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Dear Woolfians, The final version of Issue 100 of the Virginia Woolf Miscellany is now available on WordPress. This version is longer than the previous draft that was posted in early August. It includes more contributions as well as a short
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<span style="font-size:12pt;margin:0px" class="ContentPasted0">Dear Woolfians,</span>
<div style="font-size:12pt;margin:0px"><br class="ContentPasted0">
</div>
<div style="font-size:12pt;margin:0px" class="ContentPasted0">The final version of<span class="ContentPasted0"> </span><a href="https://urldefense.com/v3/__https://virginiawoolfmiscellany.wordpress.com/virginia-woolf-miscellany-issue-100-spring-summer-2023/__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0RvpsPkLHgs$" title="https://virginiawoolfmiscellany.wordpress.com/virginia-woolf-miscellany-issue-100-spring-summer-2023/" id="OWA6d7d233a-fe4b-0b44-a9ac-a627690e2029" class="OWAAutoLink ContentPasted0" style="margin:0px">Issue
100 of the<span> </span><i>Virginia Woolf Miscellany</i></a> is now available on WordPress.</div>
<div style="font-size:12pt;margin:0px"><br class="ContentPasted0">
</div>
<div style="font-size:12pt;margin:0px" class="ContentPasted0">This version is longer than the previous draft that was posted in early August. It includes more contributions as well as a short bibliography of recent publications and also has a number of different
illustrations. </div>
<div style="font-size:12pt;margin:0px"><br class="ContentPasted0">
</div>
<div style="font-size:12pt;margin:0px" class="ContentPasted0"><span style="display: inline !important; background-color: rgb(255, 255, 255);" class="ContentPasted2">Should you wish to glance at the
<span style="display: inline !important; background-color: rgb(255, 255, 255);">updated overview</span> of the issue in this email rather than on the webpage,</span> it is included below. The summary provides more information about the issue than the previous
one.</div>
<div style="font-size:12pt;margin:0px"><br class="ContentPasted0">
</div>
<div style="font-size:12pt;margin:0px" class="ContentPasted0">Please contact me if you have any questions about contributing to the<span class="ContentPasted0"> </span><i class="ContentPasted0">Miscellany<span class="ContentPasted0"> </span></i>or acquiring
copies of the<span class="ContentPasted0"> </span><i class="ContentPasted0">Miscellany</i>. </div>
<div style="font-size:12pt;margin:0px"><br class="ContentPasted0">
</div>
<div style="font-size:12pt;margin:0px" class="ContentPasted0">Best wishes,</div>
<div style="font-size:12pt;margin:0px" class="ContentPasted0">Vara</div>
<div style="font-size:12pt;margin:0px"><br class="ContentPasted0">
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<h1 class="entry-title ContentPasted0" style="background: rgb(255, 255, 255); margin: 0px; clear: both; font-weight: bold; font-family: "Helvetica Neue", Arial, Helvetica, "Nimbus Sans L", sans-serif; line-height: 1.3em; font-size: 21px;">
Virginia Woolf Miscellany, Issue 100, Spring/Summer 2023</h1>
<div class="entry-content" style="font-family: Georgia, "Bitstream Charter", serif; margin: 0px; padding: 12px 0px 0px; background: rgb(255, 255, 255); clear: both; counter-reset: footnotes 0; color: rgb(51, 51, 51);">
<p style="background: transparent; margin: 0px 0px 24px;"><strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">Special Topic: The Evolution of
the<span class="ContentPasted0" style="margin:0px"> </span></em>Virginia Woolf Miscellany</strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
This issue of the <em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany</em><span class="ContentPasted0" style="margin:0px"> </span>is dedicated to the special topic “The Evolution of the<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Virginia
Woolf Miscellany</em>.” To access the final version of the issue, click<span class="ContentPasted0" style="margin:0px"> </span><a href="https://urldefense.com/v3/__https://virginiawoolfmiscellany.files.wordpress.com/2023/08/vwm100spring-summer2023-final.pdf__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0RvprEm4szw$" id="OWAa85b27b6-8081-1a24-fac4-89b05d8c8e4c" class="OWAAutoLink ContentPasted0" style="margin: 0px; background: transparent; color: rgb(0, 102, 204);">here</a>.
