZZSTzjJnDqZ=52jaWQPYBxWDAhC35zAhMNNQ@mail.gmail.com>

Dear all,

We are delighted to inform you that the first session of the ?*A Room of
One?s Own* in Europe? seminar will take place on Thursday 14 November at
6pm (CET) on Zoom.

Laura M? Lojo Rodriguez (Professor of English studies, University of
Santiago de Compostela) and Celia Recarey Rendo (freelance translator &
editor) will track the reception of Woolf?s 1929 essay in Spain.

To receive the zoom invitation please contact us at woolfianroom at gmail.com

You will find more information on this year's seminar and on our research
programme on our website: https://urldefense.com/v3/__https://room.hypotheses.org/__;!!KGKeukY!2bOfq9hiI548e41MwvCNRufIIm59Ry8wvurdKQGle2a0BmXl_7qnuYwv1QKzXaeBocuFARXHIbeapXgxtWs$ 

We look forward to seeing you online!

All best,
Val?rie Favre & Anne-Laure Rigeade

Val?rie Favre <https://urldefense.com/v3/__http://perso.univ-paris1.fr/vfavre__;!!KGKeukY!2bOfq9hiI548e41MwvCNRufIIm59Ry8wvurdKQGle2a0BmXl_7qnuYwv1QKzXaeBocuFARXHIbea1fe14O4$ > (elle/ielle?she/they)
Ma?tresse de conf?rences en ?tudes anglophones/Associate Professor in
English
Universit? Paris 1 Panth?on-Sorbonne
https://urldefense.com/v3/__https://www.pantheonsorbonne.fr/page-perso/vfavre__;!!KGKeukY!2bOfq9hiI548e41MwvCNRufIIm59Ry8wvurdKQGle2a0BmXl_7qnuYwv1QKzXaeBocuFARXHIbeam_jidsg$ 
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241104/fdbc6495/attachment.html>

From edward.mendelson at columbia.edu  Mon Nov  4 18:05:06 2024
From: edward.mendelson at columbia.edu (Edward Mendelson)
Date: Mon, 4 Nov 2024 18:05:06 -0500
Subject: [Vwoolf] A minor textual mystery in To the Lighthouse
Message-ID: <130afe4b-d158-4231-b11d-b6ac39fd8236@columbia.edu>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

The 1990 Hogarth Press edition of To the Lighthouse (in the "Definitive 
Collected Edition") has a list of variants between the first American 
and first British editions. One of the variants occurs in part I, 
section 18, in the last sentence of the paragraph that begins "Now, she 
whispered, crossing over to his bed". According to the list of variants, 
the first British edition has "Woulf they go" and the American edition 
has "Would they go" - and the British variant is preceded by an 
asterisk, indicating that the Hogarth edition uses the American variant.

But I can't find any edition that has "Woulf they go": the first, third, 
and fourth British impressions don't have it; a 1977 impression that I 
found on my shelf doesn't have it. Where on earth did the anonymous 
editor of the 1990 Hogarth edition find this?

Any enlightenment will be gratefully received.


From stringsoflight at hotmail.co.uk  Mon Nov  4 18:25:44 2024
From: stringsoflight at hotmail.co.uk (stringsOf Light)
Date: Mon, 4 Nov 2024 23:25:44 +0000
Subject: [Vwoolf] dates of Sketch (between what time was it composed?)
In-Reply-To: <AM6PR01MB56554A2DFCB31420DC5B741383512@AM6PR01MB5655.eurprd01.prod.exchangelabs.com>
References: <AM6PR01MB56550B4D81EB27947F90B50083512@AM6PR01MB5655.eurprd01.prod.exchangelabs.com>
	<AM6PR01MB56554A2DFCB31420DC5B741383512@AM6PR01MB5655.eurprd01.prod.exchangelabs.com>
Message-ID: <AM6PR01MB5655C62FDA6A9A6A85ABB25583512@AM6PR01MB5655.eurprd01.prod.exchangelabs.com>

Dear all

My search has finished, I have found the answer. Phew. Case closed : )

________________________________
From: Vwoolf <vwoolf-bounces+stringsoflight=hotmail.co.uk at lists.osu.edu> on behalf of stringsOf Light via Vwoolf <vwoolf at lists.osu.edu>
Sent: 04 November 2024 17:16
To: vwoolf at lists.osu.edu <vwoolf at lists.osu.edu>
Subject: [Vwoolf] dates of Sketch (between what time was it composed?)

Dear all

Can anyone help me with this enquiry. I have read Laura Marcus' paper "Some Ancestral Dread:" Woolf. Autobiography , and the Question of "Shame" which comes from the book Virginia Woolf and Heritage.

In this paper (on p268) she says that A Sketch of The Past was composed between April 1939 and November 1940. I am wondering if anyone knows how did she derive to that conclusion? And is there anywhere else I can read about when the Sketch was composed?

Would be grateful for any help.


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241104/aaf158c8/attachment.html>

From edward.mendelson at columbia.edu  Tue Nov  5 18:09:44 2024
From: edward.mendelson at columbia.edu (Edward Mendelson)
Date: Tue, 5 Nov 2024 18:09:44 -0500
Subject: [Vwoolf] A minor textual mystery in To the Lighthouse
In-Reply-To: <AM9PR03MB7662001500FBE59BA1C5112CF7522@AM9PR03MB7662.eurprd03.prod.outlook.com>
References: <130afe4b-d158-4231-b11d-b6ac39fd8236@columbia.edu>
	<AM9PR03MB7662001500FBE59BA1C5112CF7522@AM9PR03MB7662.eurprd03.prod.outlook.com>
Message-ID: <0da041db-261b-4eca-a530-3c96b444ebb2@columbia.edu>

Replying to myself: I think the answer to this mystery may be suggested 
by the headnote to the list of variants in the 1990 Hogarth edition, 
which says that "Thanks are due to [X and Y] whose concordance to To the 
Lighthouse (Oxford, 1983) has been of invaluable assistance in compiling 
this list." I noticed another error in the list, which says that the 
American first edition lacks a section number for the first section in 
the third part of the book - although the section number is very clearly 
present. It seems at least possible that the errors in the list of 
variants may derive from errors in that 1983 Concordance, which I 
haven't seen because my university library doesn't own it; it was 
published in microfiche only.

In any event, the list of American-British variants in the Hogarth 
"definitive edition" of To the Lighthouse is clearly unreliable.

And thanks also to the list member who privately confirmed that reading 
"Woulf" is not in the second UK printing either.

> The 1990 Hogarth Press edition of To the Lighthouse (in the "Definitive
> Collected Edition") has a list of variants between the first American
> and first British editions. One of the variants occurs in part I,
> section 18, in the last sentence of the paragraph that begins "Now, she
> whispered, crossing over to his bed". According to the list of variants,
> the first British edition has "Woulf they go" and the American edition
> has "Would they go" - and the British variant is preceded by an
> asterisk, indicating that the Hogarth edition uses the American variant.
>
> But I can't find any edition that has "Woulf they go": the first, third,
> and fourth British impressions don't have it; a 1977 impression that I
> found on my shelf doesn't have it. Where on earth did the anonymous
> editor of the 1990 Hogarth edition find this?
>
> Any enlightenment will be gratefully received.
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241105/fb1931a4/attachment.html>

From stuart.n.clarke at btinternet.com  Wed Nov  6 06:01:06 2024
From: stuart.n.clarke at btinternet.com (Stuart N. Clarke)
Date: Wed, 6 Nov 2024 11:01:06 -0000
Subject: [Vwoolf] A minor textual mystery in To the Lighthouse
In-Reply-To: <0da041db-261b-4eca-a530-3c96b444ebb2@columbia.edu>
References: <130afe4b-d158-4231-b11d-b6ac39fd8236@columbia.edu><AM9PR03MB7662001500FBE59BA1C5112CF7522@AM9PR03MB7662.eurprd03.prod.outlook.com>
	<0da041db-261b-4eca-a530-3c96b444ebb2@columbia.edu>
Message-ID: <35542BF0D4CA4D438A51047C53AF7DAB@StuartHP>

I have most of the concordances, which turned out to be a very expensive waste of money.

Haule and Smith did not use 1st editions, which shows how Woolfian textual scholarship had not really got off the ground at that time.

For TL they compared the 1964 Harvest with the 1977 Hogarth.  The variation in question is on p. 19 (of the hb book which contains the microfilms): 173.13 Harvest, 178.14 Hogarth.  I don?t have the 1977 Hogarth, but the 1974 reprint has ?Would?.

Stuart

From: Edward Mendelson via Vwoolf 
Sent: Tuesday, November 5, 2024 11:09 PM
To: vwoolf at lists.osu.edu 
Subject: Re: [Vwoolf] A minor textual mystery in To the Lighthouse

Replying to myself: I think the answer to this mystery may be suggested by the headnote to the list of variants in the 1990 Hogarth edition, which says that "Thanks are due to [X and Y] whose concordance to To the Lighthouse (Oxford, 1983) has
Replying to myself: I think the answer to this mystery may be suggested by the headnote to the list of variants in the 1990 Hogarth edition, which says that "Thanks are due to [X and Y] whose concordance to To the Lighthouse (Oxford, 1983) has been of invaluable assistance in compiling this list." I noticed another error in the list, which says that the American first edition lacks a section number for the first section in the third part of the book - although the section number is very clearly present. It seems at least possible that the errors in the list of variants may derive from errors in that 1983 Concordance, which I haven't seen because my university library doesn't own it; it was published in microfiche only. 


In any event, the list of American-British variants in the Hogarth "definitive edition" of To the Lighthouse is clearly unreliable. 


And thanks also to the list member who privately confirmed that reading "Woulf" is not in the second UK printing either.


  
  The 1990 Hogarth Press edition of To the Lighthouse (in the "Definitive 
  Collected Edition") has a list of variants between the first American 
  and first British editions. One of the variants occurs in part I, 
  section 18, in the last sentence of the paragraph that begins "Now, she 
  whispered, crossing over to his bed". According to the list of variants, 
  the first British edition has "Woulf they go" and the American edition 
  has "Would they go" - and the British variant is preceded by an 
  asterisk, indicating that the Hogarth edition uses the American variant.

  But I can't find any edition that has "Woulf they go": the first, third, 
  and fourth British impressions don't have it; a 1977 impression that I 
  found on my shelf doesn't have it. Where on earth did the anonymous 
  editor of the 1990 Hogarth edition find this?

  Any enlightenment will be gratefully received.




--------------------------------------------------------------------------------
_______________________________________________
Vwoolf mailing list
Vwoolf at lists.osu.edu
https://lists.osu.edu/mailman/listinfo/vwoolf
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241106/3c6a3979/attachment-0001.html>

From ozma at sover.net  Fri Nov  8 07:52:17 2024
From: ozma at sover.net (Gretchen Gerzina)
Date: Fri, 08 Nov 2024 07:52:17 -0500
Subject: [Vwoolf] Another Woolf sighting
Message-ID: <523D731E-604A-4405-8B2C-22788D5B626E@contoso.com>

This review was in the latest TLS. It may be behind a paywall. It?s a review of sport memoir about soccer career (she?s American) and her dedication to Virginia Woolf?s writing. https://urldefense.com/v3/__https://www.the-tls.co.uk/culture/sport/the-striker-and-the-clock-georgia-cloepfil-book-review-devoney-looser__;!!KGKeukY!2D7hapi2ZhMpxfQ3pFM4vogb1dJ6StYscPLFAstknfiKCzoL2R5FtRBLJY_VGDQJat2eXOdnkvgcXW4$ 

 

Gretchen Holbrook Gerzina

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241108/ca99d48e/attachment.html>

From smhall123 at yahoo.co.uk  Fri Nov  8 08:14:54 2024
From: smhall123 at yahoo.co.uk (Sarah M. Hall)
Date: Fri, 8 Nov 2024 13:14:54 +0000 (UTC)
Subject: [Vwoolf] Another Woolf sighting
In-Reply-To: <523D731E-604A-4405-8B2C-22788D5B626E@contoso.com>
References: <523D731E-604A-4405-8B2C-22788D5B626E@contoso.com>
Message-ID: <1006272293.350038.1731071694694@mail.yahoo.com>

 Thanks, Gretchen.
This is another annoying request to anyone who can capture the whole thing: I can only see part because I've 'run out of free articles'.
Sarah


Sarah M. Hall
Executive Council
Virginia Woolf Society of GB
Web: virginiawoolfsociety.org.uk
Facebook: @VWSGB
Twitter/X: @VirginiaWoolfGB
Instagram: @virginiawoolfsociety





    On Friday, 8 November 2024 at 12:52:39 GMT, Gretchen Gerzina via Vwoolf <vwoolf at lists.osu.edu> wrote:  
 
 This review was in the latest TLS. It may be behind a paywall. It?s a review of sport memoir about soccer career (she?s American) and her dedication to Virginia Woolf?s writing. https:?//www.?the-tls.?co.?uk/culture/sport/the-striker-and-the-clock-georgia-cloepfil-book-review-devoney-looser
This review was in the latest TLS. It may be behind a paywall. It?s a review of sport memoir about soccer career (she?s American) and her dedication to Virginia Woolf?s writing. https://urldefense.com/v3/__https://www.the-tls.co.uk/culture/sport/the-striker-and-the-clock-georgia-cloepfil-book-review-devoney-looser__;!!KGKeukY!2FyhguLzQR9OrtReGeSoboJdzamqypB9ZCEnryMxDa_LPbnXdNEc8byd94mBEikNxk4T5WWRBvLcPxZHTX8z7YXP$ 

 ?

Gretchen Holbrook Gerzina
 _______________________________________________
Vwoolf mailing list
Vwoolf at lists.osu.edu
https://lists.osu.edu/mailman/listinfo/vwoolf
  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241108/71658a22/attachment.html>

From keczarnecki at gmail.com  Fri Nov  8 08:46:01 2024
From: keczarnecki at gmail.com (Kristin Czarnecki)
Date: Fri, 8 Nov 2024 08:46:01 -0500
Subject: [Vwoolf] Another Woolf sighting
In-Reply-To: <523D731E-604A-4405-8B2C-22788D5B626E@contoso.com>
References: <523D731E-604A-4405-8B2C-22788D5B626E@contoso.com>
Message-ID: <CAPwfbEc3fAKHJn5Q9JX5PVHtmNkCZDyE-GiPpgf=pP7EeDhFvA@mail.gmail.com>

Thanks so much, Gretchen. I'm unable to read the entire review and echo
Sarah's request to anyone who might be able to capture/copy it for us.

I'd also like to draw everyone's attention to Kelcey
Ervick's highly acclaimed graphic memoir, *The Keeper: Soccer, Me, and the
Law That Changed Women's Lives,* published over two years ago, which blends
personal experience, sports/soccer, the monumental effects of Title IX,
reading, becoming a writer and professor, and Virginia Woolf among other
literary luminaries:
https://urldefense.com/v3/__https://bookshop.org/p/books/the-keeper-soccer-me-and-the-law-that-changed-women-s-lives-kelcey-ervick/18300055?ean=9780593539187__;!!KGKeukY!ysGdmivYzGeCly3x4eX7VGFPCmFTNcppcBfVthd4AXe71eR0TxvS1_HNov8rJVzzvpRO6cU9kJ06qAIaf8JjzbTO$ .
Alison Bechdel calls it "a triumph."

Best,

Kristin

On Fri, Nov 8, 2024 at 7:52?AM Gretchen Gerzina via Vwoolf <
vwoolf at lists.osu.edu> wrote:

> This review was in the latest TLS. It may be behind a paywall. It?s a
> review of sport memoir about soccer career (she?s American) and her
> dedication to Virginia Woolf?s writing. https: //www. the-tls. co.
> uk/culture/sport/the-striker-and-the-clock-georgia-cloepfil-book-review-devoney-looser
>
> This review was in the latest TLS. It may be behind a paywall. It?s a
> review of sport memoir about soccer career (she?s American) and her
> dedication to Virginia Woolf?s writing.
> https://urldefense.com/v3/__https://www.the-tls.co.uk/culture/sport/the-striker-and-the-clock-georgia-cloepfil-book-review-devoney-looser__;!!KGKeukY!ysGdmivYzGeCly3x4eX7VGFPCmFTNcppcBfVthd4AXe71eR0TxvS1_HNov8rJVzzvpRO6cU9kJ06qAIaf4MzRD9c$ 
> <https://urldefense.com/v3/__https://www.the-tls.co.uk/culture/sport/the-striker-and-the-clock-georgia-cloepfil-book-review-devoney-looser__;!!KGKeukY!2D7hapi2ZhMpxfQ3pFM4vogb1dJ6StYscPLFAstknfiKCzoL2R5FtRBLJY_VGDQJat2eXOdnkvgcXW4$>
>
>
>
> Gretchen Holbrook Gerzina
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241108/ab513296/attachment-0001.html>

From louisa.albani at gmail.com  Sat Nov  9 03:47:03 2024
From: louisa.albani at gmail.com (Louisa Albani)
Date: Sat, 9 Nov 2024 08:47:03 +0000
Subject: [Vwoolf] Virginia Woolf Winter Walk, 25 January 2025 10am-midday
Message-ID: <CAM5CUuoDivP1KH0mdmSTjd2HZm4WZxRn2Fms_SNvcam3sSm6eQ@mail.gmail.com>

Hello there

If you are in London in late January, you may be interested in the
following:

*Virginia Woolf Winter Walk*: ?Oxford Street Tide? ? from Oxford Street to
Bloomsbury on Saturday 25 January 2025, 10am.

A Winter Walk on Virginia Woolf?s birthday and to celebrate the publication
of the pamphlet Virginia Woolf in the City: Oxford Street Tide
<https://urldefense.com/v3/__https://www.nightbirdpress.com/product-page/virginia-woolf-in-the-city-oxford-street-tide__;!!KGKeukY!1lapOQUcFizZ-JMHZSrFKPkfPFDz05nTWIf6MuOjL28zeTuSI0m9898U_ZhXuYLTQ-uv2ZjE_Kun7pYR_Jz00C9yhNA$ >
(Night Bird Press <https://urldefense.com/v3/__https://www.nightbirdpress.com/__;!!KGKeukY!1lapOQUcFizZ-JMHZSrFKPkfPFDz05nTWIf6MuOjL28zeTuSI0m9898U_ZhXuYLTQ-uv2ZjE_Kun7pYR_Jz0DsTznKo$ > Louisa Albani, 2025).
Liz Ison will lead participants on a walk through the bustling area around
Oxford Street to the quieter Bloomsbury streets ending in Tavistock Square
Gardens. The walk is inspired by Louisa?s pamphlet which is in turn a
reimagining of Woolf?s essay Oxford Street Tide.

We will go in search of the London streets and places that served as
literary inspiration for Virginia Woolf as well as the shops that she liked
to frequent when she was in need of a new hat or pair of gloves, or some
books to read.

 ?The garishness and gaudiness of the great rolling ribbon of Oxford Street
has its fascination. It is like the pebbly bed of a river whose stones are
forever washed by a bright stream. Everything glitters and twinkles.? From
Virginia Woolf?s Oxford Street Tide

Participants will receive a signed copy of the Night Bird Press pamphlet
Virginia Woolf in the City: Oxford Street Tide. You can book your
place on Night
Bird Press
<https://urldefense.com/v3/__https://www.nightbirdpress.com/product-page/virginia-woolf-winter-walk-oxford-street-tide-from-oxford-street-to-bloomsb__;!!KGKeukY!1lapOQUcFizZ-JMHZSrFKPkfPFDz05nTWIf6MuOjL28zeTuSI0m9898U_ZhXuYLTQ-uv2ZjE_Kun7pYR_Jz0pp1X9rc$ >
website. Tickets are ?30 per person.
Virginia Woolf Winter Walk ticket purchase link
<https://urldefense.com/v3/__https://www.nightbirdpress.com/product-page/virginia-woolf-winter-walk-oxford-street-tide-from-oxford-street-to-bloomsb__;!!KGKeukY!1lapOQUcFizZ-JMHZSrFKPkfPFDz05nTWIf6MuOjL28zeTuSI0m9898U_ZhXuYLTQ-uv2ZjE_Kun7pYR_Jz0pp1X9rc$ >

Just a reminder that the VWSGB has its Annual Birthday Lecture in
Bloomsbury in the afternoon - so members or non-members might like to make
a day of it and take part in the morning walk as well.

I have waited over 4 years to find an opportunity to publish this pamphlet
- and am so happy that it is happening in the year of the 100th anniversary
of the publication of *Mrs Dalloway*. Mark Hussey, whose 'Mrs Dalloway?:
Biography of a Novel will be published by Manchester University Press in
May next year, has contributed a wonderful piece to the pamphlet, which
will also include Derek Ryan's piece on Virginia Woolf, Bloomsbury and
bookshops.

If you have any questions, please do let me know.

With my best wishes

Louisa
-- 
*Louisa Amelia Albani*
Artist and small press publisher
Night Bird Press <https://urldefense.com/v3/__https://www.nightbirdpress.com/__;!!KGKeukY!1lapOQUcFizZ-JMHZSrFKPkfPFDz05nTWIf6MuOjL28zeTuSI0m9898U_ZhXuYLTQ-uv2ZjE_Kun7pYR_Jz0DsTznKo$ >
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/d62af083/attachment.html>

From stuart.n.clarke at btinternet.com  Sat Nov  9 06:02:48 2024
From: stuart.n.clarke at btinternet.com (Stuart N. Clarke)
Date: Sat, 9 Nov 2024 11:02:48 -0000
Subject: [Vwoolf] Orlando: The Original Holgraph Draft
Message-ID: <85532A6EEEE0456683DDD39D667DB91A@StuartHP>

I would like to reduce my stock of these.  See:
https://urldefense.com/v3/__http://www.virginiawoolfsociety.org.uk/resources/illustrations-in-the-first-editions-of-orlando-a-biography__;!!KGKeukY!29XAPyaowFdkgLnQzGxbra_1pQQnfmanKXZF2tateIko-nUAVtzDh-ti7AE8aBs5ODXfOnSw2SNdxLdimvcWxohz3Dw7hjGAMw$ 

TO UK ADDRESSES ONLY
?10 inc. postage
Payment only by PayPal to my email address or by bank transfer (contact me for details).

