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I am not at all comfortable with the image of gigs outside a theatre. (In JR the ref. is to “carriages” – I know that’s a generic word, but . . .) Gigs were nasty, dangerous (see “Jack Mytton”), draughty things, seating only two people, suitable</div>
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<DIV>I am not at all comfortable with the image of gigs outside a theatre.
(In JR the ref. is to “carriages” – I know that’s a generic word, but . .
.) Gigs were nasty, dangerous (see “Jack Mytton”), draughty things,
seating only two people, suitable for dashing young men-about-town. You
would be more likely to see rows of them at a race course than outside a
theatre. You might have hired a gig and driven it yourself, but I don’t
think a gig with driver would be waiting for customers, for it would only have
been *one* customer per gig.</DIV>
<DIV> </DIV>
<DIV>You can see the lamps in the lower photos here:</DIV>
<DIV>h<a title="ttps://en.wikipedia.org/wiki/Gig_(carriage)" href="https://urldefense.com/v3/__https://en.wikipedia.org/wiki/Gig_(carriage)__;!!KGKeukY!1j68aTtribnf7fxBvwqjeh7Eb2SGopG8YghmsL_va46u1hbDf_lWkaBfCZeOPkVv8QA9b4bT3uYwYA7NTNbecvnLDw5z6__FKg$">ttps://en.wikipedia.org/wiki/Gig_(carriage)</A></DIV>
<DIV>but it’s an unusual “skeleton” gig with two horses.</DIV>
<DIV> </DIV>
<DIV>Stuart</DIV>
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<DIV> </DIV>
<DIV style="BACKGROUND: #f5f5f5">
<DIV style="font-color: black"><B>From:</B> <A
title=vwoolf@lists.osu.edu>Christine Froula via Vwoolf</A> </DIV>
<DIV><B>Sent:</B> Wednesday, August 28, 2024 2:25 PM</DIV>
<DIV><B>To:</B> <A title=vwoolf@lists.osu.edu>vwoolf@lists.osu.edu</A> </DIV>
<DIV><B>Subject:</B> Re: [Vwoolf] Gig Lamps and Orlando....</DIV></DIV></DIV>
<DIV> </DIV></DIV>
<DIV
style='FONT-SIZE: small; TEXT-DECORATION: none; FONT-FAMILY: "Calibri"; FONT-WEIGHT: normal; COLOR: #000000; FONT-STYLE: normal; DISPLAY: inline'>
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think that may be the opera scene in Jacob's Room. On 8/28/2024 9: 18 AM, Mark
Hussey via Vwoolf wrote: I think I must have read this somewhere (i. e. not my
idea) long ago, that the 'series' of gig lamps called to mind an image of the
gigs</DIV><!-- Preheader Text : END --><!-- Email Banner : BEGIN -->
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<P>I think that may be the opera scene in Jacob's Room.<BR></P>
<DIV class=moz-cite-prefix>On 8/28/2024 9:18 AM, Mark Hussey via Vwoolf
wrote:<BR></DIV>
<BLOCKQUOTE
cite=mid:CA+_0V=er4NSjQQfMSAg4yLzqKbkTtqkPz2i4zaevye+Zr3hbBA@mail.gmail.com
type="cite"><!-- BaNnErBlUrFlE-HeAdEr-start -->
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style="FONT-SIZE: 1px; OVERFLOW: hidden; HEIGHT: 0px; COLOR: #ffffff; DISPLAY: none !important; LINE-HEIGHT: 1px; MAX-HEIGHT: 0px; VISIBILITY: hidden; mso-hide: all; opacity: 0">I
think I must have read this somewhere (i. e. not my idea) long ago, that the
'series' of gig lamps called to mind an image of the gigs lined up, their
lamps lit, perhaps outside a theatre, waiting for customers in the evening And
not</DIV><!-- Preheader Text : END --><!-- Email Banner : BEGIN --><!-- Email Banner : END --><!-- BaNnErBlUrFlE-BoDy-end -->
<DIV dir=ltr>I think I must have read this somewhere (i.e. not my idea) long
ago, that the 'series' of gig lamps called to mind an image of the gigs lined
up, their lamps lit, perhaps outside a theatre, waiting for customers in the
evening
<DIV> </DIV>
<DIV>And not that it is particularly relevant to this image, but Proust also
uses the image of a 'transparent envelope' in <I>Swann's Way</I> when talking
about identity.</DIV></DIV>
<DIV> </DIV>
<DIV class=gmail_quote>
<DIV class=gmail_attr dir=ltr>On Wed, Aug 28, 2024 at 9:04 AM Laura Cernat via
Vwoolf <<A class=moz-txt-link-freetext
moz-do-not-send="true">vwoolf@lists.osu.edu</A>> wrote:<BR></DIV>
<BLOCKQUOTE class=gmail_quote
style="PADDING-LEFT: 1ex; BORDER-LEFT: rgb(204,204,204) 1px solid; MARGIN: 0px 0px 0px 0.8ex">
<DIV class=msg4926992668888243898>
<DIV