(If you downloaded the earlier iteration of the issue, please discard it–this final version is different and includes additional contributions.)</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
To view the Table of Contents, go to page 25.</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
This special theme, which focuses on the origins, history, and impact of the <em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany</em>, was edited by J. J. Wilson (the founding editor of the <em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany</em>),
Vara Neverow (the current editor), and Alec Pollak (the guest editor). The “To the Readers” section (pages 1-5) offers each editor’s introductory statement.</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The contributors to this special topic, in the order of their work, are Morris Beja (who discusses the founding of the Virginia Woolf Society and notes its early and ongoing affiliation with the<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany</em>),
Diane F. Gillespie, Peter Stansky, Sandra Inskeep-Fox, Katherine C. Hill-Miller, Maggie Humm, Beth Rigel Daugherty, Karen Levenback, Rebecca McNeer, Emily Kopley, Joel Hawkes, JoAnn Borri, Robert B. Todd, Alex Clarke, Gill Lowe, Lesley Higgins, Arpi Sarafian,
Rowena Kennedy-Epstein, AnneMarie Bantzinger, Anne Byrne, Stefano Rozzoni, Mine Özyurt Kiliç, and Robert McDowell (see pages 26-47).</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
These contributions provide a rich and varied range of perspectives including historical details, insights about the benefits provided by the <em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany,</em> many different personal recollections
and reflections, several engaging teaching techniques, and a poem.</p>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">Remembering Suzanne Bellamy</em></strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The issue also offers heartfelt tributes to Suzanne Bellamy (1948-2022), an artist and sculptor and feminist whose invaluable work has inspired the Woolfian community (pages 11-22). </p>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">Calls for Papers</em></strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The Call for Papers for the 33rd Annual Conference on Virginia Woolf:<span class="ContentPasted0" style="margin:0px"> </span><strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;">Woolf, Modernity, Technology</strong>,
which will be hosted by J. Ashley Foster and held at California State University–Fresno, can be accessed on page 6.</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
Calls for papers for future issues of the<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany</em><span class="ContentPasted0" style="margin:0px"> </span>can be viewed on
pages 23 and 24:</p>
<div class="wp-block-group is-layout-constrained wp-block-group-is-layout-constrained" style="margin: 0px; background: transparent; box-sizing: border-box;">
<div class="wp-block-group__inner-container" style="margin-top: 0px; margin-bottom: 0px; background: transparent; margin-right: auto !important; margin-left: auto !important;">
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
—<strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;">Issue 102, Spring 2024</strong>: Special Topic on Twenty-First-Century Perspectives on Virginia Woolf: Feminisms, Genders, Politics, and Patriarchy;</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
—<strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;">Issue 103, Fall 2024</strong>: Special Topic on Virginia Woolf and George Eliot;</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
—<strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;">Issue 104, Spring 2025</strong>: Special Topic on Virginia Woolf and D. H, Lawrence;</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
—<strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;">Issue 105, Fall 2025</strong>: Special Topic on Virginia Woolf and Failure.</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
Also of interest are the Clemson University Press’s Call for Annotated Woolf (page 6) and the advertisements for rare books–<a href="https://urldefense.com/v3/__https://virginiawoolfmiscellany.wordpress.com/virginia-woolf-miscellany-issue-100-spring-summer-2023/yorkharborbooks@aol.com__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0Rvpvh8kqJn$" id="OWAeb11f4f8-3dcf-5c1a-2ac0-67f6f2bd942c" class="OWAAutoLink ContentPasted0" style="margin: 0px; background: transparent; color: rgb(0, 102, 204);">Jon
S. Richardson’s Rare Books</a><span class="ContentPasted0" style="margin:0px"> </span>(page 7),<span class="ContentPasted0" style="margin:0px"> </span><a href="https://urldefense.com/v3/__https://www.honeyandwaxbooks.com/__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0RvpnXDzonk$" id="OWA23e3ccbd-fbcb-736f-8964-1f26fa1a3c39" class="OWAAutoLink ContentPasted0" style="margin: 0px; background: transparent; color: rgb(0, 102, 204);">Honey
& Wax Booksellers</a><span class="ContentPasted0" style="margin:0px"> </span>(page 8), and<span class="ContentPasted0" style="margin:0px"> </span><a href="https://urldefense.com/v3/__https://www.secondwindbks.com/__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0RvpjFdSN79$" id="OWA7828a25c-b7e3-26f7-17c6-cc392cbbc627" class="OWAAutoLink ContentPasted0" style="margin: 0px; background: transparent; color: rgb(0, 102, 204);">Second
Wind Books</a><span class="ContentPasted0" style="margin:0px"> </span>(page 24).</p>
<div class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
<p class="ContentPasted3">Furthermore, included in this issue is one of Farrah Alkhadra's drawings of snails that illustrated Woolf and Ecologies, the 32 Annual Conference on Virginia Woolf, and were crafted for call for papers, the webpage, and the programs.