Stuart

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/771a3d49/attachment.html>

From kllevenback at att.net  Sat Nov  9 06:22:38 2024
From: kllevenback at att.net (Kllevenback)
Date: Sat, 9 Nov 2024 06:22:38 -0500
Subject: [Vwoolf] =?utf-8?q?Woolf_sighting=E2=80=94The_Writing_Tool_That_M?=
 =?utf-8?q?ark_Twain=2C_Agatha_Christie_and_James_Joyce_All_Swore_By?=
References: <04F487A0-653D-4015-978A-DF3E2BBF64E3.ref@att.net>
Message-ID: <04F487A0-653D-4015-978A-DF3E2BBF64E3@att.net>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

https://urldefense.com/v3/__https://www.nytimes.com/2024/11/02/books/review/notebook-roland-allen-agatha-christie-henry-james-mark-twain.html?smid=nytcore-ios-share&referringSource=articleShare__;!!KGKeukY!0P1t-_OLNR49ZK2ObBUvm4IFX1RZgNn1lXgIqu31YcV_nQ2T1dApPK9xDYTn_5YNzFbWDbCC_Cl3wnTJBIEyW_4$ 

Sent from my iPad

From stuart.n.clarke at btinternet.com  Sat Nov  9 08:48:18 2024
From: stuart.n.clarke at btinternet.com (Stuart N. Clarke)
Date: Sat, 9 Nov 2024 13:48:18 -0000
Subject: [Vwoolf] Orlando: The Original Holgraph Draft
In-Reply-To: <85532A6EEEE0456683DDD39D667DB91A@StuartHP>
References: <85532A6EEEE0456683DDD39D667DB91A@StuartHP>
Message-ID: <111661BE2B80438B82B6D2FC7CFA2CFB@StuartHP>

My reply to Laura Cernat has been rejected:

Dear Laura

I don?t want to be bothered about overseas postage, &c.  I would charge considerably more to Belgium and even more to N America (?39).

I don?t know what else you need to know about paying via PayPal.  Surely you just need my email address?

Stuart

From: Stuart N. Clarke via Vwoolf 
Sent: Saturday, November 9, 2024 11:02 AM
To: vwoolf at lists.osu.edu 
Subject: [Vwoolf] Orlando: The Original Holgraph Draft

I would like to reduce my stock of these. See: www.?virginiawoolfsociety.?org.?uk/resources/illustrations-in-the-first-editions-of-orlando-a-biography TO UK ADDRESSES ONLY ?10 inc. postage Payment only by PayPal to my email address or by bank transfer
I would like to reduce my stock of these.  See:
https://urldefense.com/v3/__http://www.virginiawoolfsociety.org.uk/resources/illustrations-in-the-first-editions-of-orlando-a-biography__;!!KGKeukY!wgKUCVZRetpqPhZ9kMIMyhHLPB9qsgBlTWKUj11aeB32d_4TqQ4fF5cLNuyLMflkSiawwmksATOZIdmDFErCIf7ZTPY-jx3iiw$ 

TO UK ADDRESSES ONLY
?10 inc. postage
Payment only by PayPal to my email address or by bank transfer (contact me for details).

Stuart




--------------------------------------------------------------------------------
_______________________________________________
Vwoolf mailing list
Vwoolf at lists.osu.edu
https://lists.osu.edu/mailman/listinfo/vwoolf
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/fb9d7b7a/attachment.html>

From neverowv1 at southernct.edu  Sat Nov  9 09:49:18 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Sat, 9 Nov 2024 14:49:18 +0000
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
Message-ID: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>

Greetings,

"Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"):
https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$ 
[https://urldefense.com/v3/__https://www.charleston.org.uk/wp-content/uploads/2024/10/Lee-Robbins-3-800x1200.jpg__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtaurzEqDcr$ ]<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$ >
Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition Celebrating The Bloomsbury Group, Curated by Kim Jones<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$ >
The exhibition features rarely-seen works
https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$ 


https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$ 
[https://urldefense.com/v3/__https://cdn.mos.cms.futurecdn.net/8DsHdTH9x3eLYx8fZKhrWJ-1200-80.png__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtaunTJiMqs$ ]<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$ >
Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$ >
The 'sweeping' show features over 140 works from paintings to ceramics
theweek.com

[Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)]
Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)
Works by the Bloomsbury group will go on loan and up for sale at an exhibition hosted by a London auction house.
The event at Sotheby?s will celebrate art and literature by the Bloomsbury group, with works for sale alongside loans from the collection at Charleston, near Firle.
Radical Modernity: From Bloomsbury To Charleston, a private selling and loan exhibition in collaboration with Charleston, will highlight the ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings, furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger Fry, Virginia Woolf and Henry Lamb.
As part of the exhibition, the historic farmhouse will be loaning some of its most significant pieces, many not usually on public view.
They include recent acquisitions made as part of Charleston?s 50 for 50 campaign, a hunt for the best Bloomsbury works still in private collections to help mark the forthcoming 50th anniversary.
In 2030, Charleston will celebrate 50 years since the charity that saved it was established.
The Bloomsbury group was a circle of intellectuals including artists and writers in the 20th century. Charleston, the home and studio of painters Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
The Sotheby's exhibition is free and runs from November 9 to 26.
Best,
Vara
Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/90ba26f4/attachment-0001.html>

From stringsoflight at hotmail.co.uk  Sat Nov  9 12:02:27 2024
From: stringsoflight at hotmail.co.uk (stringsOf Light)
Date: Sat, 9 Nov 2024 17:02:27 +0000
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
Message-ID: <AM6PR02MB4646CFE6B8B32A55503E77FA835E2@AM6PR02MB4646.eurprd02.prod.outlook.com>

Early bird, from Mayfair.

VW, VB, & DG
(photo attached)

________________________________
From: Vwoolf <vwoolf-bounces at lists.osu.edu> on behalf of Neverow, Vara S. via Vwoolf <vwoolf at lists.osu.edu>
Sent: 09 November 2024 14:49
To: vwoolf listerve <vwoolf at lists.osu.edu>
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"

Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"): https:?//www.?charleston.?org.?uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
Greetings,

"Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"):
https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0nLYr0ZYEsYNt8sM-LJDoNf5PPGPIjNNlTA-r2NPkjUnCk0rYa8BzHHKJJujDJy1ao1IMN1zlZkFZv2mEO1pY8K97mlIeMkx$ <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
[https://urldefense.com/v3/__https://www.charleston.org.uk/wp-content/uploads/2024/10/Lee-Robbins-3-800x1200.jpg__;!!KGKeukY!0nLYr0ZYEsYNt8sM-LJDoNf5PPGPIjNNlTA-r2NPkjUnCk0rYa8BzHHKJJujDJy1ao1IMN1zlZkFZv2mEO1pY8K97n45ykaI$ ]<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition Celebrating The Bloomsbury Group, Curated by Kim Jones<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
The exhibition features rarely-seen works
https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0nLYr0ZYEsYNt8sM-LJDoNf5PPGPIjNNlTA-r2NPkjUnCk0rYa8BzHHKJJujDJy1ao1IMN1zlZkFZv2mEO1pY8K97rP5RwHA$ <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>


https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0nLYr0ZYEsYNt8sM-LJDoNf5PPGPIjNNlTA-r2NPkjUnCk0rYa8BzHHKJJujDJy1ao1IMN1zlZkFZv2mEO1pY8K97gY_VWqS$ <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
[https://urldefense.com/v3/__https://cdn.mos.cms.futurecdn.net/8DsHdTH9x3eLYx8fZKhrWJ-1200-80.png__;!!KGKeukY!0nLYr0ZYEsYNt8sM-LJDoNf5PPGPIjNNlTA-r2NPkjUnCk0rYa8BzHHKJJujDJy1ao1IMN1zlZkFZv2mEO1pY8K97ichwjsS$ ]<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
The 'sweeping' show features over 140 works from paintings to ceramics
theweek.com

[Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)]
Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)
Works by the Bloomsbury group will go on loan and up for sale at an exhibition hosted by a London auction house.
The event at Sotheby?s will celebrate art and literature by the Bloomsbury group, with works for sale alongside loans from the collection at Charleston, near Firle.
Radical Modernity: From Bloomsbury To Charleston, a private selling and loan exhibition in collaboration with Charleston, will highlight the ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings, furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger Fry, Virginia Woolf and Henry Lamb.
As part of the exhibition, the historic farmhouse will be loaning some of its most significant pieces, many not usually on public view.
They include recent acquisitions made as part of Charleston?s 50 for 50 campaign, a hunt for the best Bloomsbury works still in private collections to help mark the forthcoming 50th anniversary.
In 2030, Charleston will celebrate 50 years since the charity that saved it was established.
The Bloomsbury group was a circle of intellectuals including artists and writers in the 20th century. Charleston, the home and studio of painters Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
The Sotheby's exhibition is free and runs from November 9 to 26.
Best,
Vara
Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/98c5466e/attachment-0001.html>
-------------- next part --------------
A non-text attachment was scrubbed...
Name: IMG_9422.jpeg
Type: image/jpeg
Size: 191067 bytes
Desc: IMG_9422.jpeg
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/98c5466e/attachment-0001.jpeg>

From stringsoflight at hotmail.co.uk  Sat Nov  9 13:04:12 2024
From: stringsoflight at hotmail.co.uk (stringsOf Light)
Date: Sat, 9 Nov 2024 18:04:12 +0000
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
Message-ID: <AM6PR02MB4646F6118FBB0B5D23FADDB3835E2@AM6PR02MB4646.eurprd02.prod.outlook.com>

For those who may not be able to see this exhibition, apart from the eye catching paintings there was one thing which stood out; Virginia Woolf's dedication (quote) to Vanessa Bell in her book,
                        Walter Sickert
                         a conversation

                        ? Life is colour.?


________________________________
From: Vwoolf <vwoolf-bounces at lists.osu.edu> on behalf of Neverow, Vara S. via Vwoolf <vwoolf at lists.osu.edu>
Sent: 09 November 2024 14:49
To: vwoolf listerve <vwoolf at lists.osu.edu>
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"

Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"): https:?//www.?charleston.?org.?uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
Greetings,

"Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"):
https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!21XISApkEQaJ70wvByphALqZukI4rTedGcpROGK5HrOFqp-3tDJ1szCj336nZYnmWz0eH2srqoD3dVQwY1n9wCcAJBQpK-71$ <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
[https://urldefense.com/v3/__https://www.charleston.org.uk/wp-content/uploads/2024/10/Lee-Robbins-3-800x1200.jpg__;!!KGKeukY!21XISApkEQaJ70wvByphALqZukI4rTedGcpROGK5HrOFqp-3tDJ1szCj336nZYnmWz0eH2srqoD3dVQwY1n9wCcAJDyP2sGJ$ ]<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition Celebrating The Bloomsbury Group, Curated by Kim Jones<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
The exhibition features rarely-seen works
https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!21XISApkEQaJ70wvByphALqZukI4rTedGcpROGK5HrOFqp-3tDJ1szCj336nZYnmWz0eH2srqoD3dVQwY1n9wCcAJMsT4uzX$ <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>


https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!21XISApkEQaJ70wvByphALqZukI4rTedGcpROGK5HrOFqp-3tDJ1szCj336nZYnmWz0eH2srqoD3dVQwY1n9wCcAJHOWzB5a$ <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
[https://urldefense.com/v3/__https://cdn.mos.cms.futurecdn.net/8DsHdTH9x3eLYx8fZKhrWJ-1200-80.png__;!!KGKeukY!21XISApkEQaJ70wvByphALqZukI4rTedGcpROGK5HrOFqp-3tDJ1szCj336nZYnmWz0eH2srqoD3dVQwY1n9wCcAJA1_O6sl$ ]<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
The 'sweeping' show features over 140 works from paintings to ceramics
theweek.com

[Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)]
Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)
Works by the Bloomsbury group will go on loan and up for sale at an exhibition hosted by a London auction house.
The event at Sotheby?s will celebrate art and literature by the Bloomsbury group, with works for sale alongside loans from the collection at Charleston, near Firle.
Radical Modernity: From Bloomsbury To Charleston, a private selling and loan exhibition in collaboration with Charleston, will highlight the ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings, furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger Fry, Virginia Woolf and Henry Lamb.
As part of the exhibition, the historic farmhouse will be loaning some of its most significant pieces, many not usually on public view.
They include recent acquisitions made as part of Charleston?s 50 for 50 campaign, a hunt for the best Bloomsbury works still in private collections to help mark the forthcoming 50th anniversary.
In 2030, Charleston will celebrate 50 years since the charity that saved it was established.
The Bloomsbury group was a circle of intellectuals including artists and writers in the 20th century. Charleston, the home and studio of painters Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
The Sotheby's exhibition is free and runs from November 9 to 26.
Best,
Vara
Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/7ce1a14e/attachment.html>

From kllevenback at att.net  Sat Nov  9 14:12:08 2024
From: kllevenback at att.net (Kllevenback)
Date: Sat, 9 Nov 2024 14:12:08 -0500
Subject: [Vwoolf] Stuffs tickets available for tonight
References: <47E1DFF4-6EF3-4DDB-813E-A33E1C565B19.ref@att.net>
Message-ID: <47E1DFF4-6EF3-4DDB-813E-A33E1C565B19@att.net>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

Having car trouble on the NJ Turnpike and will probably not make it.

Anyone interested?  Contact me ASAP.

Karen Levenback 

Sent from my iPad

From neverowv1 at southernct.edu  Sat Nov  9 14:14:23 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Sat, 9 Nov 2024 19:14:23 +0000
Subject: [Vwoolf] Karen Levenback is offering tickets to Suffs in NYC tonight
Message-ID: <BL3PR02MB79701D053876D4B505F94A948E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>

Hello everyone,

Karen Levenback (kllevenback at att.net<mailto:kllevenback at att.net>) has tickets to the performance of Suffs in NYC but cannot attend. Please contact her (not me!) immediately if you are interested.

Best,
Vara

Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241109/29bf5348/attachment.html>

From harish.trivedi at gmail.com  Sat Nov  9 22:05:27 2024
From: harish.trivedi at gmail.com (Harish Trivedi)
Date: Sun, 10 Nov 2024 08:35:27 +0530
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
Message-ID: <CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>

Thanks for this.

Could someone please identify the sculpture on the mantelpiece depicting
the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan
etc.) and in what circumstances?

Is a better photo of it available somewhere?

I am especially curious as the Bloomsbury group appears to have had little
interest in Indian art? or did they?

Best wishes.

Harish Trivedi




On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <
vwoolf at lists.osu.edu> wrote:

> Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's
> and Charleston's free London exhibition curated by Kim Jones ("Free & Open
> to the Public from 9 ? 26 November"): https: //www. charleston. org.
> uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
> Greetings,
>
> "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and
> Charleston's free London exhibition curated by Kim Jones ("Free & Open to
> the Public from 9 ? 26 November"):
>
> https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!1OltuOsi9B5F8klVJ-bD9h_4CqpLTiUDSykeGn0y-bZ5J60lv3KjrCwB27ii9BMK35AZIfd9MSPx_odfBtZU7vrOSFaB$ 
> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>
> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
> Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition
> Celebrating The Bloomsbury Group, Curated by Kim Jones
> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
> The exhibition features rarely-seen works
> https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!1OltuOsi9B5F8klVJ-bD9h_4CqpLTiUDSykeGn0y-bZ5J60lv3KjrCwB27ii9BMK35AZIfd9MSPx_odfBtZU7vWaUUcQ$ 
> <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>
>
>
>
> https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!1OltuOsi9B5F8klVJ-bD9h_4CqpLTiUDSykeGn0y-bZ5J60lv3KjrCwB27ii9BMK35AZIfd9MSPx_odfBtZU7s9qMrdS$ 
> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>
> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
> Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition
> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
> The 'sweeping' show features over 140 works from paintings to ceramics
> theweek.com
>
> [image: Vanessa Bell and Duncan Grant painted much of Charleston's
> interiors (Image: Lee Robbins)]
> Vanessa Bell and Duncan Grant painted much of Charleston's interiors
> (Image: Lee Robbins)
> Works by the Bloomsbury group will go on loan and up for sale at an
> exhibition hosted by a London auction house.
> The event at Sotheby?s will celebrate art and literature by the Bloomsbury
> group, with works for sale alongside loans from the collection at
> Charleston, near Firle.
> Radical Modernity: From Bloomsbury To Charleston, a private selling and
> loan exhibition in collaboration with Charleston, will highlight the
> ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings,
> furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger
> Fry, Virginia Woolf and Henry Lamb.
> As part of the exhibition, the historic farmhouse will be loaning some of
> its most significant pieces, many not usually on public view.
> They include recent acquisitions made as part of Charleston?s 50 for 50
> campaign, a hunt for the best Bloomsbury works still in private collections
> to help mark the forthcoming 50th anniversary.
> In 2030, Charleston will celebrate 50 years since the charity that saved
> it was established.
> The Bloomsbury group was a circle of intellectuals including artists and
> writers in the 20th century. Charleston, the home and studio of painters
> Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
> The Sotheby's exhibition is free and runs from November 9 to 26.
> Best,
> Vara
> Vara Neverow
> (she/her/hers)
> Professor, English Department
> Editor, *Virginia Woolf Miscellany*
> Southern Connecticut State University
> New Haven, CT 06515
> 203-392-6717
> neverowv1 at southernct.edu
>
> *I acknowledge that Southern Connecticut **State University was built on
> traditional territory of the indigenous peoples and nations of the
> Paugussett and Quinnipiac peoples.*
>
>
> *Recent Publications:*
>
> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/2debe944/attachment-0001.html>

From neverowv1 at southernct.edu  Sat Nov  9 22:40:09 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Sun, 10 Nov 2024 03:40:09 +0000
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>
Message-ID: <BL3PR02MB797024A9D515752B0F7BC2F78E5F2@BL3PR02MB7970.namprd02.prod.outlook.com>

Dear Harish,

The webpage I inserted below has a much better photograph of the sculpture on the mantel of the fireplace (and also has an amazing number of other photographs of Charleston).

https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFO_x-hA$ 
[https://urldefense.com/v3/__https://media.houseandgarden.co.uk/photos/6189374862b737ababca0b22/16:9/w_2580,c_limit/973472-house-23jun15_PaulMassey_b.jpg__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNCLYg7Gb$ ]<https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFO_x-hA$ >
The interiors of Charleston: the house the Bloomsbury Group turned in to a living work of art<https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFO_x-hA$ >
Nestled in bucolic Sussex gardens the seventeenth-century exterior belies the riot of imaginative decoration inside; a legacy of its function as artistic residence to the Bloomsbury Group.
https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNI-3P4n3$ 
This article looks like it might be of relevance:
Ira Nadel<https://urldefense.com/v3/__https://www.euppublishing.com/author/Nadel*2C*Ira__;JSs!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNLudQxfH$ >
"Oriental Bloomsbury"
Modernist Cultures, February 2018, vo. 13, No. 1 : pp. 14-32
https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNAgfJiln$ 
The abstract states:
The multiple and occasionally contradictory response of Bloomsbury to the Orient is the focus of this essay which also considers the reverse: the Orient's response to Bloomsbury and the promotion of their texts in the East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell, the Orient became a source of aesthetic interest and problematized politics. French Orientalism and Proust initially corroborated the experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to be revised by new views of Imperial authority. Yet Bloomsbury and the Orient artistically depended on each other, at one point Fry scolding Bloomsbury and England that ?we can no longer hide behind the Elgin marbles and refuse to look at the art of China?. And look they did, from attending museum shows to collecting Oriental art and furniture, while adopting Oriental fashions???and, when possible, traveling to China and Japan marked by visits by Bertrand Russell, William Empson, and Harold Acton. The response of individual Bloomsbury writers to the Orient mixes curiosity and jealousy. To her nephew Julian Bell, teaching at Wuhan University, Woolf wrote that ?you are much to be envied. I wish I had spent three years in China at your age?.

E. M. Forster's A Passage to India might also have some traces of relevance regarding Indian art.

I hope this response is somewhat helpful.

Best,
Vara

Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

________________________________
From: Harish Trivedi <harish.trivedi at gmail.com>
Sent: Saturday, November 9, 2024 10:05 PM
To: Neverow, Vara S. <neverowv1 at southernct.edu>
Cc: vwoolf listerve <vwoolf at lists.osu.edu>
Subject: Re: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"

Thanks for this.

Could someone please identify the sculpture on the mantelpiece depicting the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan etc.) and in what circumstances?

Is a better photo of it available somewhere?

I am especially curious as the Bloomsbury group appears to have had little interest in Indian art? or did they?

Best wishes.

