[Vwoolf] Women Making Modernism collection

Catherine W. Hollis hollisc at berkeley.edu
Fri Jan 17 14:54:41 EST 2020


Hi all,

Just piggybacking on Jane's email from earlier this week to emphasize how
relevant this new book, *Women Making Modernism, *is for Woolfians. Our own
Erica Delsandro has not only done an amazing editorial job, but has also
made a beautiful book by choosing the Barbara Hepworth design for its
cover. Essays especially relevant for Woolfians include Jane Garrity on
"The Haunting of Mary Hutchinson," Madelyn Detloff on "Iconic Shade ... and
Other Professional Hazards of Woolf Scholarship," and Erica's own essay on
"Virginia Woolf and Mina Loy: Modernist Affiliations." Many of the other
essays got their start at Julie Vandivere's 25th Annual Woolf conference on
Woolf and Her Female Contemporaries: additional contributors include Emily
Ridge, Celia Marshik, Julie Vandivere, Allison Pease, myself, and Melissa
Bradshaw.

Please consider ordering this book for your personal or institutional
library!

Thanks,

Catherine



On Tue, Jan 14, 2020 at 9:03 AM Jane Marie Garrity via Vwoolf <
vwoolf at lists.osu.edu> wrote:

> Dear all,
> I wanted to let you know about a new book that contains several chapters
> that will be of interest to Woolfians: Erica Delsandro’s wonderful edited
> collection, Women Making Modernism (see snapshot of cover below). I am also
> forwarding the friends and family discount from the U Press of Florida (it
> should still be good even though we are past the official deadline).
>
> Best wishes,
> Jane
>
>
>
>
>
> ---------- Forwarded message ---------
> From: upress-marketing <marketing at upress.ufl.edu>
> Date: Fri, Dec 13, 2019 at 4:45 PM
> Subject: Women Making Modernism
> To: ericadelsandro at gmail.com <ericadelsandro at gmail.com>
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> *Women Making Modernism*
>
>
>
> Edited by Erica Gene Delsandro
>
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> Original Price: *$80.00*
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> *Table of Contents
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> *Excerpt
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>
>
>
> Challenging the tendency of scholars to view women writers of the
> modernist era as isolated artists who competed with one another for
> critical and cultural acceptance, *Women Making Modernism* reveals the
> robust networks women created and maintained that served as platforms and
> support for women’s literary careers.
>
>
>
> The essays in this volume highlight both familiar and lesser-known writers
> including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May
> Sinclair, and Mary Hutchinson. For these writers, relationships and
> correspondences with other women were key to navigating a literary culture
> that not only privileged male voices but also reserved most financial and
> educational opportunities for men. Their examples show how women’s writing
> communities interconnected to generate a current of energy, innovation, and
> ambition that was central to the modernist movement. Contributors to this
> volume argue that the movement’s prominent intellectual networks were
> dependent on the invisible work of women artists, a fact that the field of
> modernist studies has too long overlooked.
>
>
>
> Amplifying the reality of women’s contributions to modernism, this volume
> advocates for an “orientation of openness” in reading and teaching
> literature from the period, helping to ease the tensions between feminist
> and modernist studies.
>
>
>
>
>
> "A fascinating case for the ‘making’ of modernism by women writers through
> their networking, contestation, and affiliation with each other. This
> volume’s widely admired contributors more than live up to their reputations
> with their thought-provoking analyses."—Holly A. Laird, author of *Women
> Coauthors  *
>
>
>
>
>
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> Jane Garrity
> Associate Professor of English
> Associate Chair and Director of Undergraduate Studies
> University of Colorado at Boulder
> 226 UCB
> Boulder, CO 80309-0226
> Jane.Garrity at Colorado.Edu
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-- 
Catherine W. Hollis, PhD
Instructor, Fall Program for Freshmen
U.C. Berkeley
Berkeley, CA 94720
hollisc at berkeley.edu
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