style="FONT-SIZE: 1px; OVERFLOW: hidden; HEIGHT: 0px; COLOR: rgb(255,255,255); DISPLAY: none; LINE-HEIGHT: 1px; MAX-HEIGHT: 0px; opacity: 0">Dear
Ann, Thank you for this rich parallel. I think you dotted the "i" here,
since Woolf was so interested in looking not just at the "moments of being"
(when life is in the spotlight, so to say) but also at the "cotton</DIV>
<DIV dir=ltr>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">Dear
Ann,</DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">Thank
you for this rich parallel. I think you dotted the "i" here, since Woolf was
so interested in looking not just at the "moments of being" (when life is in
the spotlight, so to say) but also at the "cotton wool" that surrounds them
and in understanding how they are embedded and how they emerge from his
"non-being". To me the "semi-transparent envelope" reads sometimes like a
prefiguration of the "cotton wool" and the "gig lamps" read somewhat like
the moments of being - or, moreover, like moments of awareness, which Woolf
emphasizes as asymmetrical and unpredictable, hard to sum up or fit into a
series. </DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">There
are indeed so many echoes between these images, and yet each also stands
alone with such uniqueness and force. </DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">A
great new semester to all of you,</DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 12pt; FONT-FAMILY: aptos,aptos_embeddedfont,aptos_msfontservice,calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">Laura</DIV>
<HR style="WIDTH: 98%; DISPLAY: inline-block">
<DIV id=m_4926992668888243898divRplyFwdMsg dir=ltr><FONT
style="FONT-SIZE: 11pt" color=#000000
face="Calibri, sans-serif"><B>From:</B> Vwoolf
<vwoolf-bounces+cernat.laura=<A class=moz-txt-link-freetext target=_blank
moz-do-not-send="true">kuleuven.be@lists.osu.edu</A>> on behalf of
Martin, Ann via Vwoolf <<A class=moz-txt-link-freetext target=_blank
moz-do-not-send="true">vwoolf@lists.osu.edu</A>><BR><B>Sent:</B>
Wednesday, August 28, 2024 2:41 PM<BR><B>To:</B> <A
class=moz-txt-link-freetext target=_blank
moz-do-not-send="true">vwoolf@lists.osu.edu</A> <<A
class=moz-txt-link-freetext target=_blank
moz-do-not-send="true">vwoolf@lists.osu.edu</A>><BR><B>Subject:</B>
[Vwoolf] Gig Lamps and Orlando....</FONT>
<DIV> </DIV></DIV>
<DIV>
<DIV
style="FONT-SIZE: 1px; OVERFLOW: hidden; HEIGHT: 0px; COLOR: rgb(255,255,255); DISPLAY: none; LINE-HEIGHT: 1px; MAX-HEIGHT: 0px; opacity: 0">With
regard to Laura's reading, I'm wondering how the lights and lamps in "Modern
Fiction" relate to that scene in _Orlando_ in which Orlando and Pope are in
the carriage: "Lamp-posts list with oil-lamps occurred every two
hundred</DIV>
<DIV
style="FONT-SIZE: 1px; OVERFLOW: hidden; HEIGHT: 0px; COLOR: rgb(255,255,255); DISPLAY: none; LINE-HEIGHT: 1px; MAX-HEIGHT: 0px; opacity: 0"></DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">With
regard to Laura's reading, I'm wondering how the lights and lamps in "Modern
Fiction" relate to that scene in _Orlando_ in which Orlando and Pope are in
the carriage:</DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">"Lamp-posts
list with oil-lamps occurred every two hundred yards or so, but between lay
a considerable stretch of pitch darkness. Thus for ten minutes Orlando and
Mr Pope would be in blackness; and then for about half a minute again in the
light. A very strange state of mind was thus bred in Orlando."</DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">It
associates with the final drive out of the city, but here the lamp posts and
lamp lights suggest a symmetrical, linear movement of time and space, but
here it's...variegated (and resonates for me with "Evening Over
Sussex").</DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">The
clusters of images that arise in Woolf's work....</DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">All
best,</DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)">Ann</DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
<DIV
style="FONT-SIZE: 11pt; FONT-FAMILY: calibri,helvetica,sans-serif; COLOR: rgb(0,0,0)"> </DIV>
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