Harish Trivedi




On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <vwoolf at lists.osu.edu<mailto:vwoolf at lists.osu.edu>> wrote:
Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"): https:?//www.?charleston.?org.?uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
Greetings,

"Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"):
https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNEEUz8vT$ <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
[https://urldefense.com/v3/__https://www.charleston.org.uk/wp-content/uploads/2024/10/Lee-Robbins-3-800x1200.jpg__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNDIl6X67$ ]<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition Celebrating The Bloomsbury Group, Curated by Kim Jones<https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
The exhibition features rarely-seen works
https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNCRS_noi$ <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>


https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNIf3YUBW$ <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
[https://urldefense.com/v3/__https://cdn.mos.cms.futurecdn.net/8DsHdTH9x3eLYx8fZKhrWJ-1200-80.png__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNPk460Mu$ ]<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition<https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
The 'sweeping' show features over 140 works from paintings to ceramics
theweek.com<https://urldefense.com/v3/__http://theweek.com/__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFPJ7fKo$ >

[Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)]
Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)
Works by the Bloomsbury group will go on loan and up for sale at an exhibition hosted by a London auction house.
The event at Sotheby?s will celebrate art and literature by the Bloomsbury group, with works for sale alongside loans from the collection at Charleston, near Firle.
Radical Modernity: From Bloomsbury To Charleston, a private selling and loan exhibition in collaboration with Charleston, will highlight the ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings, furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger Fry, Virginia Woolf and Henry Lamb.
As part of the exhibition, the historic farmhouse will be loaning some of its most significant pieces, many not usually on public view.
They include recent acquisitions made as part of Charleston?s 50 for 50 campaign, a hunt for the best Bloomsbury works still in private collections to help mark the forthcoming 50th anniversary.
In 2030, Charleston will celebrate 50 years since the charity that saved it was established.
The Bloomsbury group was a circle of intellectuals including artists and writers in the 20th century. Charleston, the home and studio of painters Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
The Sotheby's exhibition is free and runs from November 9 to 26.
Best,
Vara
Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu<mailto:neverowv1 at southernct.edu>


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

_______________________________________________
Vwoolf mailing list
Vwoolf at lists.osu.edu<mailto:Vwoolf at lists.osu.edu>
https://lists.osu.edu/mailman/listinfo/vwoolf
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/602b5900/attachment-0001.html>

From pigeonel at videotron.ca  Sun Nov 10 08:43:58 2024
From: pigeonel at videotron.ca (Elaine Pigeon)
Date: Sun, 10 Nov 2024 08:43:58 -0500
Subject: [Vwoolf] Fwd:  "Radical Modernity: From Bloomsbury To Charleston"
References: <07BC7B25-CE93-4E6B-A953-3F2C0E9172A6@videotron.ca>
Message-ID: <EA48004B-B6B6-4C20-86DA-CAFF56E11C1F@videotron.ca>



> Begin forwarded message:
> 
> From: Elaine Pigeon <pigeonel at videotron.ca>
> Subject: Re: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
> Date: November 10, 2024 at 7:48:59?AM EST
> To: "Neverow, Vara S." <neverowv1 at southernct.edu>
> 
> I believe it?s a statue of Avalokiteshvara, the Bodhisattva of infinite compassion. The gender of Avalokiteshvara is indeterminate, sometimes male but later considered female. Seems appropriate, don?t you think?
> 
> Elaine Pigeon, PhD
> 
> https://urldefense.com/v3/__https://www.learnreligions.com/avalokiteshvara-bodhisattva-450135__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eNaFDYvAg$ ?
> Meet Avalokiteshvara, Buddhism's Bodhisattva of Infinite Compassion
> learnreligions.com
> 
> 
>> On Nov 9, 2024, at 10:40?PM, Neverow, Vara S. via Vwoolf <vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>> wrote:
>> 
>> Dear Harish,
>> 
>> The webpage I inserted below has a much better photograph of the sculpture on the mantel of the fireplace (and also has an amazing number of other photographs of Charleston).
>> 
>> https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eOT-cGM6g$  <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFO_x-hA$>
>>  <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFO_x-hA$>	
>> The interiors of Charleston: the house the Bloomsbury Group turned in to a living work of art <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFO_x-hA$>
>> Nestled in bucolic Sussex gardens the seventeenth-century exterior belies the riot of imaginative decoration inside; a legacy of its function as artistic residence to the Bloomsbury Group.
>> https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eP29nzfQw$  <https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNI-3P4n3$>
>> This article looks like it might be of relevance:
>> Ira Nadel <https://urldefense.com/v3/__https://www.euppublishing.com/author/Nadel*2C*Ira__;JSs!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNLudQxfH$>
>> "Oriental Bloomsbury"
>> Modernist Cultures, February 2018, vo. 13, No. 1 : pp. 14-32
>> https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eOu7ztB4A$  <https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNAgfJiln$>
>> The abstract states:
>> The multiple and occasionally contradictory response of Bloomsbury to the Orient is the focus of this essay which also considers the reverse: the Orient's response to Bloomsbury and the promotion of their texts in the East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell, the Orient became a source of aesthetic interest and problematized politics. French Orientalism and Proust initially corroborated the experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to be revised by new views of Imperial authority. Yet Bloomsbury and the Orient artistically depended on each other, at one point Fry scolding Bloomsbury and England that ?we can no longer hide behind the Elgin marbles and refuse to look at the art of China?. And look they did, from attending museum shows to collecting Oriental art and furniture, while adopting Oriental fashions???and, when possible, traveling to China and Japan marked by visits by Bertrand Russell, William Empson, and Harold Acton. The response of individual Bloomsbury writers to the Orient mixes curiosity and jealousy. To her nephew Julian Bell, teaching at Wuhan University, Woolf wrote that ?you are much to be envied. I wish I had spent three years in China at your age?.
>> 
>> E. M. Forster's A Passage to India might also have some traces of relevance regarding Indian art. 
>> 
>> I hope this response is somewhat helpful. 
>> 
>> Best,
>> Vara
>> 
>> Vara Neverow
>> (she/her/hers)
>> Professor, English Department
>> Editor, Virginia Woolf Miscellany
>> Southern Connecticut State University
>> New Haven, CT 06515
>> 203-392-6717
>> neverowv1 at southernct.edu <mailto:neverowv1 at southernct.edu>
>> 
>> I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.  
>> 
>> Recent Publications:
>> Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>> 
>> From: Harish Trivedi <harish.trivedi at gmail.com <mailto:harish.trivedi at gmail.com>>
>> Sent: Saturday, November 9, 2024 10:05 PM
>> To: Neverow, Vara S. <neverowv1 at southernct.edu <mailto:neverowv1 at southernct.edu>>
>> Cc: vwoolf listerve <vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>>
>> Subject: Re: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
>>  
>> Thanks for this. 
>> 
>> Could someone please identify the sculpture on the mantelpiece depicting the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan etc.) and in what circumstances? 
>> 
>> Is a better photo of it available somewhere? 
>> 
>> I am especially curious as the Bloomsbury group appears to have had little interest in Indian art? or did they? 
>> 
>> Best wishes. 
>> 
>> Harish Trivedi
>>  
>>  
>> 
>> 
>> On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>> wrote:
>> Greetings,
>> 
>> "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and Charleston's free London exhibition curated by Kim Jones ("Free & Open to the Public from 9 ? 26 November"):
>> https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eM_urgvEg$  <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>>  <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>	
>> Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition Celebrating The Bloomsbury Group, Curated by Kim Jones <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>> The exhibition features rarely-seen works
>> https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eMdqc3MXQ$  <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>
>> 
>> 
>> https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!2k8BX-LKfdlEPimlF2y6C98BsxDJ3O24TQNQlPY89PVPNBsUCU3z8nc9LEkq9ileoxHM5X_oQ77z7PoK4eM-EWdWhw$  <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>>  <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>	
>> Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>> The 'sweeping' show features over 140 works from paintings to ceramics
>> theweek.com <https://urldefense.com/v3/__http://theweek.com/__;!!KGKeukY!wLurNN1jQ6JWKAFfuH2crz7U7ouL2mfcepeG5k8Wf6CqsZFxHh8um6oKuuOycpskE8Rn0LqRzsgDQbtw_TlfNFPJ7fKo$>
>> 
>> 
>> Vanessa Bell and Duncan Grant painted much of Charleston's interiors (Image: Lee Robbins)
>> Works by the Bloomsbury group will go on loan and up for sale at an exhibition hosted by a London auction house.
>> The event at Sotheby?s will celebrate art and literature by the Bloomsbury group, with works for sale alongside loans from the collection at Charleston, near Firle.
>> Radical Modernity: From Bloomsbury To Charleston, a private selling and loan exhibition in collaboration with Charleston, will highlight the ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings, furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger Fry, Virginia Woolf and Henry Lamb.
>> As part of the exhibition, the historic farmhouse will be loaning some of its most significant pieces, many not usually on public view.
>> They include recent acquisitions made as part of Charleston?s 50 for 50 campaign, a hunt for the best Bloomsbury works still in private collections to help mark the forthcoming 50th anniversary.
>> In 2030, Charleston will celebrate 50 years since the charity that saved it was established.
>> The Bloomsbury group was a circle of intellectuals including artists and writers in the 20th century. Charleston, the home and studio of painters Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
>> The Sotheby's exhibition is free and runs from November 9 to 26.
>> Best,
>> Vara
>> Vara Neverow
>> (she/her/hers)
>> Professor, English Department
>> Editor, Virginia Woolf Miscellany
>> Southern Connecticut State University
>> New Haven, CT 06515
>> 203-392-6717
>> neverowv1 at southernct.edu <mailto:neverowv1 at southernct.edu>
>> 
>> I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.  
>> 
>> Recent Publications:
>> Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>> 
>> _______________________________________________
>> Vwoolf mailing list
>> Vwoolf at lists.osu.edu <mailto:Vwoolf at lists.osu.edu>
>> https://lists.osu.edu/mailman/listinfo/vwoolf
>> _______________________________________________
>> Vwoolf mailing list
>> Vwoolf at lists.osu.edu
>> https://lists.osu.edu/mailman/listinfo/vwoolf

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/007158c1/attachment-0001.html>
-------------- next part --------------
A non-text attachment was scrubbed...
Name: GettyImages-488186489-56aaff1e5f9b58b7d0092c3c.jpeg
Type: image/jpeg
Size: 88663 bytes
Desc: not available
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/007158c1/attachment-0001.jpeg>

From harish.trivedi at gmail.com  Sun Nov 10 09:15:42 2024
From: harish.trivedi at gmail.com (Harish Trivedi)
Date: Sun, 10 Nov 2024 19:45:42 +0530
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <BL3PR02MB797024A9D515752B0F7BC2F78E5F2@BL3PR02MB7970.namprd02.prod.outlook.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>
	<BL3PR02MB797024A9D515752B0F7BC2F78E5F2@BL3PR02MB7970.namprd02.prod.outlook.com>
Message-ID: <CACkxAQCQ1QG9BHa6ZzrF5Fb_=ZF4UH-zNM0KJjczTeXmmMquMw@mail.gmail.com>

Dear Vara

Thanks for your prompt response.

The image and the article you attached from H&G, which had photos of that
sculpture from other angles too, are very helpful.  And yes, it seems to be
the Buddha all right, though the two hand-postures (*mudras*) seem to be
only half-familiar to me for they are seldom shown to go together.

 The article on "Oriental Bloomsbury" may turn out to have something on the
provenance of this piece of sculpture if and when I can access that article
(it's beyond a hefty paywall, as usual), though it looks a little too broad
in scope.  (Dickinson, Russell, Empson, Acton -- all in Bloomsbury?)   Has
anyone read this article?

As for Forster, he did see a fair bit of Indian sculpture *in situ* on his
two visits to India in 1912-13 and 1021-22, before he published *A Passage
to India*. But in that novel, he (creatively) erased even the carvings that
actually are there on the Barabar caves, so as to make his Marabar caves
primordially bare and featureless.

When Forster was setting off on his second visit to India, Virginia Woolf
said, perhaps half-jokingly and half-solicitously, that he might be leaving
England forever. "He will become a mystic, sit by the roadside and forget
Europe."  Nothing like that happened, of course, and F remained very much a
British Liberal sceptic.

Despite its many "muddles,"  *Passage* " remains probably the best novel
ever written about India by a Westerner, and therefore the closest that
Bloomsbury got to India in creative terms.  A collection of new essays has
recently appeared to mark the centenary of its publication and it has about
half a dozen passing references to Virginia Woolf, and a couple to Leonard
too.  (See https://urldefense.com/v3/__https://orientblackswan.com/details?id=9789354429293__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqoS5npWf$    -- and
excuse the self-promotion!)

As for VW and India, I'll shortly write another mail to this list with some
more queries.

Best wishes.
Harish

Harish Trivedi




On Sun, 10 Nov 2024 at 09:10, Neverow, Vara S. <neverowv1 at southernct.edu>
wrote:

> Dear Harish,
>
> The webpage I inserted below has a much better photograph of the sculpture
> on the mantel of the fireplace (and also has an amazing number of other
> photographs of Charleston).
>
> https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$ 
> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$ >
> The interiors of Charleston: the house the Bloomsbury Group turned in to a
> living work of art <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$ >
> Nestled in bucolic Sussex gardens the seventeenth-century exterior belies
> the riot of imaginative decoration inside; a legacy of its function as
> artistic residence to the Bloomsbury Group.
> https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqsdLj8hh$ 
> This article looks like it might be of relevance:
> Ira Nadel <https://urldefense.com/v3/__https://www.euppublishing.com/author/Nadel*2C*Ira__;JSs!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqmA2Wdu1$ >
> "Oriental Bloomsbury"
> Modernist Cultures, February 2018, vo. 13, No. 1 : pp. 14-32
> https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWql_mNN_Z$ 
> The abstract states:
> The multiple and occasionally contradictory response of Bloomsbury to the
> Orient is the focus of this essay which also considers the reverse: the
> Orient's response to Bloomsbury and the promotion of their texts in the
> East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell,
> the Orient became a source of aesthetic interest and problematized
> politics. French Orientalism and Proust initially corroborated the
> experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to
> be revised by new views of Imperial authority. Yet Bloomsbury and the
> Orient artistically depended on each other, at one point Fry scolding
> Bloomsbury and England that ?we can no longer hide behind the Elgin marbles
> and refuse to look at the art of China?. And look they did, from attending
> museum shows to collecting Oriental art and furniture, while adopting
> Oriental fashions ? and, when possible, traveling to China and Japan marked
> by visits by Bertrand Russell, William Empson, and Harold Acton. The
> response of individual Bloomsbury writers to the Orient mixes curiosity and
> jealousy. To her nephew Julian Bell, teaching at Wuhan University, Woolf
> wrote that ?you are much to be envied. I wish I had spent three years in
> China at your age?.
>
> E. M. Forster's *A Passage to India *might also have some traces of
> relevance regarding Indian art.
>
> I hope this response is somewhat helpful.
>
> Best,
> Vara
>
> Vara Neverow
> (she/her/hers)
> Professor, English Department
> Editor, *Virginia Woolf Miscellany*
> Southern Connecticut State University
> New Haven, CT 06515
> 203-392-6717
> neverowv1 at southernct.edu
>
> *I acknowledge that Southern Connecticut **State University was built on
> traditional territory of the indigenous peoples and nations of the
> Paugussett and Quinnipiac peoples.*
>
>
> *Recent Publications:*
>
> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>
> ------------------------------
> *From:* Harish Trivedi <harish.trivedi at gmail.com>
> *Sent:* Saturday, November 9, 2024 10:05 PM
> *To:* Neverow, Vara S. <neverowv1 at southernct.edu>
> *Cc:* vwoolf listerve <vwoolf at lists.osu.edu>
> *Subject:* Re: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
>
> Thanks for this.
>
> Could someone please identify the sculpture on the mantelpiece depicting
> the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan
> etc.) and in what circumstances?
>
> Is a better photo of it available somewhere?
>
> I am especially curious as the Bloomsbury group appears to have had little
> interest in Indian art? or did they?
>
> Best wishes.
>
> Harish Trivedi
>
>
>
>
> On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <
> vwoolf at lists.osu.edu> wrote:
>
> Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's
> and Charleston's free London exhibition curated by Kim Jones ("Free & Open
> to the Public from 9 ? 26 November"): https: //www. charleston. org.
> uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
> Greetings,
>
> "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and
> Charleston's free London exhibition curated by Kim Jones ("Free & Open to
> the Public from 9 ? 26 November"):
>
> https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqtzL8Als$ 
> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>
> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
> Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition
> Celebrating The Bloomsbury Group, Curated by Kim Jones
> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
> The exhibition features rarely-seen works
> https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqi_hVE9e$ 
> <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>
>
>
>
> https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqoWRZSql$ 
> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>
> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
> Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition
> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
> The 'sweeping' show features over 140 works from paintings to ceramics
> theweek.com
>
> [image: Vanessa Bell and Duncan Grant painted much of Charleston's
> interiors (Image: Lee Robbins)]
> Vanessa Bell and Duncan Grant painted much of Charleston's interiors
> (Image: Lee Robbins)
> Works by the Bloomsbury group will go on loan and up for sale at an
> exhibition hosted by a London auction house.
> The event at Sotheby?s will celebrate art and literature by the Bloomsbury
> group, with works for sale alongside loans from the collection at
> Charleston, near Firle.
> Radical Modernity: From Bloomsbury To Charleston, a private selling and
> loan exhibition in collaboration with Charleston, will highlight the
> ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings,
> furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger
> Fry, Virginia Woolf and Henry Lamb.
> As part of the exhibition, the historic farmhouse will be loaning some of
> its most significant pieces, many not usually on public view.
> They include recent acquisitions made as part of Charleston?s 50 for 50
> campaign, a hunt for the best Bloomsbury works still in private collections
> to help mark the forthcoming 50th anniversary.
> In 2030, Charleston will celebrate 50 years since the charity that saved
> it was established.
> The Bloomsbury group was a circle of intellectuals including artists and
> writers in the 20th century. Charleston, the home and studio of painters
> Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
> The Sotheby's exhibition is free and runs from November 9 to 26.
> Best,
> Vara
> Vara Neverow
> (she/her/hers)
> Professor, English Department
> Editor, *Virginia Woolf Miscellany*
> Southern Connecticut State University
> New Haven, CT 06515
> 203-392-6717
> neverowv1 at southernct.edu
>
> *I acknowledge that Southern Connecticut **State University was built on
> traditional territory of the indigenous peoples and nations of the
> Paugussett and Quinnipiac peoples.*
>
>
> *Recent Publications:*
>
> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/3d1219d4/attachment-0001.html>

From harish.trivedi at gmail.com  Sun Nov 10 10:46:35 2024
From: harish.trivedi at gmail.com (Harish Trivedi)
Date: Sun, 10 Nov 2024 21:16:35 +0530
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <CACkxAQCQ1QG9BHa6ZzrF5Fb_=ZF4UH-zNM0KJjczTeXmmMquMw@mail.gmail.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>
	<BL3PR02MB797024A9D515752B0F7BC2F78E5F2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQCQ1QG9BHa6ZzrF5Fb_=ZF4UH-zNM0KJjczTeXmmMquMw@mail.gmail.com>
Message-ID: <CACkxAQB-tNutziyLD+NeAwBwMbrFWNeyUCOinSYP+fhSCVMFaQ@mail.gmail.com>

I saw a little while ago a message from Elaine about the Buddha image,
which I now cannot find on this thread, such being my computer competence.

Anyhow yes, indeed, Elaine, the Avalokiteshvara, about-to-be-Buddha, is the
prime suspect here. To confirm this, he is holding a lotus bud in one hand
(and never mind if it is not a full-blown lotus flower as often shown).
But he is pointing down with two fingers of his other hand, a posture not
often associated with him. It's not touching-the-earth  posture either, for
which he'll need to be seated.

And yes, the Avalokiteshvara is male to start with, as in India and in
Charleston, but is later transformed into a female deity called Guan Yin in
China and in the image you sent. There, s/he acquires instead, as shown in
your image, a long-necked pot which is full of compassion and which she is
often shown as holding upside down so that drops from it may fall on the
suffering humanity.

Once, I bought in Hong Kong a totally kitschy little statue of Guan Yin in
which water was falling drop by slow drop into the mouth of a crocodile at
G's feet, and then being recycled by some clever little Chinese technology
hidden inside to her pot, so that the pot never emptied. To atone for this,
I then bought a proper scholarly book on Guan Yin too.

But the question remains: who in Bloomsbury could have brought that
Buddha/Bodhisattva to Charleston?

Best wishes.
Harish

Best wishes.



Harish Trivedi




On Sun, 10 Nov 2024 at 19:45, Harish Trivedi <harish.trivedi at gmail.com>
wrote:

> Dear Vara
>
> Thanks for your prompt response.
>
> The image and the article you attached from H&G, which had photos of that
> sculpture from other angles too, are very helpful.  And yes, it seems to be
> the Buddha all right, though the two hand-postures (*mudras*) seem to be
> only half-familiar to me for they are seldom shown to go together.
>
>  The article on "Oriental Bloomsbury" may turn out to have something on
> the provenance of this piece of sculpture if and when I can access that
> article (it's beyond a hefty paywall, as usual), though it looks a little
> too broad in scope.  (Dickinson, Russell, Empson, Acton -- all in
> Bloomsbury?)   Has anyone read this article?
>
> As for Forster, he did see a fair bit of Indian sculpture *in situ* on
> his two visits to India in 1912-13 and 1021-22, before he published *A
> Passage to India*. But in that novel, he (creatively) erased even the
> carvings that actually are there on the Barabar caves, so as to make his
> Marabar caves primordially bare and featureless.
>
> When Forster was setting off on his second visit to India, Virginia Woolf
> said, perhaps half-jokingly and half-solicitously, that he might be leaving
> England forever. "He will become a mystic, sit by the roadside and forget
> Europe."  Nothing like that happened, of course, and F remained very much a
> British Liberal sceptic.
>
> Despite its many "muddles,"  *Passage* " remains probably the best novel
> ever written about India by a Westerner, and therefore the closest that
> Bloomsbury got to India in creative terms.  A collection of new essays has
> recently appeared to mark the centenary of its publication and it has about
> half a dozen passing references to Virginia Woolf, and a couple to Leonard
> too.  (See https://urldefense.com/v3/__https://orientblackswan.com/details?id=9789354429293__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeJQK_Iw-$    -- and
> excuse the self-promotion!)
>
> As for VW and India, I'll shortly write another mail to this list with
> some more queries.
>
> Best wishes.
> Harish
>
> Harish Trivedi
>
>
>
>
> On Sun, 10 Nov 2024 at 09:10, Neverow, Vara S. <neverowv1 at southernct.edu>
> wrote:
>
>> Dear Harish,
>>
>> The webpage I inserted below has a much better photograph of the
>> sculpture on the mantel of the fireplace (and also has an amazing number of
>> other photographs of Charleston).
>>
>> https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JePct-26Q$ 
>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JePct-26Q$ >
>> The interiors of Charleston: the house the Bloomsbury Group turned in to
>> a living work of art
>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JePct-26Q$ >
>> Nestled in bucolic Sussex gardens the seventeenth-century exterior belies
>> the riot of imaginative decoration inside; a legacy of its function as
>> artistic residence to the Bloomsbury Group.
>> https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeD50i3G3$ 
>> This article looks like it might be of relevance:
>> Ira Nadel <https://urldefense.com/v3/__https://www.euppublishing.com/author/Nadel*2C*Ira__;JSs!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeEDHnoIX$ >
>> "Oriental Bloomsbury"
>> Modernist Cultures, February 2018, vo. 13, No. 1 : pp. 14-32
>> https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeM2O5ZV3$ 
>> The abstract states:
>> The multiple and occasionally contradictory response of Bloomsbury to the
>> Orient is the focus of this essay which also considers the reverse: the
>> Orient's response to Bloomsbury and the promotion of their texts in the
>> East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell,
>> the Orient became a source of aesthetic interest and problematized
>> politics. French Orientalism and Proust initially corroborated the
>> experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to
>> be revised by new views of Imperial authority. Yet Bloomsbury and the
>> Orient artistically depended on each other, at one point Fry scolding
>> Bloomsbury and England that ?we can no longer hide behind the Elgin marbles
>> and refuse to look at the art of China?. And look they did, from attending
>> museum shows to collecting Oriental art and furniture, while adopting
>> Oriental fashions ? and, when possible, traveling to China and Japan marked
>> by visits by Bertrand Russell, William Empson, and Harold Acton. The
>> response of individual Bloomsbury writers to the Orient mixes curiosity and
>> jealousy. To her nephew Julian Bell, teaching at Wuhan University, Woolf
>> wrote that ?you are much to be envied. I wish I had spent three years in
>> China at your age?.
>>
>> E. M. Forster's *A Passage to India *might also have some traces of
>> relevance regarding Indian art.
>>
>> I hope this response is somewhat helpful.
>>
>> Best,
>> Vara
>>
>> Vara Neverow
>> (she/her/hers)
>> Professor, English Department
>> Editor, *Virginia Woolf Miscellany*
>> Southern Connecticut State University
>> New Haven, CT 06515
>> 203-392-6717
>> neverowv1 at southernct.edu
>>
>> *I acknowledge that Southern Connecticut **State University was built on
>> traditional territory of the indigenous peoples and nations of the
>> Paugussett and Quinnipiac peoples.*
>>
>>
>> *Recent Publications:*
>>
>> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
>> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
>> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
>> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
>> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
>> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>>
>> ------------------------------
>> *From:* Harish Trivedi <harish.trivedi at gmail.com>
>> *Sent:* Saturday, November 9, 2024 10:05 PM
>> *To:* Neverow, Vara S. <neverowv1 at southernct.edu>
>> *Cc:* vwoolf listerve <vwoolf at lists.osu.edu>
>> *Subject:* Re: [Vwoolf] "Radical Modernity: From Bloomsbury To
>> Charleston"
>>
>> Thanks for this.
>>
>> Could someone please identify the sculpture on the mantelpiece depicting
>> the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan
>> etc.) and in what circumstances?
>>
>> Is a better photo of it available somewhere?
>>
>> I am especially curious as the Bloomsbury group appears to have had
>> little interest in Indian art? or did they?
>>
>> Best wishes.
>>
>> Harish Trivedi
>>
>>
>>
>>
>> On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <
>> vwoolf at lists.osu.edu> wrote:
>>
>> Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's
>> and Charleston's free London exhibition curated by Kim Jones ("Free & Open
>> to the Public from 9 ? 26 November"): https: //www. charleston. org.
>> uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
>> Greetings,
>>
>> "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and
>> Charleston's free London exhibition curated by Kim Jones ("Free & Open to
>> the Public from 9 ? 26 November"):
>>
>> https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeAzI2aH_$ 
>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>>
>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>> Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition
>> Celebrating The Bloomsbury Group, Curated by Kim Jones
>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>> The exhibition features rarely-seen works
>> https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeBv6zblV$ 
>> <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>
>>
>>
>>
>> https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!zSg66oAIgftsNGMMVHVFLsQJgbAEUIItJn1drfT6zu-nxssQYu3vwo0u9QRFf8WovfPHmun60uqktz4l0c5JeILssm1v$ 
>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>>
>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>> Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition
>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>> The 'sweeping' show features over 140 works from paintings to ceramics
>> theweek.com
>>
>> [image: Vanessa Bell and Duncan Grant painted much of Charleston's
>> interiors (Image: Lee Robbins)]
>> Vanessa Bell and Duncan Grant painted much of Charleston's interiors
>> (Image: Lee Robbins)
>> Works by the Bloomsbury group will go on loan and up for sale at an
>> exhibition hosted by a London auction house.
>> The event at Sotheby?s will celebrate art and literature by the
>> Bloomsbury group, with works for sale alongside loans from the collection
>> at Charleston, near Firle.
>> Radical Modernity: From Bloomsbury To Charleston, a private selling and
>> loan exhibition in collaboration with Charleston, will highlight the
>> ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings,
>> furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger
>> Fry, Virginia Woolf and Henry Lamb.
>> As part of the exhibition, the historic farmhouse will be loaning some of
>> its most significant pieces, many not usually on public view.
>> They include recent acquisitions made as part of Charleston?s 50 for 50
>> campaign, a hunt for the best Bloomsbury works still in private collections
>> to help mark the forthcoming 50th anniversary.
>> In 2030, Charleston will celebrate 50 years since the charity that saved
>> it was established.
>> The Bloomsbury group was a circle of intellectuals including artists and
>> writers in the 20th century. Charleston, the home and studio of painters
>> Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
>> The Sotheby's exhibition is free and runs from November 9 to 26.
>> Best,
>> Vara
>> Vara Neverow
>> (she/her/hers)
>> Professor, English Department
>> Editor, *Virginia Woolf Miscellany*
>> Southern Connecticut State University
>> New Haven, CT 06515
>> 203-392-6717
>> neverowv1 at southernct.edu
>>
>> *I acknowledge that Southern Connecticut **State University was built on
>> traditional territory of the indigenous peoples and nations of the
>> Paugussett and Quinnipiac peoples.*
>>
>>
>> *Recent Publications:*
>>
>> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
>> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
>> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
>> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
>> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
>> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>>
>> _______________________________________________
>> Vwoolf mailing list
>> Vwoolf at lists.osu.edu
>> https://lists.osu.edu/mailman/listinfo/vwoolf
>>
>>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/3fd5cf00/attachment-0001.html>

From pat.laurence at gmail.com  Sun Nov 10 12:50:26 2024
From: pat.laurence at gmail.com (Pat Laurence)
Date: Sun, 10 Nov 2024 12:50:26 -0500
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <CACkxAQCQ1QG9BHa6ZzrF5Fb_=ZF4UH-zNM0KJjczTeXmmMquMw@mail.gmail.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>
	<BL3PR02MB797024A9D515752B0F7BC2F78E5F2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQCQ1QG9BHa6ZzrF5Fb_=ZF4UH-zNM0KJjczTeXmmMquMw@mail.gmail.com>
Message-ID: <CAOQNRi_OnADe1dk7xnhoK9iOzoxjxOMOBRgaMc3CAfVwzELUUg@mail.gmail.com>

Dear Harish,

I look forward to reading the collection on Forster's novel. In my research
on China and Bloomsbury, I discovered Julian Bell?s response?not
necessarily representative of Bloomsbury?to Forster?s *Passage to India*. I
quote from my book:



In another letter, Julian expressed virulent prejudice about the Indians
while reading E.M. Forster's *Passage to India*, England's colonization of
India sometimes generating intense feelings of Indian "inferiority." Though
not shared by all in Bloomsbury, hostility toward Indians, and Julian's
prejudice is representative of a certain English class. He wrote to Eddie
Playfair:

how glad I am to be among human beings [Chinese], not his [Forster's]
revolting blacks [Indians]. What India needs is strong government- whips
and firing squads-by a really fanatical group of English communists. If one
could rout out their religion and philiprogenitiveness [i.e. large
families]...China suffers too from this disease." (JB/EP 2.3.36).

China, on the other hand, distant, in semi-colonial relationship with the
British, never occupied the same psychological space of subject nation,
subject people, as India.



Bloomsbury, in general, favored Chinese aesthetics and culture, but you
might look at my book, *Lily Briscoe?s Chinese Eyes: Bloomsbury, Modernism
and China* that threads some commentary on India: influence on English
gardens, role of Tagore, G.L. Dickinson, Chinese view (Crescent Moon group)
of India as an alternative to British imperialism.



Also, I recommend other transnational studies of the ?orient? that might be
helpful to you beginning in 1995: Qian Xiaoming?s  *Bloomsbury and
Orientalism* (1995), a comparative study; Melba Cuddy Keane and Kay Li?s,
?Passage to China,? (1996) an exploration of the politics and culture of
China and the work of Goldsworthy Lowes Dickinson;  Urmilla Seshagiri?s
?Orientalizing Woolf? (2010), a demonstration of how Woolf?s modernist
aesthetics are shaped by race; Ira Nadel?s ?Oriental Bloomsbury,? an
exploration of the multiple and contradictory responses of Bloomsbury to
China (2018); Anne Witchard?s collection, *British Modernism and
Chinoiserie* (2018), Sonita Sarker, *Women Writing Race, Nation and History*
(2022); Wenjin Cui, *States of Disconnect: The China- India Literary
Relation in the Twentieth Century* (2023).



Best,

Pat Laurence

City University of New York





On Sun, Nov 10, 2024 at 9:16?AM Harish Trivedi via Vwoolf <
vwoolf at lists.osu.edu> wrote:

> Dear Vara Thanks for your prompt response. The image and the article you
> attached from H&G, which had photos of that sculpture from other angles
> too, are very helpful. And yes, it seems to be the Buddha all right, though
> the two hand-postures
> Dear Vara
>
> Thanks for your prompt response.
>
> The image and the article you attached from H&G, which had photos of that
> sculpture from other angles too, are very helpful.  And yes, it seems to be
> the Buddha all right, though the two hand-postures (*mudras*) seem to be
> only half-familiar to me for they are seldom shown to go together.
>
>  The article on "Oriental Bloomsbury" may turn out to have something on
> the provenance of this piece of sculpture if and when I can access that
> article (it's beyond a hefty paywall, as usual), though it looks a little
> too broad in scope.  (Dickinson, Russell, Empson, Acton -- all in
> Bloomsbury?)   Has anyone read this article?
>
> As for Forster, he did see a fair bit of Indian sculpture *in situ* on
> his two visits to India in 1912-13 and 1021-22, before he published *A
> Passage to India*. But in that novel, he (creatively) erased even the
> carvings that actually are there on the Barabar caves, so as to make his
> Marabar caves primordially bare and featureless.
>
> When Forster was setting off on his second visit to India, Virginia Woolf
> said, perhaps half-jokingly and half-solicitously, that he might be leaving
> England forever. "He will become a mystic, sit by the roadside and forget
> Europe."  Nothing like that happened, of course, and F remained very much a
> British Liberal sceptic.
>
> Despite its many "muddles,"  *Passage* " remains probably the best novel
> ever written about India by a Westerner, and therefore the closest that
> Bloomsbury got to India in creative terms.  A collection of new essays has
> recently appeared to mark the centenary of its publication and it has about
> half a dozen passing references to Virginia Woolf, and a couple to Leonard
> too.  (See https://urldefense.com/v3/__https://orientblackswan.com/details?id=9789354429293__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVz3XdxRIg$ 
> <https://urldefense.com/v3/__https://orientblackswan.com/details?id=9789354429293__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqoS5npWf$>
>  -- and excuse the self-promotion!)
>
> As for VW and India, I'll shortly write another mail to this list with
> some more queries.
>
> Best wishes.
> Harish
>
> Harish Trivedi
>
>
>
>
> On Sun, 10 Nov 2024 at 09:10, Neverow, Vara S. <neverowv1 at southernct.edu>
> wrote:
>
>> Dear Harish,
>>
>> The webpage I inserted below has a much better photograph of the
>> sculpture on the mantel of the fireplace (and also has an amazing number of
>> other photographs of Charleston).
>>
>> https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVxFx8zDjw$ 
>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$>
>>
>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$>
>> The interiors of Charleston: the house the Bloomsbury Group turned in to
>> a living work of art
>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$>
>> Nestled in bucolic Sussex gardens the seventeenth-century exterior belies
>> the riot of imaginative decoration inside; a legacy of its function as
>> artistic residence to the Bloomsbury Group.
>> https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVy7xKEWvg$ 
>> <https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqsdLj8hh$>
>> This article looks like it might be of relevance:
>> Ira Nadel
>> <https://urldefense.com/v3/__https://www.euppublishing.com/author/Nadel*2C*Ira__;JSs!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqmA2Wdu1$>
>> "Oriental Bloomsbury"
>> Modernist Cultures, February 2018, vo. 13, No. 1 : pp. 14-32
>> https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVyuzbNqog$ 
>> <https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWql_mNN_Z$>
>> The abstract states:
>> The multiple and occasionally contradictory response of Bloomsbury to the
>> Orient is the focus of this essay which also considers the reverse: the
>> Orient's response to Bloomsbury and the promotion of their texts in the
>> East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell,
>> the Orient became a source of aesthetic interest and problematized
>> politics. French Orientalism and Proust initially corroborated the
>> experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to
>> be revised by new views of Imperial authority. Yet Bloomsbury and the
>> Orient artistically depended on each other, at one point Fry scolding
>> Bloomsbury and England that ?we can no longer hide behind the Elgin marbles
>> and refuse to look at the art of China?. And look they did, from attending
>> museum shows to collecting Oriental art and furniture, while adopting
>> Oriental fashions ? and, when possible, traveling to China and Japan marked
>> by visits by Bertrand Russell, William Empson, and Harold Acton. The
>> response of individual Bloomsbury writers to the Orient mixes curiosity and
>> jealousy. To her nephew Julian Bell, teaching at Wuhan University, Woolf
>> wrote that ?you are much to be envied. I wish I had spent three years in
>> China at your age?.
>>
>> E. M. Forster's *A Passage to India *might also have some traces of
>> relevance regarding Indian art.
>>
>> I hope this response is somewhat helpful.
>>
>> Best,
>> Vara
>>
>> Vara Neverow
>> (she/her/hers)
>> Professor, English Department
>> Editor, *Virginia Woolf Miscellany*
>> Southern Connecticut State University
>> New Haven, CT 06515
>> 203-392-6717
>> neverowv1 at southernct.edu
>>
>> *I acknowledge that Southern Connecticut **State University was built on
>> traditional territory of the indigenous peoples and nations of the
>> Paugussett and Quinnipiac peoples.*
>>
>>
>> *Recent Publications:*
>>
>> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
>> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
>> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
>> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
>> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
>> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>>
>> ------------------------------
>> *From:* Harish Trivedi <harish.trivedi at gmail.com>
>> *Sent:* Saturday, November 9, 2024 10:05 PM
>> *To:* Neverow, Vara S. <neverowv1 at southernct.edu>
>> *Cc:* vwoolf listerve <vwoolf at lists.osu.edu>
>> *Subject:* Re: [Vwoolf] "Radical Modernity: From Bloomsbury To
>> Charleston"
>>
>> Thanks for this.
>>
>> Could someone please identify the sculpture on the mantelpiece depicting
>> the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan
>> etc.) and in what circumstances?
>>
>> Is a better photo of it available somewhere?
>>
>> I am especially curious as the Bloomsbury group appears to have had
>> little interest in Indian art? or did they?
>>
>> Best wishes.
>>
>> Harish Trivedi
>>
>>
>>
>>
>> On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <
>> vwoolf at lists.osu.edu> wrote:
>>
>> Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's
>> and Charleston's free London exhibition curated by Kim Jones ("Free & Open
>> to the Public from 9 ? 26 November"): https: //www. charleston. org.
>> uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
>> Greetings,
>>
>> "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and
>> Charleston's free London exhibition curated by Kim Jones ("Free & Open to
>> the Public from 9 ? 26 November"):
>>
>> https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVzdHBLtWg$ 
>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>>
>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>> Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition
>> Celebrating The Bloomsbury Group, Curated by Kim Jones
>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>> The exhibition features rarely-seen works
>> https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVw_G20FTA$ 
>> <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>
>>
>>
>>
>> https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0Hswu6oXK83vZGJJfKYo_GqOmR_5LULOlPLqROHVs8J187oip4cpery9bBFFqyIzxPe4ro75QFZRKR4UvVxQ4D7nRg$ 
>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>>
>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>> Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition
>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>> The 'sweeping' show features over 140 works from paintings to ceramics
>> theweek.com
>> <https://urldefense.com/v3/__http://theweek.com/__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqolaCkmQ$>
>>
>> [image: Vanessa Bell and Duncan Grant painted much of Charleston's
>> interiors (Image: Lee Robbins)]
>> Vanessa Bell and Duncan Grant painted much of Charleston's interiors
>> (Image: Lee Robbins)
>> Works by the Bloomsbury group will go on loan and up for sale at an
>> exhibition hosted by a London auction house.
>> The event at Sotheby?s will celebrate art and literature by the
>> Bloomsbury group, with works for sale alongside loans from the collection
>> at Charleston, near Firle.
>> Radical Modernity: From Bloomsbury To Charleston, a private selling and
>> loan exhibition in collaboration with Charleston, will highlight the
>> ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings,
>> furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger
>> Fry, Virginia Woolf and Henry Lamb.
>> As part of the exhibition, the historic farmhouse will be loaning some of
>> its most significant pieces, many not usually on public view.
>> They include recent acquisitions made as part of Charleston?s 50 for 50
>> campaign, a hunt for the best Bloomsbury works still in private collections
>> to help mark the forthcoming 50th anniversary.
>> In 2030, Charleston will celebrate 50 years since the charity that saved
>> it was established.
>> The Bloomsbury group was a circle of intellectuals including artists and
>> writers in the 20th century. Charleston, the home and studio of painters
>> Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
>> The Sotheby's exhibition is free and runs from November 9 to 26.
>> Best,
>> Vara
>> Vara Neverow
>> (she/her/hers)
>> Professor, English Department
>> Editor, *Virginia Woolf Miscellany*
>> Southern Connecticut State University
>> New Haven, CT 06515
>> 203-392-6717
>> neverowv1 at southernct.edu
>>
>> *I acknowledge that Southern Connecticut **State University was built on
>> traditional territory of the indigenous peoples and nations of the
>> Paugussett and Quinnipiac peoples.*
>>
>>
>> *Recent Publications:*
>>
>> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
>> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
>> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
>> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
>> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
>> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>>
>> _______________________________________________
>> Vwoolf mailing list
>> Vwoolf at lists.osu.edu
>> https://lists.osu.edu/mailman/listinfo/vwoolf
>>
>> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/4484ff3d/attachment-0001.html>

From jeremy.hawthorn at ntnu.no  Sun Nov 10 14:32:40 2024
From: jeremy.hawthorn at ntnu.no (Jeremy Hawthorn)
Date: Sun, 10 Nov 2024 19:32:40 +0000
Subject: [Vwoolf] Night and Day film
Message-ID: <SV0P279MB0410B4675CD9E0017714E318E75F2@SV0P279MB0410.NORP279.PROD.OUTLOOK.COM>

Has this been published on the list?

Jeremy H

https://urldefense.com/v3/__https://westendfilms.com/programme/night-day__;!!KGKeukY!ynbqgz9HdmrULTMOKuHPbzUKM8n8dRR3j5P2qw6gV3ASuyQPfbyUMcegi4pmMXYrXHI6EQO5wIBpE3nKslUQ9mnrw24j3D8$ 


Professor Emeritus
Department of Language and Literature
NTNU
7491 Trondheim
Norway


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241110/4b81232a/attachment.html>

From harish.trivedi at gmail.com  Sun Nov 10 21:48:22 2024
From: harish.trivedi at gmail.com (Harish Trivedi)
Date: Mon, 11 Nov 2024 08:18:22 +0530
Subject: [Vwoolf] "Radical Modernity: From Bloomsbury To Charleston"
In-Reply-To: <CAOQNRi_OnADe1dk7xnhoK9iOzoxjxOMOBRgaMc3CAfVwzELUUg@mail.gmail.com>
References: <BL3PR02MB797077C5247B5979C4D2EB498E5E2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQAJxJ91y7E+OzeP=2avZAV5BCpeeaz8g037BvbcBFK5=A@mail.gmail.com>
	<BL3PR02MB797024A9D515752B0F7BC2F78E5F2@BL3PR02MB7970.namprd02.prod.outlook.com>
	<CACkxAQCQ1QG9BHa6ZzrF5Fb_=ZF4UH-zNM0KJjczTeXmmMquMw@mail.gmail.com>
	<CAOQNRi_OnADe1dk7xnhoK9iOzoxjxOMOBRgaMc3CAfVwzELUUg@mail.gmail.com>
Message-ID: <CACkxAQBxsY--iomaujXKj=vYWkfPOY+3VenF8e3cVRVMS1rz1A@mail.gmail.com>

Dear Pat

Thanks a lot for this cornucopia of interesting materials.

That quote from Julian Bell is a gem  ? even if it does not represent a
more pervasive attitude in Bloomsbury! His political na?vet? is touching.
Would the communists have done the bidding of capitalist-imperialists? And
in 1935, the British parliament had already passed the Government of India
Act which led to elections and representative fully  Indian ministries
being formed in the states in India in 1937, and it might have led to
independence sooner than in 1947 had WW II not intervened.  That Act
enraged Kipling, but apparently many others were not far behind ? if not
ahead of him.

I?ll look out for your book, and also for some of the other publications
you kindly mention. Meanwhile, many thanks again and best wishes.

Harish

Harish Trivedi




On Sun, 10 Nov 2024 at 11:20?PM, Pat Laurence <pat.laurence at gmail.com>
wrote:

> Dear Harish,
>
> I look forward to reading the collection on Forster's novel. In my
> research on China and Bloomsbury, I discovered Julian Bell?s response?not
> necessarily representative of Bloomsbury?to Forster?s *Passage to India*.
> I quote from my book:
>
>
>
> In another letter, Julian expressed virulent prejudice about the Indians
> while reading E.M. Forster's *Passage to India*, England's colonization
> of India sometimes generating intense feelings of Indian "inferiority."
> Though not shared by all in Bloomsbury, hostility toward Indians, and
> Julian's prejudice is representative of a certain English class. He wrote
> to Eddie Playfair:
>
> how glad I am to be among human beings [Chinese], not his [Forster's]
> revolting blacks [Indians]. What India needs is strong government- whips
> and firing squads-by a really fanatical group of English communists. If one
> could rout out their religion and philiprogenitiveness [i.e. large
> families]...China suffers too from this disease." (JB/EP 2.3.36).
>
> China, on the other hand, distant, in semi-colonial relationship with the
> British, never occupied the same psychological space of subject nation,
> subject people, as India.
>
>
>
> Bloomsbury, in general, favored Chinese aesthetics and culture, but you
> might look at my book, *Lily Briscoe?s Chinese Eyes: Bloomsbury,
> Modernism and China* that threads some commentary on India: influence on
> English gardens, role of Tagore, G.L. Dickinson, Chinese view (Crescent
> Moon group) of India as an alternative to British imperialism.
>
>
>
> Also, I recommend other transnational studies of the ?orient? that might
> be helpful to you beginning in 1995: Qian Xiaoming?s  *Bloomsbury and
> Orientalism* (1995), a comparative study; Melba Cuddy Keane and Kay Li?s,
> ?Passage to China,? (1996) an exploration of the politics and culture of
> China and the work of Goldsworthy Lowes Dickinson;  Urmilla Seshagiri?s
> ?Orientalizing Woolf? (2010), a demonstration of how Woolf?s modernist
> aesthetics are shaped by race; Ira Nadel?s ?Oriental Bloomsbury,? an
> exploration of the multiple and contradictory responses of Bloomsbury to
> China (2018); Anne Witchard?s collection, *British Modernism and
> Chinoiserie* (2018), Sonita Sarker, *Women Writing Race, Nation and
> History* (2022); Wenjin Cui, *States of Disconnect: The China- India
> Literary Relation in the Twentieth Century* (2023).
>
>
>
> Best,
>
> Pat Laurence
>
> City University of New York
>
>
>
>
>
> On Sun, Nov 10, 2024 at 9:16?AM Harish Trivedi via Vwoolf <
> vwoolf at lists.osu.edu> wrote:
>
>> Dear Vara Thanks for your prompt response. The image and the article you
>> attached from H&G, which had photos of that sculpture from other angles
>> too, are very helpful. And yes, it seems to be the Buddha all right, though
>> the two hand-postures
>> Dear Vara
>>
>> Thanks for your prompt response.
>>
>> The image and the article you attached from H&G, which had photos of that
>> sculpture from other angles too, are very helpful.  And yes, it seems to be
>> the Buddha all right, though the two hand-postures (*mudras*) seem to be
>> only half-familiar to me for they are seldom shown to go together.
>>
>>  The article on "Oriental Bloomsbury" may turn out to have something on
>> the provenance of this piece of sculpture if and when I can access that
>> article (it's beyond a hefty paywall, as usual), though it looks a little
>> too broad in scope.  (Dickinson, Russell, Empson, Acton -- all in
>> Bloomsbury?)   Has anyone read this article?
>>
>> As for Forster, he did see a fair bit of Indian sculpture *in situ* on
>> his two visits to India in 1912-13 and 1021-22, before he published *A
>> Passage to India*. But in that novel, he (creatively) erased even the
>> carvings that actually are there on the Barabar caves, so as to make his
>> Marabar caves primordially bare and featureless.
>>
>> When Forster was setting off on his second visit to India, Virginia Woolf
>> said, perhaps half-jokingly and half-solicitously, that he might be leaving
>> England forever. "He will become a mystic, sit by the roadside and forget
>> Europe."  Nothing like that happened, of course, and F remained very much a
>> British Liberal sceptic.
>>
>> Despite its many "muddles,"  *Passage* " remains probably the best novel
>> ever written about India by a Westerner, and therefore the closest that
>> Bloomsbury got to India in creative terms.  A collection of new essays has
>> recently appeared to mark the centenary of its publication and it has about
>> half a dozen passing references to Virginia Woolf, and a couple to Leonard
>> too.  (See https://urldefense.com/v3/__https://orientblackswan.com/details?id=9789354429293__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNCwllWD-$ 
>> <https://urldefense.com/v3/__https://orientblackswan.com/details?id=9789354429293__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqoS5npWf$>
>>  -- and excuse the self-promotion!)
>>
>> As for VW and India, I'll shortly write another mail to this list with
>> some more queries.
>>
>> Best wishes.
>> Harish
>>
>> Harish Trivedi
>>
>>
>>
>>
>> On Sun, 10 Nov 2024 at 09:10, Neverow, Vara S. <neverowv1 at southernct.edu>
>> wrote:
>>
>>> Dear Harish,
>>>
>>> The webpage I inserted below has a much better photograph of the
>>> sculpture on the mantel of the fireplace (and also has an amazing number of
>>> other photographs of Charleston).
>>>
>>> https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNCVmqWeM$ 
>>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$>
>>>
>>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$>
>>> The interiors of Charleston: the house the Bloomsbury Group turned in to
>>> a living work of art
>>> <https://urldefense.com/v3/__https://www.houseandgarden.co.uk/gallery/charleston__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqnujt4HV$>
>>> Nestled in bucolic Sussex gardens the seventeenth-century exterior
>>> belies the riot of imaginative decoration inside; a legacy of its function
>>> as artistic residence to the Bloomsbury Group.
>>> https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNCI5Oqq-$ 
>>> <https://urldefense.com/v3/__http://www.houseandgarden.co.uk__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqsdLj8hh$>
>>> This article looks like it might be of relevance:
>>> Ira Nadel
>>> <https://urldefense.com/v3/__https://www.euppublishing.com/author/Nadel*2C*Ira__;JSs!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqmA2Wdu1$>
>>> "Oriental Bloomsbury"
>>> Modernist Cultures, February 2018, vo. 13, No. 1 : pp. 14-32
>>> https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNM65E4Sj$ 
>>> <https://urldefense.com/v3/__https://www.euppublishing.com/doi/abs/10.3366/mod.2018.0192__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWql_mNN_Z$>
>>> The abstract states:
>>> The multiple and occasionally contradictory response of Bloomsbury to
>>> the Orient is the focus of this essay which also considers the reverse: the
>>> Orient's response to Bloomsbury and the promotion of their texts in the
>>> East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell,
>>> the Orient became a source of aesthetic interest and problematized
>>> politics. French Orientalism and Proust initially corroborated the
>>> experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to
>>> be revised by new views of Imperial authority. Yet Bloomsbury and the
>>> Orient artistically depended on each other, at one point Fry scolding
>>> Bloomsbury and England that ?we can no longer hide behind the Elgin marbles
>>> and refuse to look at the art of China?. And look they did, from attending
>>> museum shows to collecting Oriental art and furniture, while adopting
>>> Oriental fashions ? and, when possible, traveling to China and Japan marked
>>> by visits by Bertrand Russell, William Empson, and Harold Acton. The
>>> response of individual Bloomsbury writers to the Orient mixes curiosity and
>>> jealousy. To her nephew Julian Bell, teaching at Wuhan University, Woolf
>>> wrote that ?you are much to be envied. I wish I had spent three years in
>>> China at your age?.
>>>
>>> E. M. Forster's *A Passage to India *might also have some traces of
>>> relevance regarding Indian art.
>>>
>>> I hope this response is somewhat helpful.
>>>
>>> Best,
>>> Vara
>>>
>>> Vara Neverow
>>> (she/her/hers)
>>> Professor, English Department
>>> Editor, *Virginia Woolf Miscellany*
>>> Southern Connecticut State University
>>> New Haven, CT 06515
>>> 203-392-6717
>>> neverowv1 at southernct.edu
>>>
>>> *I acknowledge that Southern Connecticut **State University was built
>>> on traditional territory of the indigenous peoples and nations of the
>>> Paugussett and Quinnipiac peoples.*
>>>
>>>
>>> *Recent Publications:*
>>>
>>> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
>>> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
>>> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
>>> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
>>> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
>>> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>>>
>>> ------------------------------
>>> *From:* Harish Trivedi <harish.trivedi at gmail.com>
>>> *Sent:* Saturday, November 9, 2024 10:05 PM
>>> *To:* Neverow, Vara S. <neverowv1 at southernct.edu>
>>> *Cc:* vwoolf listerve <vwoolf at lists.osu.edu>
>>> *Subject:* Re: [Vwoolf] "Radical Modernity: From Bloomsbury To
>>> Charleston"
>>>
>>> Thanks for this.
>>>
>>> Could someone please identify the sculpture on the mantelpiece depicting
>>> the Buddha/ a Hindu deity?  Do we know who acquired it (Vanessa/Duncan
>>> etc.) and in what circumstances?
>>>
>>> Is a better photo of it available somewhere?
>>>
>>> I am especially curious as the Bloomsbury group appears to have had
>>> little interest in Indian art? or did they?
>>>
>>> Best wishes.
>>>
>>> Harish Trivedi
>>>
>>>
>>>
>>>
>>> On Sat, 9 Nov 2024 at 8:19?PM, Neverow, Vara S. via Vwoolf <
>>> vwoolf at lists.osu.edu> wrote:
>>>
>>> Greetings, "Radical Modernity: From Bloomsbury To Charleston," Sotheby's
>>> and Charleston's free London exhibition curated by Kim Jones ("Free & Open
>>> to the Public from 9 ? 26 November"): https: //www. charleston. org.
>>> uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/
>>> Greetings,
>>>
>>> "Radical Modernity: From Bloomsbury To Charleston," Sotheby's and
>>> Charleston's free London exhibition curated by Kim Jones ("Free & Open to
>>> the Public from 9 ? 26 November"):
>>>
>>> https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNNRMDUjB$ 
>>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>>>
>>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>>> Charleston ? Sotheby?s and Charleston Unite for a Two-Part Exhibition
>>> Celebrating The Bloomsbury Group, Curated by Kim Jones
>>> <https://urldefense.com/v3/__https://www.charleston.org.uk/press/sothebys-and-charleston-unite-for-a-two-part-exhibition-celebrating-the-bloomsbury-group-curated-by-kim-jones/__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauv0LSCbW$>
>>> The exhibition features rarely-seen works
>>> https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNIU16LOa$ 
>>> <https://urldefense.com/v3/__http://www.charleston.org.uk__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauuixoY5i$>
>>>
>>>
>>>
>>> https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!1UchvzoeRY-IhLpVOE2UCqgXkSbFqN0ucTOvP7qtrTTzCBov5jKQifhh6gTMBuHFLG6FawQjPEV3b_Rxm8nZNIhCHWl0$ 
>>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>>>
>>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>>> Vanessa Bell: A World of Form and Colour ? an 'expansive' exhibition
>>> <https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!0wbxDlH59or105RtN1AyADko9WbYWl7fiox6TwlsWkzM8L0DFrtiRpfWT6JX2fURZu0PISDNyNj2OzQ4egtauvIpgTfB$>
>>> The 'sweeping' show features over 140 works from paintings to ceramics
>>> theweek.com
>>> <https://urldefense.com/v3/__http://theweek.com/__;!!KGKeukY!zR-9joDmm9lcxGu5P1MtkfE-w9nlzHy_GxLjY_0C6HKPC1z4-5Jan3i57kxC51EFaFRLlKn2FoKP7SjYmjwWqolaCkmQ$>
>>>
>>> [image: Vanessa Bell and Duncan Grant painted much of Charleston's
>>> interiors (Image: Lee Robbins)]
>>> Vanessa Bell and Duncan Grant painted much of Charleston's interiors
>>> (Image: Lee Robbins)
>>> Works by the Bloomsbury group will go on loan and up for sale at an
>>> exhibition hosted by a London auction house.
>>> The event at Sotheby?s will celebrate art and literature by the
>>> Bloomsbury group, with works for sale alongside loans from the collection
>>> at Charleston, near Firle.
>>> Radical Modernity: From Bloomsbury To Charleston, a private selling and
>>> loan exhibition in collaboration with Charleston, will highlight the
>>> ?indefatigable spirit of the Bloomsbury Group? across paintings, drawings,
>>> furniture, ceramics and literature by Vanessa Bell, Duncan Grant, Roger
>>> Fry, Virginia Woolf and Henry Lamb.
>>> As part of the exhibition, the historic farmhouse will be loaning some
>>> of its most significant pieces, many not usually on public view.
>>> They include recent acquisitions made as part of Charleston?s 50 for 50
>>> campaign, a hunt for the best Bloomsbury works still in private collections
>>> to help mark the forthcoming 50th anniversary.
>>> In 2030, Charleston will celebrate 50 years since the charity that saved
>>> it was established.
>>> The Bloomsbury group was a circle of intellectuals including artists and
>>> writers in the 20th century. Charleston, the home and studio of painters
>>> Vanessa Bell and Duncan Grant, became one of the hubs where the group met.
>>> The Sotheby's exhibition is free and runs from November 9 to 26.
>>> Best,
>>> Vara
>>> Vara Neverow
>>> (she/her/hers)
>>> Professor, English Department
>>> Editor, *Virginia Woolf Miscellany*
>>> Southern Connecticut State University
>>> New Haven, CT 06515
>>> 203-392-6717
>>> neverowv1 at southernct.edu
>>>
>>> *I acknowledge that Southern Connecticut **State University was built
>>> on traditional territory of the indigenous peoples and nations of the
>>> Paugussett and Quinnipiac peoples.*
>>>
>>>
>>> *Recent Publications:*
>>>
>>> Lead editor, *Virginia Woolf: Critical and Primary Sources *(Bloomsbury,
>>> 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume
>>> One, 1975-1984, *Virginia Woolf: Critical and Primary Sources* (Bloomsbury,
>>> 2020); Co-editor, *The Edinburgh Companion to Virginia Woolf and
>>> Contemporary Global Literature* (Edinburgh, 2020; with Jeanne Dubino,
>>> Paulina Paj?k, Catherine Hollis, and Celiese Lypka)
>>>
>>> _______________________________________________
>>> Vwoolf mailing list
>>> Vwoolf at lists.osu.edu
>>> https://lists.osu.edu/mailman/listinfo/vwoolf
>>>
>>> _______________________________________________
>> Vwoolf mailing list
>> Vwoolf at lists.osu.edu
>> https://lists.osu.edu/mailman/listinfo/vwoolf
>>
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241111/b0984e52/attachment-0001.html>

From ozma at sover.net  Mon Nov 11 07:40:56 2024
From: ozma at sover.net (Gretchen Gerzina)
Date: Mon, 11 Nov 2024 07:40:56 -0500
Subject: [Vwoolf] Vanessa Bell
Message-ID: <1C100D5E-DA8B-473F-81FA-9E9E2E0BD197@contoso.com>

Was this already posted, from the New York Times?

https://urldefense.com/v3/__https://www.nytimes.com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group.html__;!!KGKeukY!2Nn34xXlPsNjkfwNbXFobONYzueq7eNhk7_8HMGoOpXcTfREY2owExEajAfj-pEBDCc34XJPBSQPfJQ$ 

 

Gretchen Gerzina

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241111/59eb7f7e/attachment.html>

From neverowv1 at southernct.edu  Mon Nov 11 08:30:15 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Mon, 11 Nov 2024 13:30:15 +0000
Subject: [Vwoolf] Vanessa Bell
In-Reply-To: <1C100D5E-DA8B-473F-81FA-9E9E2E0BD197@contoso.com>
References: <1C100D5E-DA8B-473F-81FA-9E9E2E0BD197@contoso.com>
Message-ID: <BL3PR02MB797066FE0E7147048F0EABCE8E582@BL3PR02MB7970.namprd02.prod.outlook.com>

Dear Gretchen,
Thanks so much for sharing this article! You inspired me to find a few more reviews of the exhibition.
The Guardian published a review of the exhibit in early October:
https://urldefense.com/v3/__https://amp.theguardian.com/artanddesign/2024/oct/05/vanessa-bell-duncan-grant-the-famous-women-dinner-service__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gZSnBlzf$ 
Other reviews:
https://urldefense.com/v3/__https://artuk.org/discover/curations/vanessa-bell-a-world-of-form-and-colour/template/showcase__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gSzJHOU8$ 
https://urldefense.com/v3/__https://philipmould.com/news/392-vanessa-bell-at-the-mk-gallery-vanessa-bell-a-world-of-form-and-colour/__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gTuQrJY8$ 
https://urldefense.com/v3/__https://theweek.com/culture-life/art/vanessa-bell-a-world-of-form-and-colour-an-expansive-exhibition__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9ga3nfiZ_$ 
https://urldefense.com/v3/__https://inews.co.uk/culture/arts/vanessa-bell-world-form-colour-review-a-stunning-illumination-one-superb-artist-3333980?srsltid=AfmBOorl4406YIld0onClpHdPmxMkkU4h6WgnoG6v8gPpMb0_f83Mngw__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gZjWXHrj$ 
For anyone who missed the conversation about the Famous Women Dinner Service when the video was launched four years ago, this YouTube video is well worth watching:
https://urldefense.com/v3/__https://youtu.be/LpS-0Q4h__Y?si=meBYvuyTSce8gOFW__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gc9rqMjV$ 
The Charleston website offers a brief history of the dinner plates: https://urldefense.com/v3/__https://www.charleston.org.uk/stories/the-famous-women-dinner-service/__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gQxm4SsW$ 
Best,
Vara

Vara Neverow
(she/her/hers)
Professor, English Department and Women?s and Gender Studies Program
Managing Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu

I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugusett and Quinnepiac peoples.
________________________________
From: Vwoolf <vwoolf-bounces+neverowv1=southernct.edu at lists.osu.edu> on behalf of Gretchen Gerzina via Vwoolf <vwoolf at lists.osu.edu>
Sent: Monday, November 11, 2024 7:40:56 AM
To: vwoolf at lists.osu.edu <vwoolf at lists.osu.edu>
Subject: [Vwoolf] Vanessa Bell

Was this already posted, from the New York Times? https:?//www.?nytimes.?com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group.?html Gretchen Gerzina ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?

Was this already posted, from the New York Times?

https://urldefense.com/v3/__https://www.nytimes.com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group.html__;!!KGKeukY!3k7uz-J7l-d8s8MTqsmfQ9OkyoSYEwGHbmwcqXM9BrgslKLm3Jh6ByVev7-1UH9pVfSX-DrsKstq1vemEgk9gUbhQmGs$ <https://urldefense.com/v3/__https://www.nytimes.com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group.html__;!!KGKeukY!2Nn34xXlPsNjkfwNbXFobONYzueq7eNhk7_8HMGoOpXcTfREY2owExEajAfj-pEBDCc34XJPBSQPfJQ$>



Gretchen Gerzina
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241111/86c3945e/attachment.html>

From harish.trivedi at gmail.com  Mon Nov 11 10:36:48 2024
From: harish.trivedi at gmail.com (Harish Trivedi)
Date: Mon, 11 Nov 2024 21:06:48 +0530
Subject: [Vwoolf] India in Mrs Dalloway
Message-ID: <CACkxAQAH6S080AhOcaR6KWo0xJt3ijAuhqY4_GPeBm8WZOSzEA@mail.gmail.com>

Dear All

Following the discussion and many reading suggestions that several of you
have kindly offered on this list recently in general about Virginia Woolf
and the Orient, may I add a more specific query.

There is more of India in *Mrs Dalloway* than in any other of Woolf's
works, and teasingly and enticingly, it is all off-stage. I am re-reading
the novel trying to piece together these references, both obliquely
personal with regard to Peter Walsh and explicitly political with regard
especially to the upcoming elections and the Labour party and what the
Conservative "duffers" are going to do about India anyhow, etc.  I also
seek to connect it with what was going on in India at the time.

I wondered  if anyone here could recommend an article or two focused on
this aspect of the novel specifically. I have only seen Supriya Chaudhuri's
two articles and a couple of  compact paragraphs in David Bradshaw's
introduction to the World's Classics edition. I  am also looking at Merve
Emre's copious annotations, which seem not particularly well informed in
this regard.

Further, did Woolf record her opinion of any novels by her contemporaries
which focus on India more directly and extensively, for example those by
Kipling or Edward J. Thomspon? For that matter, did she record anywhere
what she thought of *The Village in the Jungle*, or of *A Passage to India*
privately (beyond what she says in her 1927 essay)?

I am aware that Mark Hussey's *Mrs Dalloway: A Biography* is coming out
next May, and can hardly wait to read it. Meanwhile, any appetisers would
be welcome.

Best wishes.
Harish


Harish Trivedi
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241111/6ba2b4bd/attachment-0001.html>

From markh102 at gmail.com  Mon Nov 11 10:38:07 2024
From: markh102 at gmail.com (Mark Hussey)
Date: Mon, 11 Nov 2024 10:38:07 -0500
Subject: [Vwoolf] Vanessa Bell
In-Reply-To: <1C100D5E-DA8B-473F-81FA-9E9E2E0BD197@contoso.com>
References: <1C100D5E-DA8B-473F-81FA-9E9E2E0BD197@contoso.com>
Message-ID: <CA+_0V=fihzTCeb8NZ5DhJdu0pa7Y=M-N-ZtMsz85pGVki2r3wA@mail.gmail.com>

Good to see the NY Times giving the exhibition a serious review!

On Mon, Nov 11, 2024 at 7:41?AM Gretchen Gerzina via Vwoolf <
vwoolf at lists.osu.edu> wrote:

> Was this already posted, from the New York Times? https: //www. nytimes.
> com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group. html
> Gretchen Gerzina ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?
> ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?
> ? ? ? ? ? ? ? ? ? ? ? ? ?
>
> Was this already posted, from the New York Times?
>
>
> https://urldefense.com/v3/__https://www.nytimes.com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group.html__;!!KGKeukY!3w3vAELvXqk_08ArLH-9QaQqPAPWdLTOiCC4Sw7aRfgGmtLvLpXiDAY-fD1BlR1GERu5GKrv4LywHxM6w9eh$ 
> <https://urldefense.com/v3/__https://www.nytimes.com/2024/11/08/arts/design/vanessa-bell-exhibition-bloomsbury-group.html__;!!KGKeukY!2Nn34xXlPsNjkfwNbXFobONYzueq7eNhk7_8HMGoOpXcTfREY2owExEajAfj-pEBDCc34XJPBSQPfJQ$>
>
>
>
> Gretchen Gerzina
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241111/2ad6749f/attachment.html>

From ozma at sover.net  Tue Nov 12 06:41:07 2024
From: ozma at sover.net (Gretchen Gerzina)
Date: Tue, 12 Nov 2024 06:41:07 -0500
Subject: [Vwoolf] Carrington exhibition
Message-ID: <773256E1-7213-4B25-AEB9-F3DC9271EB89@sover.net>

Hi everyone,

 

Another exhibition in England that I wish I could attend. I?m tired of the ?polyamorous? description in the title, but it?s a decent review.

 

Dora Carrington: Beyond Bloomsbury review ? tinsel treasures from a polyamorous bohemian

https://urldefense.com/v3/__https://www.theguardian.com/artanddesign/2024/nov/08/dora-carrington-beyond-bloomsbury-pallant-house-gallery-chichester?CMP=Share_iOSApp_Other__;!!KGKeukY!ztY2Zo7zYG8u95wT2tPYnLr8og4k1k4cr4NDadPdkEVtiVSQ-7md-XIj6FR6oPRpQMT0pfkLzCA3LFw$ 

 

Gretchen Gerzina

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241112/0d24e789/attachment.html>

From stuart.n.clarke at btinternet.com  Tue Nov 12 10:45:15 2024
From: stuart.n.clarke at btinternet.com (Stuart N. Clarke)
Date: Tue, 12 Nov 2024 15:45:15 -0000
Subject: [Vwoolf] "A Bibliography of Virginia Woolf"
Message-ID: <2191AD0120BE4B30AA5B4605726C00BF@StuartHP>

I see that this book now costs ?200 via Print in Demand.

However, it is possible to access all or part of it online, but I don?t know the costs.  It looks as if it is also possible to access it through institutions/libraries.  See:
https://urldefense.com/v3/__https://academic.oup.com/book/48414__;!!KGKeukY!3lzs_GhM2c6p9dTtARE1rYPmPkpq6qsgBAvgkl_oYWAU8Kir2tJHPw_tlwmEkJXOyT3yXbWHf2VftQhWC7zR-Iv-iRYGJctZJA$ 

I bring this to your attention, for this is a very difficult webpage to find.

Stuart

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241112/4af2fee6/attachment-0001.html>

From smhall123 at yahoo.co.uk  Tue Nov 12 12:10:10 2024
From: smhall123 at yahoo.co.uk (Sarah M. Hall)
Date: Tue, 12 Nov 2024 17:10:10 +0000 (UTC)
Subject: [Vwoolf] "A Bibliography of Virginia Woolf"
In-Reply-To: <2191AD0120BE4B30AA5B4605726C00BF@StuartHP>
References: <2191AD0120BE4B30AA5B4605726C00BF@StuartHP>
Message-ID: <831497095.2625343.1731431410833@mail.yahoo.com>

 This won't be a problem for most people on the list, but I was unable to access through my local library, even after registering with Oxford Academic. I didn't think it would work, but I tried it anyway. Fortunately I have my own treasured copy, and have used it more than any of my other VW-related books.
Sarah
Sarah M. Hall
Executive Council
Virginia Woolf Society of GB
Web: virginiawoolfsociety.org.uk
Facebook: @VWSGB
Twitter/X: @VirginiaWoolfGB
Instagram: @virginiawoolfsociety




    On Tuesday, 12 November 2024 at 15:51:33 GMT, Stuart N. Clarke via Vwoolf <vwoolf at lists.osu.edu> wrote:  
 
 I see that this book now costs ?200 via Print in Demand. However, it is possible to access all or part of it online, but I don?t know the costs. It looks as if it is also possible to access it through institutions/libraries. See: https:?//academic.?oup.?com/book/48414I see that this book now costs ?200 via Print in Demand.?However, it is possible to access all or part of it online, but I don?t know the costs.? It looks as if it is also possible to access it through institutions/libraries.? See:https://urldefense.com/v3/__https://academic.oup.com/book/48414__;!!KGKeukY!10oK2WTUbPootDz3Hj6ADD2XIDH-R5hc_5GeRdGT-M-7tZPrFPGhK1kzXxRdUaZ_DfhhYeVgf3ckLr0INkgFSMvU$ ?I bring this to your attention, for this is a very difficult webpage to find.?Stuart??_______________________________________________
Vwoolf mailing list
Vwoolf at lists.osu.edu
https://lists.osu.edu/mailman/listinfo/vwoolf
  
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241112/903130ab/attachment.html>

From stringsoflight at hotmail.co.uk  Wed Nov 13 11:42:13 2024
From: stringsoflight at hotmail.co.uk (stringsOf Light)
Date: Wed, 13 Nov 2024 16:42:13 +0000
Subject: [Vwoolf] =?windows-1252?q?I_haven=92t_read_this_one_but_here_we_g?=
	=?windows-1252?q?o?=
Message-ID: <AM6PR02MB4646D25305E95AB84D76DDE8835A2@AM6PR02MB4646.eurprd02.prod.outlook.com>

https://urldefense.com/v3/__https://www.timesnownews.com/lifestyle/books/features/booker-prize-2024-how-samantha-harvey-weaved-virginia-woolfs-themes-into-orbital-article-115241686__;!!KGKeukY!1K55pYWc8ySXqDo3gtZalcb1VMD97pYUI5sMZzWZWD12KW7SQuQmKwYFtOQMB0_gfrLsO4G8w2MVy1g9vI46RNhevoa0WFaU$ 
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241113/2f946b3b/attachment.html>

From neverowv1 at southernct.edu  Wed Nov 13 11:54:13 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Wed, 13 Nov 2024 16:54:13 +0000
Subject: [Vwoolf] More Google Alerts about the Sotheby's exhibit and
	Carrington
Message-ID: <BL3PR02MB7970E0B599C3E197B5F8565B8E5A2@BL3PR02MB7970.namprd02.prod.outlook.com>

https://urldefense.com/v3/__https://artlyst.com/previews/best-of-the-bloomsbury-group-sothebys-unveils-radical-modernity-exhibition/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap_Ruvmv0$ 

https://urldefense.com/v3/__https://www.wallpaper.com/art/exhibitions-shows/radical-modernity-kim-jones-on-curating-charleston-for-sothebys__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap6UHVCxe$ 
[https://urldefense.com/v3/__https://cdn.mos.cms.futurecdn.net/A8sBN5S8NBDtRTpvqhovAU-1200-80.jpg__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap0rBW80F$ ]<https://urldefense.com/v3/__https://www.wallpaper.com/art/exhibitions-shows/radical-modernity-kim-jones-on-curating-charleston-for-sothebys__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap6UHVCxe$ >
Radical modernity: Kim Jones on curating Charleston for Sotheby's<https://urldefense.com/v3/__https://www.wallpaper.com/art/exhibitions-shows/radical-modernity-kim-jones-on-curating-charleston-for-sothebys__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap6UHVCxe$ >
As the newly appointed vice president of Charleston, Jones is curating a two-part selling and loan exhibition at Sotheby?s, ?Radical Modernity: From Bloomsbury to Charleston?
https://urldefense.com/v3/__http://www.wallpaper.com__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap7txwt7h$ 
https://urldefense.com/v3/__https://pallant.org.uk/whats-on/dora-carrington/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcapxhIkP0L$ 
https://urldefense.com/v3/__https://pallant.org.uk/whats-on/tour-dora-carrington-beyond-bloomsbury/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcapzrRBIR1$ 
https://urldefense.com/v3/__https://jerwood.org/exhibitions/48-dora-carrington-beyond-bloomsbury-pallant-house-gallery-chichester/overview/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcapxth4gbK$ 
https://urldefense.com/v3/__https://news.artnet.com/art-world/who-was-dora-carrington-a-new-almodovar-movie-and-gallery-show-shine-a-light-on-forgotten-bloomsbury-artist-2568187__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap2XAMwFC$ 
[https://urldefense.com/v3/__https://p-news-upload.storage.googleapis.com/2024/11/Room-Next-Door-stil.jpg__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap-H4VRO_$ ]<https://urldefense.com/v3/__https://news.artnet.com/art-world/who-was-dora-carrington-a-new-almodovar-movie-and-gallery-show-shine-a-light-on-forgotten-bloomsbury-artist-2568187__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap2XAMwFC$ >
Pedro Almod?var's Film Shines a Light on Dora Carrington<https://urldefense.com/v3/__https://news.artnet.com/art-world/who-was-dora-carrington-a-new-almodovar-movie-and-gallery-show-shine-a-light-on-forgotten-bloomsbury-artist-2568187__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap2XAMwFC$ >
Who is Dora Carrington? The Bloomsbury artist was well known for her adventurous life but slipped into obscurity in recent decades.
news.artnet.com
https://urldefense.com/v3/__https://www.newexhibitions.com/e/65096__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap54o8WPO$ 
And...even Instagram:
https://urldefense.com/v3/__https://www.instagram.com/pallanthousegallery/reel/DCHfP3aNUxq/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap1G-scSf$ 
And a student pass:
https://urldefense.com/v3/__https://www.studentartpass.org/whats-on/exhibitions/2024/11/09/dora-carrington-beyond-bloomsbury__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap58W1XAD$ 

Purchasing the catalogue:
https://urldefense.com/v3/__https://pallantbookshop.com/product/coming-soon-dora-carrington-beyond-bloomsbury/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap-e10U58$ 
https://urldefense.com/v3/__https://yalebooks.yale.edu/book/9781869827670/dora-carrington/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap10G_w8N$ 
[https://urldefense.com/v3/__https://yale-press-us.imgix.net/covers/9781869827670.jpg?auto=format&w=298__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcapxPSPsdu$ ]<https://urldefense.com/v3/__https://yalebooks.yale.edu/book/9781869827670/dora-carrington/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap10G_w8N$ >
Dora Carrington<https://urldefense.com/v3/__https://yalebooks.yale.edu/book/9781869827670/dora-carrington/__;!!KGKeukY!3ChYIQ3a-YyvrKZRJB0i6tMorNxhCiUcZVifTAUdxZRh4FwGI2wj-UBOwq0UcNIN54ZLfokBxZGzt705bxcap10G_w8N$ >
The artists Dora Carrington (1893-1932) was a true bohemian. Sir John Rothenstein once described her as 'the most neglected serious painter of her time', but...
yalebooks.yale.edu
?
There are probably more sites, but this email is just a quick romp.

Best,
Vara

Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241113/6c15118f/attachment-0001.html>

From H.Tyson at sussex.ac.uk  Thu Nov 14 10:21:51 2024
From: H.Tyson at sussex.ac.uk (Helen Tyson)
Date: Thu, 14 Nov 2024 15:21:51 +0000
Subject: [Vwoolf] Virginia Woolf & Dissidence - CFP Extension & Keynotes
Message-ID: <LO0P302MB0006F83690C3643672A2BA6EC45B2@LO0P302MB0006.GBRP302.PROD.OUTLOOK.COM>

Dear friends and colleagues,

We are thrilled to share the Call for Papers<https://urldefense.com/v3/__https://woolf2025.uk/cfp/__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCNAg3kgP$ > and announce the keynote speakers for the 34th Annual International Conference on Virginia Woolf on the theme of ?Woolf and Dissidence?.

This year?s conference will begin with pre-conference events at King?s College London on Friday July 4th 2025: a visit to the King?s Archives and a panel discussion on ?Virginia Woolf: Creative Engagements? with contemporary writers and artists speaking about their multi-media engagements with Woolf?s writing. Our confirmed speakers include: Jo Hamya, Olivia Laing, and Kabe Wilson.

On Saturday July 5th 2025 the conference proper will open for registration at the University of Sussex, where we are delighted to be joined by our keynote speakers Professor Madelyn Detloff and Professor Anne Fernald.

We are planning an exciting programme of events, including a performance of Between the Acts, events to mark the centenary of Mrs Dalloway, a conversation with Kim Jones and Charlie Porter, and a house tour and conference dinner at Charleston<https://urldefense.com/v3/__https://www.charleston.org.uk/__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCExDFrhq$ >. There will also be a post-conference visit to Monk?s House<https://urldefense.com/v3/__https://www.nationaltrust.org.uk/visit/sussex/monks-house__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCA8IFWFp$ >, as well as the option of visits to local exhibitions on modernism.

In response to popular demand, we have decided to extend the deadline for proposals to Friday 13th December. To find the call for papers<https://urldefense.com/v3/__https://woolf2025.uk/cfp/__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCNAg3kgP$ >, panels, roundtables, exhibits and other proposals, and to submit a proposal, please visit our website<https://urldefense.com/v3/__https://woolf2025.uk/__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCE0FCAy9$ >, featuring artwork by our conference artist, A. T. Kabe Wilson. More details will be shared in the coming weeks and months.

The Woolf conference has a long tradition of being friendly and welcoming to everyone, including students and those new to Woolf studies. If you would like to discuss an idea with us or ask any questions, please do get in touch at virginiawoolf2025 at gmail.com.

With all best wishes,
Clara Jones, Anna Snaith and Helen Tyson

Dr Helen Tyson<https://urldefense.com/v3/__https://profiles.sussex.ac.uk/p397950-helen-tyson__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCFUqCmNl$ >, Pronouns: she/her

Senior Lecturer in 20th and 21st Century British Literature

University of Sussex

Reading Modernism's Readers: Virginia Woolf, Psychoanalysis and the Bestseller<https://urldefense.com/v3/__https://edinburghuniversitypress.com/book-reading-modernism-s-readers.html__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCNxDUiSS$ >

'Notebook Literature': Virginia Woolf and Marion Milner<https://urldefense.com/v3/__https://onlinelibrary.wiley.com/doi/full/10.1111/criq.12784__;!!KGKeukY!3CK8dueqBrptAXTRUbtREJW0PV6oCB24cdjI95mCh09rEtanekMjdzLCZ7IGennrDfw6-GIvEy5D0tRJCOfYI6vZ$ >


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241114/14c0b661/attachment.html>

From edward.mendelson at columbia.edu  Sat Nov 16 17:38:01 2024
From: edward.mendelson at columbia.edu (Edward Mendelson)
Date: Sat, 16 Nov 2024 17:38:01 -0500
Subject: [Vwoolf] Anyone have the Folio Society Mrs Dalloway?
Message-ID: <4A13C490-EAB2-423C-862F-35A87C1C2165@columbia.edu>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

Interlibrary Loan in the US isn?t able to find a copy of the 2011 Folio Society edition of Mrs. Dalloway. If anyone who subscribes to this list should happen to own a copy, and might be willing to answer a few questions about some details of the text, I would be very glad to hear from you. (I?m not confident that the preceding sentence is grammatical, but I hope it conveys what it?s trying to say.)

Please free free to respond off-list - and many thanks in advance for any help.

From kllevenback at rcn.com  Sun Nov 17 08:20:16 2024
From: kllevenback at rcn.com (Karen Levenback)
Date: Sun, 17 Nov 2024 08:20:16 -0500
Subject: [Vwoolf] WOOLF sighting: The Washington Post] Review | Joan Didion
	and Eve Babitz, celebrity writers whose friendship soured
Message-ID: <8740D45A-DB88-4425-A1CD-AB11B60C6562@rcn.com>

An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241117/1c4fa36a/attachment-0001.html>

From morgnecramer at yahoo.com  Sun Nov 17 18:57:07 2024
From: morgnecramer at yahoo.com (Morgne Cramer)
Date: Sun, 17 Nov 2024 23:57:07 +0000 (UTC)
Subject: [Vwoolf] Lamb essay source
References: <1236013289.3668209.1731887827857.ref@mail.yahoo.com>
Message-ID: <1236013289.3668209.1731887827857@mail.yahoo.com>


I have an essay entitled:?

Virginia Woolf and the Lambs [ran off]




with the following author and source:

Hilary Newman / hilarynewmanuke at hotmail.co.uk



But the email listed no longer works. I recommended the essay to a graduate student.

Does anyone, in particular Hilary Newman, know how he can accurately credit the author?





Thank you,

Patricia Cramer
?
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241117/03f6d6d0/attachment.html>

From hilarynewmanuk at hotmail.co.uk  Sun Nov 17 19:22:37 2024
From: hilarynewmanuk at hotmail.co.uk (Hilary Newman)
Date: Mon, 18 Nov 2024 00:22:37 +0000
Subject: [Vwoolf] Lamb essay source
In-Reply-To: <1236013289.3668209.1731887827857@mail.yahoo.com>
References: <1236013289.3668209.1731887827857.ref@mail.yahoo.com>
	<1236013289.3668209.1731887827857@mail.yahoo.com>
Message-ID: <AM9PR10MB5115AA9916774C45688711BD95272@AM9PR10MB5115.EURPRD10.PROD.OUTLOOK.COM>

Hi Patricia

I'm Hilary Newman.  Offhand, I can't remember any details about the article you attribute to me.  If you send it to me as an attachment, it might jog my memory! The email address you have is correct.



Best wishes
Hilary

Sent from Outlook for Android<https://urldefense.com/v3/__https://aka.ms/AAb9ysg__;!!KGKeukY!2uXHiXWlW-ZEqt_c0YGfkebIECXIENrt9uhIRVkJCeQh8hvhLlcgi9kTjeBInP96L7nkaL76b8AKpzcKQAQmNwTRludvRdk4$ >
________________________________
From: Vwoolf <vwoolf-bounces+hilarynewmanuk=hotmail.co.uk at lists.osu.edu> on behalf of Morgne Cramer via Vwoolf <vwoolf at lists.osu.edu>
Sent: Sunday, November 17, 2024 11:57:07 PM
To: vwoolf at lists.osu.edu <vwoolf at lists.osu.edu>
Subject: [Vwoolf] Lamb essay source

I have an essay entitled: Virginia Woolf and the Lambs [ran off] with the following author and source: Hilary Newman / hilarynewmanuke@?hotmail.?co.?uk But the email listed no longer works. I recommended the essay to a graduate student. Does anyone,

I have an essay entitled:

Virginia Woolf and the Lambs [ran off]


with the following author and source:

Hilary Newman / hilarynewmanuke at hotmail.co.uk


But the email listed no longer works. I recommended the essay to a graduate student.


Does anyone, in particular Hilary Newman, know how he can accurately credit the author?



Thank you,

Patricia Cramer


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241118/0bc2000f/attachment.html>

From sparks at clemson.edu  Mon Nov 18 18:23:24 2024
From: sparks at clemson.edu (Elisa Sparks)
Date: Mon, 18 Nov 2024 23:23:24 +0000
Subject: [Vwoolf] Just checking
Message-ID: <6368DE21-C9D2-468D-BB23-56DA0EDB1CFC@clemson.edu>

Sorry to spam but am having trouble getting emails from the list so am checking to see if it is solved.
Elisa
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241118/8f6d0227/attachment-0001.html>

From demetkarabulut62 at hotmail.com  Tue Nov 19 14:16:07 2024
From: demetkarabulut62 at hotmail.com (Demet Karabulut)
Date: Tue, 19 Nov 2024 19:16:07 +0000
Subject: [Vwoolf] Woolf Seminar - Maria DiBattista, 'Virginia Woolf,
 Biographer', 22 November, 2024, 7 pm
Message-ID: <GV1PR08MB7851AB13C08F0961758C9B0ED5202@GV1PR08MB7851.eurprd08.prod.outlook.com>

Dear all,
We hope you're all doing well and that the semester is treating you kindly.
We are thrilled to announce this month's Woolf Seminar, featuring Maria DiBattista. Her talk, titled "Virginia Woolf, Biographer," will be on Woolf's role as an advocate and practitioner of the "new biography." Maria will explore Woolf's contributions to the tradition of brief lives and her portrayal of the lives of the obscure. The seminar is scheduled for November 22, 2024, at 7 PM (Turkey's time zone). We understand that coordinating different time zones can be tricky, so we recommend using World Time Buddy. Here?s the link <https://urldefense.com/v3/__https://www.worldtimebuddy.com/__;!!KGKeukY!0_xwuyike7F8HUJcoi7x2noaUOgnrgqzRSqjaopflg6xT6-4Hreqn1vj3P6uAXZCQYdUN5ELzwF6Zv1UFPB_BEubZRMZIiVj$ > if you need it.

You can register for the talk on Eventbrite through this link:
https://urldefense.com/v3/__https://www.eventbrite.co.uk/e/virginia-woolf-biographer-tickets-1088786151689?aff=oddtdtcreator__;!!KGKeukY!0_xwuyike7F8HUJcoi7x2noaUOgnrgqzRSqjaopflg6xT6-4Hreqn1vj3P6uAXZCQYdUN5ELzwF6Zv1UFPB_BEubZSrKodkF$  <https://urldefense.com/v3/__https://www.eventbrite.co.uk/e/virginia-woolf-biographer-tickets-1088786151689?aff=oddtdtcreator__;!!KGKeukY!0_xwuyike7F8HUJcoi7x2noaUOgnrgqzRSqjaopflg6xT6-4Hreqn1vj3P6uAXZCQYdUN5ELzwF6Zv1UFPB_BEubZSrKodkF$ >

For those who would like to know more about Maria before the seminar, here is a brief biography:

Maria DiBattista, Charles Barnwell Straut Class of 1923 Professor of English at Princeton University, has written extensively on modern literature and film. Her books Imagining Virginia Woolf: An Experiment in Critical Biography, and Novel Characters: A Genealogy. She is also the coeditor of The Cambridge Guide to Autobiography and Modernism and Autobiography. Her latest work, co-authored with Deborah Nord, is At Home in the World: Women Writers, Public Lives, a study of women?s political writings from Jane Austen to the present day.
We look forward to seeing you on Friday!
Best regards,
Demet Karabulut Dede

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241119/7b6485e6/attachment-0001.html>
-------------- next part --------------
A non-text attachment was scrubbed...
Name: Woolf Seminar - Maria DiBattista.jpg
Type: image/jpeg
Size: 548483 bytes
Desc: Woolf Seminar - Maria DiBattista.jpg
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241119/7b6485e6/attachment-0001.jpg>

From kllevenback at rcn.com  Wed Nov 20 14:36:40 2024
From: kllevenback at rcn.com (Karen Levenback)
Date: Wed, 20 Nov 2024 14:36:40 -0500
Subject: [Vwoolf] WOOLF sighting: From The New Yorker: Is the
	Twentieth-Century Novel a Genre?
Message-ID: <4CA17A30-EC2D-4CE7-AF7D-E87CA1E619FA@rcn.com>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

Is the Twentieth-Century Novel a Genre?
https://urldefense.com/v3/__https://www.newyorker.com/magazine/2024/11/18/stranger-than-fiction-edwin-frank-book-review__;!!KGKeukY!yDpIhrl9mhFAFlsSvmgYPIb2Q-YjiDzxz9I420NjDgbgG02avOpbXsE2ePdbvdmkmXTcEAt81KDx3ZxL1LKnKJw$ 

Get the writers you love, plus your favorite cartoons, on your phone or tablet. Download The New Yorker Today. https://urldefense.com/v3/__https://itunes.apple.com/app/apple-store/id1081530898?pt=45076&ct=App*20Share&mt=8__;JQ!!KGKeukY!yDpIhrl9mhFAFlsSvmgYPIb2Q-YjiDzxz9I420NjDgbgG02avOpbXsE2ePdbvdmkmXTcEAt81KDx3ZxL-NAJkQI$ 

Sent from my iPad

From neverowv1 at southernct.edu  Wed Nov 20 15:03:16 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Wed, 20 Nov 2024 20:03:16 +0000
Subject: [Vwoolf] Google alerts...
Message-ID: <BL3PR02MB79704C41D1E9E0D90F6F10688E212@BL3PR02MB7970.namprd02.prod.outlook.com>

Greetings,

Below are three links. The first is about the QR on Woolf's bust. The second is on the "Radical Modernity" exhibit. The last is on the exhibit of Carrington's work.

https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$ 
[https://urldefense.com/v3/__https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1oS6el.img?w=1920&h=1200&m=4&q=85__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvYLUqjm$ ]<https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$ >
Virginia Woolf?s ?unacceptable views? explained via QR code on her statue<https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$ >
A statue of Virginia Woolf has had a QR code added that explains her ?imperialist attitudes and offensive opinions?. It is part of a scheme by Labour?s Camden council in London drawn up in the wake of the Black Lives Matter protests to address the connections between local monuments and ?racism, slavery? imperialism?. The QR code has been attached ...
https://urldefense.com/v3/__http://www.msn.com__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KaglOxph8J$ 
https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$ 

[https://urldefense.com/v3/__https://media.tatler.com/photos/67334e082b1cca9d6ff4345f/16:9/w_1280,c_limit/121124_CHARLESTON_Festival*20of*20the*20Garden*202024;*20photograph_*20Lewis*20Ronald.jpg__;JSUlJSUlJQ!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KaglbJbXkm$ ]<https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$ >
Bloomsbury energy: visit Radical Modernity at Sotheby's to get a piece of Charleston all for yourself<https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$ >
Charleston, the out-of-London HQ of the Bloomsbury Group, was an eccentric commune fusing modernism and post-Impressionism. It also had an aesthetic many would desire to replicate in their own homes ? and now, thanks to Sotheby?s upcoming sale, you can?
tatler.com

https://urldefense.com/v3/__https://www.wallpaper.com/art/exhibitions-shows/beyond-bloomsbury-the-life-of-dora-carrington__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkbzAzxa$ 

Best,
Vara

Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu


I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.


Recent Publications:

Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241120/3b39581c/attachment.html>

From vrfavre at gmail.com  Thu Nov 21 04:39:51 2024
From: vrfavre at gmail.com (=?UTF-8?Q?Val=C3=A9rie_Favre?=)
Date: Thu, 21 Nov 2024 10:39:51 +0100
Subject: [Vwoolf] =?utf-8?q?Online_seminar=3A_A_Room_of_One=E2=80=99s_Own_?=
	=?utf-8?q?in_Lithuania_=E2=80=93_5_December_2024_=E2=80=93_6pm_CET?=
	=?utf-8?q?_=28in_English=2C_on_Zoom=29?=
Message-ID: <CAMJxUDhyzw-cD9Q7E4VeO7ALQDHp1MpFY3Oecospr77m4HvuwA@mail.gmail.com>

Dear all,

We are delighted to inform you that the second session of the ?*A Room of
One?s Own* in Europe? seminar will take place on Thursday 5 December 2024
at 6pm (CET) on Zoom, in English.

Linara Bartkuviene (Associate professor in English, University of Vilnius)
and Neringa Bulotaite (actor) will track the reception of Woolf?s 1929
essay in Lithuania.

You will find the zoom link below.

https://urldefense.com/v3/__https://pantheonsorbonne.zoom.us/j/92785787802?pwd=aUx0RitVNnZ6NGtHdWoydDJ4SStSUT09__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf04Bi5YmY$ 

ID meeting: 927 8578 7802

Password: 874161

More information on this year's seminar and on our research programme can
be found on our website: https://urldefense.com/v3/__https://room.hypotheses.org/__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf0J3s2Pjc$ 

We look forward to seeing you online!

All best,
Val Favre & Anne-Laure Rigeade


Val?rie Favre <https://urldefense.com/v3/__http://perso.univ-paris1.fr/vfavre__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf0Vs086kc$ > (elle/ielle?she/they)
Ma?tresse de conf?rences en ?tudes anglophones/Associate Professor in
English
Universit? Paris 1 Panth?on-Sorbonne
https://urldefense.com/v3/__https://www.pantheonsorbonne.fr/page-perso/vfavre__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf06Lqt0g8$ 
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/3f69f972/attachment-0001.html>

From tt206 at cam.ac.uk  Thu Nov 21 05:50:58 2024
From: tt206 at cam.ac.uk (Trudi Tate)
Date: Thu, 21 Nov 2024 10:50:58 +0000
Subject: [Vwoolf] Woolf Summer Course with Literature Cambridge
In-Reply-To: <mailman.3650.1732182037.12287.vwoolf@lists.osu.edu>
References: <mailman.3650.1732182037.12287.vwoolf@lists.osu.edu>
Message-ID: <CWXP265MB2981682DDB1534423A9821AEBD222@CWXP265MB2981.GBRP265.PROD.OUTLOOK.COM>

Dear Woolfians,

Bookings are open for our 2025 Virginia Woolf summer course. This will run twice: first, live online, 10-14 July 2025 (5 days, including a weekend). Then in person in Cambridge, 20-25 July 2025. We hope this will fit in well after the Woolf conference in Sussex.

The summer courses are five days of intensive study, discussion, and friendship. The 2025 theme is Virginia Woolf: Writing Life. We study
? Mrs Dalloway (1925)
? To the Lighthouse (1927)
? Orlando (1928)
? The Waves (1931)
? Flush (1933)

Plus some Woolf essays.

Details on our website.
Online course:  https://urldefense.com/v3/__https://www.literaturecambridge.co.uk/woolf-online-2025__;!!KGKeukY!1UEtokbcPvc3aJeGnfDLG1wrFc87CVq3WwUzLigHnmk16AwA28WhU_GouiXvn3PoyqYC2acrVMhCfc2hFxE$ 
Course in Cambridge: https://urldefense.com/v3/__https://www.literaturecambridge.co.uk/summer-camb-2025__;!!KGKeukY!1UEtokbcPvc3aJeGnfDLG1wrFc87CVq3WwUzLigHnmk16AwA28WhU_GouiXvn3PoyqYC2acrVMhCDSk1Vp4$ 


Dr Trudi Tate
Director, Literature Cambridge

Emeritus Fellow
Clare Hall
Cambridge CB3 9AL

________________________________

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/960271ec/attachment.html>

From ozma at sover.net  Thu Nov 21 09:23:38 2024
From: ozma at sover.net (Gretchen Gerzina)
Date: Thu, 21 Nov 2024 09:23:38 -0500
Subject: [Vwoolf] Vwoolf Digest, Vol 150, Issue 23
In-Reply-To: <mailman.3650.1732182037.12287.vwoolf@lists.osu.edu>
References: <mailman.3650.1732182037.12287.vwoolf@lists.osu.edu>
Message-ID: <6E591617-F164-426A-BB8B-E328D3E372D4@sover.net>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

Another Woolf "sighting": on last night's episode of 'Jeopardy,' under the category of 'Epitaphs', the big clue was a quotation from Woolf's epitaph, and included the fact that it was in East Sussex. No one got it right, and one guessed 'Emily Dickinson', which they always do when the category involves a woman writer in England!

Gretchen Gerzina

?On 11/21/24, 4:40 AM, "vwoolf-bounces+ozma=sover.net at lists.osu.edu <mailto:sover.net at lists.osu.edu> on behalf of vwoolf-request at lists.osu.edu <mailto:vwoolf-request at lists.osu.edu>" <vwoolf-bounces+ozma=sover.net at lists.osu.edu <mailto:sover.net at lists.osu.edu> on behalf of vwoolf-request at lists.osu.edu <mailto:vwoolf-request at lists.osu.edu>> wrote:


Send Vwoolf mailing list submissions to
vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>


To subscribe or unsubscribe via the World Wide Web, visit
https://lists.osu.edu/mailman/listinfo/vwoolf <https://lists.osu.edu/mailman/listinfo/vwoolf>
or, via email, send a message with subject or body 'help' to
vwoolf-request at lists.osu.edu <mailto:vwoolf-request at lists.osu.edu>


You can reach the person managing the list at
vwoolf-owner at lists.osu.edu <mailto:vwoolf-owner at lists.osu.edu>


When replying, please edit your Subject line so it is more specific
than "Re: Contents of Vwoolf digest..."




Today's Topics:


1. WOOLF sighting: From The New Yorker: Is the Twentieth-Century
Novel a Genre? (Karen Levenback)
2. Google alerts... (Neverow, Vara S.)
3. Online seminar: A Room of One?s Own in Lithuania ? 5 December
2024 ? 6pm CET (in English, on Zoom) (Val?rie Favre)




----------------------------------------------------------------------


Message: 1
Date: Wed, 20 Nov 2024 14:36:40 -0500
From: Karen Levenback <kllevenback at rcn.com <mailto:kllevenback at rcn.com>>
To: "vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>" <vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>>
Subject: [Vwoolf] WOOLF sighting: From The New Yorker: Is the
Twentieth-Century Novel a Genre?
Message-ID: <4CA17A30-EC2D-4CE7-AF7D-E87CA1E619FA at rcn.com <mailto:4CA17A30-EC2D-4CE7-AF7D-E87CA1E619FA at rcn.com>>
Content-Type: text/plain; charset=us-ascii


Is the Twentieth-Century Novel a Genre?
https://urldefense.com/v3/__https://www.newyorker.com/magazine/2024/11/18/stranger-than-fiction-edwin-frank-book-review__;!!KGKeukY!yDpIhrl9mhFAFlsSvmgYPIb2Q-YjiDzxz9I420NjDgbgG02avOpbXsE2ePdbvdmkmXTcEAt81KDx3ZxL1LKnKJw$ <https://urldefense.com/v3/__https://www.newyorker.com/magazine/2024/11/18/stranger-than-fiction-edwin-frank-book-review__;!!KGKeukY!yDpIhrl9mhFAFlsSvmgYPIb2Q-YjiDzxz9I420NjDgbgG02avOpbXsE2ePdbvdmkmXTcEAt81KDx3ZxL1LKnKJw$> 


Get the writers you love, plus your favorite cartoons, on your phone or tablet. Download The New Yorker Today. https://urldefense.com/v3/__https://itunes.apple.com/app/apple-store/id1081530898?pt=45076&ct=App <https://urldefense.com/v3/__https://itunes.apple.com/app/apple-store/id1081530898?pt=45076&amp;ct=App>*20Share&mt=8__;JQ!!KGKeukY!yDpIhrl9mhFAFlsSvmgYPIb2Q-YjiDzxz9I420NjDgbgG02avOpbXsE2ePdbvdmkmXTcEAt81KDx3ZxL-NAJkQI$ 


Sent from my iPad




------------------------------


Message: 2
Date: Wed, 20 Nov 2024 20:03:16 +0000
From: "Neverow, Vara S." <neverowv1 at southernct.edu <mailto:neverowv1 at southernct.edu>>
To: vwoolf listerve <vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>>
Subject: [Vwoolf] Google alerts...
Message-ID:
<BL3PR02MB79704C41D1E9E0D90F6F10688E212 at BL3PR02MB7970.namprd02.prod.outlook.com <mailto:BL3PR02MB79704C41D1E9E0D90F6F10688E212 at BL3PR02MB7970.namprd02.prod.outlook.com>>


Content-Type: text/plain; charset="windows-1250"


Greetings,


Below are three links. The first is about the QR on Woolf's bust. The second is on the "Radical Modernity" exhibit. The last is on the exhibit of Carrington's work.


https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$ <https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$> 
[https://urldefense.com/v3/__https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1oS6el.img?w=1920&h=1200&m=4&q=85__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvYLUqjm$ <https://urldefense.com/v3/__https://img-s-msn-com.akamaized.net/tenant/amp/entityid/BB1oS6el.img?w=1920&amp;h=1200&amp;m=4&amp;q=85__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvYLUqjm$> ]<https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$ <https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$> >
Virginia Woolf?s ?unacceptable views? explained via QR code on her statue<https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$ <https://urldefense.com/v3/__https://www.msn.com/en-au/entertainment/music/virginia-woolf-s-unacceptable-views-explained-via-qr-code-on-her-statue/ar-BB1oShxd?ocid=ob-fb-eseses-es-fact-check__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagvuU-jiW$> >
A statue of Virginia Woolf has had a QR code added that explains her ?imperialist attitudes and offensive opinions?. It is part of a scheme by Labour?s Camden council in London drawn up in the wake of the Black Lives Matter protests to address the connections between local monuments and ?racism, slavery? imperialism?. The QR code has been attached ...
https://urldefense.com/v3/__http://www.msn.com__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KaglOxph8J$ <https://urldefense.com/v3/__http://www.msn.com__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KaglOxph8J$> 
https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$ <https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$> 


[https://urldefense.com/v3/__https://media.tatler.com/photos/67334e082b1cca9d6ff4345f/16:9/w_1280,c_limit/121124_CHARLESTON_Festival <https://urldefense.com/v3/__https://media.tatler.com/photos/67334e082b1cca9d6ff4345f/16:9/w_1280,c_limit/121124_CHARLESTON_Festival>*20of*20the*20Garden*202024;*20photograph_*20Lewis*20Ronald.jpg__;JSUlJSUlJQ!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KaglbJbXkm$ ]<https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$ <https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$> >
Bloomsbury energy: visit Radical Modernity at Sotheby's to get a piece of Charleston all for yourself<https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$ <https://urldefense.com/v3/__https://tatler.com/article/radical-modernity-bloomsbury-to-charleston-sothebys-exhibition__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkAXTKgv$> >
Charleston, the out-of-London HQ of the Bloomsbury Group, was an eccentric commune fusing modernism and post-Impressionism. It also had an aesthetic many would desire to replicate in their own homes ? and now, thanks to Sotheby?s upcoming sale, you can?
tatler.com


https://urldefense.com/v3/__https://www.wallpaper.com/art/exhibitions-shows/beyond-bloomsbury-the-life-of-dora-carrington__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkbzAzxa$ <https://urldefense.com/v3/__https://www.wallpaper.com/art/exhibitions-shows/beyond-bloomsbury-the-life-of-dora-carrington__;!!KGKeukY!zr0ZUaFbV_rlysO0aQlg1g0KspZ1j80DkI8jnfhaaQL-nhzw4OQ7bQxviY6Yvj7ibtJ4N0x7LR-CWQvLg2KagkbzAzxa$> 


Best,
Vara


Vara Neverow
(she/her/hers)
Professor, English Department
Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu <mailto:neverowv1 at southernct.edu>




I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugussett and Quinnipiac peoples.




Recent Publications:


Lead editor, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); Editor, Volume One, 1975-1984, Virginia Woolf: Critical and Primary Sources (Bloomsbury, 2020); Co-editor, The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature (Edinburgh, 2020; with Jeanne Dubino, Paulina Paj?k, Catherine Hollis, and Celiese Lypka)


-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241120/3b39581c/attachment-0001.html> <http://lists.osu.edu/pipermail/vwoolf/attachments/20241120/3b39581c/attachment-0001.html&gt;>


------------------------------


Message: 3
Date: Thu, 21 Nov 2024 10:39:51 +0100
From: Val?rie Favre <vrfavre at gmail.com <mailto:vrfavre at gmail.com>>
To: "vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>" <vwoolf at lists.osu.edu <mailto:vwoolf at lists.osu.edu>>
Subject: [Vwoolf] Online seminar: A Room of One?s Own in Lithuania ? 5
December 2024 ? 6pm CET (in English, on Zoom)
Message-ID:
<CAMJxUDhyzw-cD9Q7E4VeO7ALQDHp1MpFY3Oecospr77m4HvuwA at mail.gmail.com <mailto:CAMJxUDhyzw-cD9Q7E4VeO7ALQDHp1MpFY3Oecospr77m4HvuwA at mail.gmail.com>>
Content-Type: text/plain; charset="utf-8"


Dear all,


We are delighted to inform you that the second session of the ?*A Room of
One?s Own* in Europe? seminar will take place on Thursday 5 December 2024
at 6pm (CET) on Zoom, in English.


Linara Bartkuviene (Associate professor in English, University of Vilnius)
and Neringa Bulotaite (actor) will track the reception of Woolf?s 1929
essay in Lithuania.


You will find the zoom link below.


https://urldefense.com/v3/__https://pantheonsorbonne.zoom.us/j/92785787802?pwd=aUx0RitVNnZ6NGtHdWoydDJ4SStSUT09__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf04Bi5YmY$ <https://urldefense.com/v3/__https://pantheonsorbonne.zoom.us/j/92785787802?pwd=aUx0RitVNnZ6NGtHdWoydDJ4SStSUT09__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf04Bi5YmY$> 


ID meeting: 927 8578 7802


Password: 874161


More information on this year's seminar and on our research programme can
be found on our website: https://urldefense.com/v3/__https://room.hypotheses.org/__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf0J3s2Pjc$ <https://urldefense.com/v3/__https://room.hypotheses.org/__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf0J3s2Pjc$> 


We look forward to seeing you online!


All best,
Val Favre & Anne-Laure Rigeade




Val?rie Favre <https://urldefense.com/v3/__http://perso.univ-paris1.fr/vfavre__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf0Vs086kc$ <https://urldefense.com/v3/__http://perso.univ-paris1.fr/vfavre__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf0Vs086kc$> > (elle/ielle?she/they)
Ma?tresse de conf?rences en ?tudes anglophones/Associate Professor in
English
Universit? Paris 1 Panth?on-Sorbonne
https://urldefense.com/v3/__https://www.pantheonsorbonne.fr/page-perso/vfavre__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf06Lqt0g8$ <https://urldefense.com/v3/__https://www.pantheonsorbonne.fr/page-perso/vfavre__;!!KGKeukY!0OXI_GLsLIEfJB170Ukp5wmtxfh_IjBFq6AYXvGj6zfK9ueIEllNfUoMdkPbvx7yGlNGEc4qwAf06Lqt0g8$> 
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/3f69f972/attachment.html> <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/3f69f972/attachment.html&gt;>


------------------------------


Subject: Digest Footer


_______________________________________________
Vwoolf mailing list
Vwoolf at lists.osu.edu <mailto:Vwoolf at lists.osu.edu>
https://lists.osu.edu/mailman/listinfo/vwoolf <https://lists.osu.edu/mailman/listinfo/vwoolf>




------------------------------


End of Vwoolf Digest, Vol 150, Issue 23
***************************************









From mc at clarior.net  Thu Nov 21 10:02:00 2024
From: mc at clarior.net (Marie Claire Boisset)
Date: Thu, 21 Nov 2024 16:02:00 +0100
Subject: [Vwoolf] =?utf-8?q?_=22Virginia_Woolf=2C_sports_icon=22=3F?=
	=?utf-8?b?4pq9Pw==?=
Message-ID: <CA+E3Q3rHEW3_O_YOZuKf6g1Sft9RcdLkZOedZTdA0LPoRKpaAQ@mail.gmail.com>

Dear all:

Surprised, not to say "dumbfounded", to read this title found on the first
page of the *TLS* in the mail (Nov. 8, 2024!):  "Keeping score: A
professional footballer's literary debt to Virginia Woolf" (p. 26).

Indeed a (very) loose, disconnected connection: the author of *The Striker
and the Clock: *
*A beautiful game *(Bloomsbury, London, July 2024), Georgia Cloepfil (as
commented upon by Devoney Looser), has *The Waves* (1931) as a "literary
touchstone" & one of her top 5 favorite novels in her sport memoir,
*Percival* being the "striker".

Hope this might help bring a smile with your cup of tea or coffee.
And hope you are enjoying the festive build-up season - no matter what.

Thank you. ??

Kind regards,


[image: Marie-Claire Boisset-Pestourie]
[image: photo]



[image: Green]

Please consider the environment before printing this email!

IMPORTANT: The contents of this email and any attachments are confidential.
They are intended for the named recipient(s) only. If you have received
this email by mistake, please notify the sender immediately and do not
disclose the contents to anyone or make copies thereof.

[image: __tpx__]
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/db56ce7b/attachment-0001.html>

From cfroula at northwestern.edu  Thu Nov 21 10:23:46 2024
From: cfroula at northwestern.edu (Christine Froula)
Date: Thu, 21 Nov 2024 09:23:46 -0600
Subject: [Vwoolf]
 =?utf-8?b?IlZpcmdpbmlhIFdvb2xmLCBzcG9ydHMgaWNvbiI/4pq9?=
 =?utf-8?q?=3F?=
In-Reply-To: <CA+E3Q3rHEW3_O_YOZuKf6g1Sft9RcdLkZOedZTdA0LPoRKpaAQ@mail.gmail.com>
References: <CA+E3Q3rHEW3_O_YOZuKf6g1Sft9RcdLkZOedZTdA0LPoRKpaAQ@mail.gmail.com>
Message-ID: <58b38291-813a-46c5-9489-ab2968c086bf@northwestern.edu>

Wonderful, Marie-Claire, thank you! why should The Waves not be a soccer 
star's bible, as it is for so many people across so many paths of life?

Christine

On 11/21/2024 9:02 AM, Marie Claire Boisset via Vwoolf wrote:
> Dear all: Surprised, not to say "dumbfounded", to read this title 
> found on the first page of the TLS in the mail (Nov. 8, 2024!): 
> "Keeping score: A professional footballer's literary debt to Virginia 
> Woolf" (p. 26). Indeed
> Dear all:
>
> Surprised, not to say "dumbfounded", to read this title found on the 
> first page of the /TLS/ in the mail (Nov. 8, 2024!): ?"Keeping score: 
> A professional footballer's literary debt to Virginia Woolf" (p. 26).
>
> Indeed a (very) loose, disconnected connection: the author of /The 
> Striker and the Clock: /
> /A beautiful game /(Bloomsbury, London, July 2024), Georgia Cloepfil 
> (as commented upon by Devoney Looser), has /The Waves/ (1931) as a 
> "literary touchstone" & one of her top 5 favorite novels in her sport 
> memoir, /Percival/ being?the "striker".
>
> Hope this might help bring a smile with your?cup of tea or coffee.
> And hope you are enjoying the festive build-up season - no matter what.
>
> Thank you.???
>
> Kind regards,
>
>
> Marie-Claire Boisset-Pestourie
>
>
> photo
>
> 	
>
>
>
>
>
> Green
>
> 	
>
> Please consider the environment before printing this email!
>
>
> IMPORTANT: The contents of this email and any attachments are 
> confidential. They are intended for the named recipient(s) only. If 
> you have received this email by mistake, please notify the sender 
> immediately and do not disclose the contents to anyone or make copies 
> thereof.
>
>
> __tpx__
>
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://urldefense.com/v3/__https://lists.osu.edu/mailman/listinfo/vwoolf__;!!Dq0X2DkFhyF93HkjWTBQKhk!SfyZc4NY36EslJfcYlkVJpolBF12dCF3W2HwHUahhJiveveN27VSsWffGSmxpfJ4Ea-CiirM8pfJgML1mtWplgxG5g$ 
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/4b386490/attachment.html>

From mefoleyuk at gmail.com  Thu Nov 21 11:01:40 2024
From: mefoleyuk at gmail.com (Mary Ellen Foley)
Date: Thu, 21 Nov 2024 17:01:40 +0100
Subject: [Vwoolf]
	=?utf-8?b?IlZpcmdpbmlhIFdvb2xmLCBzcG9ydHMgaWNvbiI/4pq9?=
	=?utf-8?q?=3F?=
In-Reply-To: <58b38291-813a-46c5-9489-ab2968c086bf@northwestern.edu>
References: <CA+E3Q3rHEW3_O_YOZuKf6g1Sft9RcdLkZOedZTdA0LPoRKpaAQ@mail.gmail.com>
	<58b38291-813a-46c5-9489-ab2968c086bf@northwestern.edu>
Message-ID: <CAKwoMEEof2sdfF3Yc7bOwnfsxjfOuVh89dHyxttdDg6fCfpVoQ@mail.gmail.com>

I saw a rave review ? was it in the TLS?

Mary Ellen

On Thu, 21 Nov 2024 at 16:24, Christine Froula via Vwoolf <
vwoolf at lists.osu.edu> wrote:

> Wonderful, Marie-Claire, thank you! why should The Waves not be a soccer
> star's bible, as it is for so many people across so many paths of life?
> Christine On 11/21/2024 9: 02 AM, Marie Claire Boisset via Vwoolf wrote:
> Dear all: Surprised, not
>
> Wonderful, Marie-Claire, thank you! why should The Waves not be a soccer
> star's bible, as it is for so many people across so many paths of life?
>
> Christine
> On 11/21/2024 9:02 AM, Marie Claire Boisset via Vwoolf wrote:
>
> Dear all: Surprised, not to say "dumbfounded", to read this title found on
> the first page of the TLS in the mail (Nov. 8, 2024!): "Keeping score: A
> professional footballer's literary debt to Virginia Woolf" (p. 26). Indeed
> Dear all:
>
> Surprised, not to say "dumbfounded", to read this title found on the first
> page of the *TLS* in the mail (Nov. 8, 2024!):  "Keeping score: A
> professional footballer's literary debt to Virginia Woolf" (p. 26).
>
> Indeed a (very) loose, disconnected connection: the author of *The
> Striker and the Clock: *
> *A beautiful game *(Bloomsbury, London, July 2024), Georgia Cloepfil (as
> commented upon by Devoney Looser), has *The Waves* (1931) as a "literary
> touchstone" & one of her top 5 favorite novels in her sport memoir,
> *Percival* being the "striker".
>
> Hope this might help bring a smile with your cup of tea or coffee.
> And hope you are enjoying the festive build-up season - no matter what.
>
> Thank you. ??
>
> Kind regards,
>
>
> [image: Marie-Claire Boisset-Pestourie]
>
> [image: photo]
>
>
>
>
>
> [image: Green]
>
> Please consider the environment before printing this email!
>
> IMPORTANT: The contents of this email and any attachments are
> confidential. They are intended for the named recipient(s) only. If you
> have received this email by mistake, please notify the sender immediately
> and do not disclose the contents to anyone or make copies thereof.
>
>
> [image: __tpx__]
>
> _______________________________________________
> Vwoolf mailing listVwoolf at lists.osu.eduhttps://urldefense.com/v3/__https://lists.osu.edu/mailman/listinfo/vwoolf__;!!Dq0X2DkFhyF93HkjWTBQKhk!SfyZc4NY36EslJfcYlkVJpolBF12dCF3W2HwHUahhJiveveN27VSsWffGSmxpfJ4Ea-CiirM8pfJgML1mtWplgxG5g$
>
> _______________________________________________
> Vwoolf mailing list
> Vwoolf at lists.osu.edu
> https://lists.osu.edu/mailman/listinfo/vwoolf
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/de70cccf/attachment-0001.html>

From mefoleyuk at gmail.com  Thu Nov 21 11:04:23 2024
From: mefoleyuk at gmail.com (Mary Ellen Foley)
Date: Thu, 21 Nov 2024 17:04:23 +0100
Subject: [Vwoolf]
	=?utf-8?b?IlZpcmdpbmlhIFdvb2xmLCBzcG9ydHMgaWNvbiI/4pq9?=
	=?utf-8?q?=3F?=
In-Reply-To: <CAKwoMEEof2sdfF3Yc7bOwnfsxjfOuVh89dHyxttdDg6fCfpVoQ@mail.gmail.com>
References: <CA+E3Q3rHEW3_O_YOZuKf6g1Sft9RcdLkZOedZTdA0LPoRKpaAQ@mail.gmail.com>
	<58b38291-813a-46c5-9489-ab2968c086bf@northwestern.edu>
	<CAKwoMEEof2sdfF3Yc7bOwnfsxjfOuVh89dHyxttdDg6fCfpVoQ@mail.gmail.com>
Message-ID: <CAKwoMEHidm-onFiRYOeB+0nrqv86WEVtn+W8ynacTO13Rb+tXw@mail.gmail.com>

Oops ? sorry y?all! OP cited the TLS!

Mary Ellen

On Thu, 21 Nov 2024 at 17:01, Mary Ellen Foley <mefoleyuk at gmail.com> wrote:

> I saw a rave review ? was it in the TLS?
>
> Mary Ellen
>
> On Thu, 21 Nov 2024 at 16:24, Christine Froula via Vwoolf <
> vwoolf at lists.osu.edu> wrote:
>
>> Wonderful, Marie-Claire, thank you! why should The Waves not be a soccer
>> star's bible, as it is for so many people across so many paths of life?
>> Christine On 11/21/2024 9: 02 AM, Marie Claire Boisset via Vwoolf wrote:
>> Dear all: Surprised, not
>>
>> Wonderful, Marie-Claire, thank you! why should The Waves not be a soccer
>> star's bible, as it is for so many people across so many paths of life?
>>
>> Christine
>> On 11/21/2024 9:02 AM, Marie Claire Boisset via Vwoolf wrote:
>>
>> Dear all: Surprised, not to say "dumbfounded", to read this title found
>> on the first page of the TLS in the mail (Nov. 8, 2024!): "Keeping score: A
>> professional footballer's literary debt to Virginia Woolf" (p. 26). Indeed
>> Dear all:
>>
>> Surprised, not to say "dumbfounded", to read this title found on the
>> first page of the *TLS* in the mail (Nov. 8, 2024!):  "Keeping score: A
>> professional footballer's literary debt to Virginia Woolf" (p. 26).
>>
>> Indeed a (very) loose, disconnected connection: the author of *The
>> Striker and the Clock: *
>> *A beautiful game *(Bloomsbury, London, July 2024), Georgia Cloepfil (as
>> commented upon by Devoney Looser), has *The Waves* (1931) as a "literary
>> touchstone" & one of her top 5 favorite novels in her sport memoir,
>> *Percival* being the "striker".
>>
>> Hope this might help bring a smile with your cup of tea or coffee.
>> And hope you are enjoying the festive build-up season - no matter what.
>>
>> Thank you. ??
>>
>> Kind regards,
>>
>>
>> [image: Marie-Claire Boisset-Pestourie]
>>
>> [image: photo]
>>
>>
>>
>>
>>
>> [image: Green]
>>
>> Please consider the environment before printing this email!
>>
>> IMPORTANT: The contents of this email and any attachments are
>> confidential. They are intended for the named recipient(s) only. If you
>> have received this email by mistake, please notify the sender immediately
>> and do not disclose the contents to anyone or make copies thereof.
>>
>>
>> [image: __tpx__]
>>
>> _______________________________________________
>> Vwoolf mailing listVwoolf at lists.osu.eduhttps://urldefense.com/v3/__https://lists.osu.edu/mailman/listinfo/vwoolf__;!!Dq0X2DkFhyF93HkjWTBQKhk!SfyZc4NY36EslJfcYlkVJpolBF12dCF3W2HwHUahhJiveveN27VSsWffGSmxpfJ4Ea-CiirM8pfJgML1mtWplgxG5g$
>>
>> _______________________________________________
>> Vwoolf mailing list
>> Vwoolf at lists.osu.edu
>> https://lists.osu.edu/mailman/listinfo/vwoolf
>>
>
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241121/043b741c/attachment.html>

From ozma at sover.net  Fri Nov 22 07:42:40 2024
From: ozma at sover.net (Gretchen Gerzina)
Date: Fri, 22 Nov 2024 07:42:40 -0500
Subject: [Vwoolf] Another Woolf sighting
Message-ID: <2C3F4351-E2FF-41E3-8561-9D75B54A89DB@contoso.com>

The newest edition of the TLS has an article by Sophie Oliver called ?What We Want from Her Books. Virginia Woolf as Reader, Writer and Literary Inspiration.? It?s behind a paywall, but if you?re connected to a university you can likely get it via their library. The last time I tried posting a pdf to the list, it was too large to post.

 

Gretchen Gerzina

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241122/8dc565e8/attachment.html>

From stringsoflight at hotmail.co.uk  Sat Nov 23 20:20:13 2024
From: stringsoflight at hotmail.co.uk (stringsOf Light)
Date: Sun, 24 Nov 2024 01:20:13 +0000
Subject: [Vwoolf] any chance?
Message-ID: <AM6PR02MB4646B85B0C5C40C668537C74832D2@AM6PR02MB4646.eurprd02.prod.outlook.com>

Dear Edward

Is there any chance you could helm me; to access this Pdf file and to send me this essay which i unfortunately can't get access to?
it would be very much appreciated.

https://urldefense.com/v3/__https://read.dukeupress.edu/south-atlantic-quarterly/article-abstract/78/3/404/345145/The-Unknown-Virginia-Woolf-by-Roger-Poole?redirectedFrom=fulltext__;!!KGKeukY!z2ve5Uiln3onfM26PA3BGLh_bEgXtNsFGS5uZ80z4Ri6Vp8fXs1ZDWBGTCf-KKb24Xxy6lJn412DsOUpPBoYvRquR0I5zd9d$ 

If you can't access it either, still thank you for trying.

Warm Regards,
Naida
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241124/d6090a0f/attachment-0001.html>

From kllevenback at att.net  Sun Nov 24 09:16:31 2024
From: kllevenback at att.net (Kllevenback)
Date: Sun, 24 Nov 2024 09:16:31 -0500
Subject: [Vwoolf] =?utf-8?q?Another_Woolf_sighting=E2=80=94NYTimes=3A_Joan?=
 =?utf-8?q?_Didion_and_Eve_Babitz=3A_Contemporaries=2C_Peers=2C_Rivals_?=
 =?utf-8?q?=E2=80=94_and_Soul_Mates=3F?=
References: <ACFB2670-902F-4C31-A5A8-14FD524C7114.ref@att.net>
Message-ID: <ACFB2670-902F-4C31-A5A8-14FD524C7114@att.net>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

https://urldefense.com/v3/__https://www.nytimes.com/2024/11/10/books/review/didion-babitz-lili-anolik.html?smid=nytcore-ios-share&referringSource=articleShare__;!!KGKeukY!yDBYdgPPY-J5nlRp6BkQFNUFYd7liP1pEQWzO9zTM3uLW0N6InTrn_iTXkDyw8lPYaKjVEEtsaEdoPIELSUVA3k$ 

Sent from my iPad

From morgnecramer at yahoo.com  Sun Nov 24 14:09:27 2024
From: morgnecramer at yahoo.com (Morgne Cramer)
Date: Sun, 24 Nov 2024 19:09:27 +0000 (UTC)
Subject: [Vwoolf] post
References: <1638295089.2339585.1732475367656.ref@mail.yahoo.com>
Message-ID: <1638295089.2339585.1732475367656@mail.yahoo.com>

I am working with a graduate student who is writing on E. M. Forster's Maurice as rejection of the Higher Sodomy. I am trying to find a solid definition even history ofthe Higher Sodomy as imagined and practiced at Cambridge and Oxford. I can point him to passages in studies of Strachey, including Strachey's letters, and sections from other larger studies on Hellenism, Apostles, etc. But I do not know of a reliable extended commentary on Higher Sodomy. Can anyone recommend readings on the Higher Sodomy, including your own work--even if Higher Sodomy appears as just a piece of your own publications?
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241124/cd3a1452/attachment.html>

From edward.mendelson at columbia.edu  Tue Nov 26 20:59:41 2024
From: edward.mendelson at columbia.edu (Edward Mendelson)
Date: Tue, 26 Nov 2024 20:59:41 -0500
Subject: [Vwoolf] Edited texts of To the Lighthouse?
Message-ID: <9deda03d-eda1-487f-91b7-73a5d4b52fef@columbia.edu>

!-------------------------------------------------------------------|
  This Message Is From an External Sender
  This message came from outside your organization.
|-------------------------------------------------------------------!

Pursuing my time-wasting distractions, I am trying to find all the 
editions of To the Lighthouse that have edited texts, not merely 
reprinted texts with or without explanatory notes. The ones I've found 
so far are these:

1990: the Hogarth Press "Definitive Collected Edition" (edited anonymously)

1992: Susan Dick's Shakespeare Head Press edition (based on the proofs 
of the American text)

1992: Margaret Drabble's Oxford World's Classics edition

1992: Stella McNichol's Penguin Twentieth-Century Classics edition

1994: Sandra Kemp's Routledge English Texts edition

2005: Mark Hussey's annotated Harcourt edition (based on the American text)

2006: David Bradshaw's Oxford World's Classics edition

2023: Margaret Homans' Norton Critical Edition (based on the American text)

Perhaps there are others? I haven't seen the Folio Society edition. 
Broadview Press merely photo-offsets the American text. The modern 
Everyman's Library edition seems to say nothing about its text. The 
Cambridge UP edition is still awaited.

Again, I am not looking for texts that have explanatory notes only, but 
no notes on or discussions of the state of the actual text.

Any further information or corrections will be gratefully received.



From neverowv1 at southernct.edu  Wed Nov 27 11:17:15 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Wed, 27 Nov 2024 16:17:15 +0000
Subject: [Vwoolf] Google alert: An article of possible interest
Message-ID: <BL3PR02MB79708AB97B451D09AC52F7188E282@BL3PR02MB7970.namprd02.prod.outlook.com>

Greetings,
https://urldefense.com/v3/__https://decoratingdissidence.substack.com/p/modernist-maker-digest-014-the-omega?utm_campaign=post&utm_medium=web__;!!KGKeukY!wUMvHnkIb3e1HcL57fjVPgWlBbwZ9l7PhorDOs0iVN5r3zogJqzZfn129zSi1JJLorCW2wdiNfNDjp6OypHtERMbP6X_$ 
The illustrations are very rare and the links at the end could be valuable.
Best,
Vara
Vara Neverow
(she/her/hers)
Professor, English Department and Women?s and Gender Studies Program
Managing Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu

I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugusett and Quinnepiac peoples.
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241127/6d33b597/attachment-0001.html>

From neverowv1 at southernct.edu  Sat Nov 30 10:24:17 2024
From: neverowv1 at southernct.edu (Neverow, Vara S.)
Date: Sat, 30 Nov 2024 15:24:17 +0000
Subject: [Vwoolf] =?windows-1252?q?A_Woolf_sighting=85?=
Message-ID: <BL3PR02MB79707ED29F4E73D1761997AE8E2B2@BL3PR02MB7970.namprd02.prod.outlook.com>

Greetings,
This BBC article, "The Quaint English Town Where the US' Future Was Planned," is
about Lewes, Thomas Paine, Bonfire Night, and many other things. It includes references to Virginia Woolf, Carrington, and Julian Bell, Quentin Bell's son:
https://urldefense.com/v3/__https://www.bbc.com/travel/article/20241118-the-quaint-english-town-where-the-us-future-was-planned__;!!KGKeukY!wcT4-cKSUQsm2BP137jLRiiYCft4roHlSUOnPCTzyP8NmILo-j4MB7W8qdAoV1nsPxgN5B4Mnd5b1U-23D0S0uFT3vKP$ 
Best,
Vara

Vara Neverow
(she/her/hers)
Professor, English Department and Women?s and Gender Studies Program
Managing Editor, Virginia Woolf Miscellany
Southern Connecticut State University
New Haven, CT 06515
203-392-6717
neverowv1 at southernct.edu

I acknowledge that Southern Connecticut State University was built on traditional territory of the indigenous peoples and nations of the Paugusett and Quinnepiac peoples.
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.osu.edu/pipermail/vwoolf/attachments/20241130/9c8c4a21/attachment.html>