Farrah Alkhadra's work can be viewed on <a href="https://urldefense.com/v3/__https://www.instagram.com/farrahsdesigns/__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0Rvpr3EtIpN$" data-type="link" data-id="https://www.instagram.com/farrahsdesigns/" id="OWA51ec9860-c1ae-97d8-453d-022617adccaa" class="OWAAutoLink ContentPasted3">
Instagram</a>, and the reader can access a link to an <a href="https://urldefense.com/v3/__https://fgcu360.com/2021/05/27/art-grad-shares-illuminating-perspective-on-fgcu-experience/__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0RvprCgh9wV$" title="https://fgcu360.com/2021/05/27/art-grad-shares-illuminating-perspective-on-fgcu-experience/" id="LPNoLPOWALinkPreview">
article</a> that focuses on her work while she pursued her degree at FGCU (see page 40).</p>
<div class="_Entity _EType_OWALinkPreview _EId_OWALinkPreview _EReadonly_1"></div>
<p class="ContentPasted3"></p>
</div>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">The 2023 Angelica Garnett Undergraduate Essay Prize</em></strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The essays submitted by Eleanor Clark, the winner of the 2023 Angelica Garnett Undergraduate Essay Prize, and Saskia May and Jasmine Woodcock, the runners-up for the prize, are included in this issue (see pages 47-54).</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
Eleanor Clark’s essay is titled “‘Breaking the Silence?’: Talking, Speaking, and the Dissipation of Meaning in Virginia Woolf’s Novels” (47-49); Saskia May’s is “Abandoned, Domestic Objects ‘continuing without us’ in Ecological Landscapes in Virginia Woolf’s
‘Solid Objects” (49-51), and Jasmine Woodcock’s is “Predicting the Present: Orlando Is Trans<strong class="ContentPasted0" style="background: transparent; margin: 0px; font-weight: bold;">*” </strong>(51-53).</p>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">“Truly Miscellaneous” Contributions</em></strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The “Truly Miscellaneous” section of this issue features Cécile Wajsbrot’s “Outside” (54-56), Rhonda Mayne’s “Mrs. Papworth: The Working-Class Woman in Virginia Woolf’s Novel<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Jacob’s
Room</em>” (56-57), Ane Thun Knutsen’s “Virginia Woolf and the Letterpress” (57-59), Rasha Alijararwa’s “The Power of Silence: Understanding Women’s Resistance in Woolf’s<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">To
the Lighthouse</em>” (59-62), and Megan Pollard’s “A Deliberate Failure: Politics, Form, and Woolf Between the Wars” (62-66).</p>
</div>
</div>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">Book Reviews and Publications</em></strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The book reviewers for this issue are Charles Andrews, who reviewed the edited collection<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Virginia Woolf: Primary and Critical Sources</em><span class="ContentPasted0" style="margin:0px"> </span>(2021)
(66-68); Lisa Tyler, who reviewed<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Virginia Woolf’s Mythic Method</em><span class="ContentPasted0" style="margin:0px"> </span>by
Amy C. Smith (2022) (68-69); Sayaka Okumura, who reviewed the edited collection<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">The Ediburgh Companion to Virginia Woolf and Contemporary
Global Literature</em><span class="ContentPasted0" style="margin:0px"> </span>(2022) (69-71); Ria Banerjee, who reviewed<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">The Sensuous
Pedagogies of Virginia Woolf and D. H. Lawrence</em>, by Benjamin D. Hagen (2020) (71-72), Mark Hussey, who reviewed<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Feminism from
Literary Modernism to the Multimedia Present</em><span class="ContentPasted0" style="margin:0px"> </span>(2022) (72-73), and Linda Camarasana, who reviewed<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">England’s
Lane</em><span class="ContentPasted0" style="margin:0px"> </span>by Emma Woolf (2018) (73-74).</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
Page 74 also includes a list of recent publications relating to Woolf and Bloomsbury, including book-length works, articles, chapters, translations, and theses.</p>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">The Society Column</em></strong></p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Society Column</em>, written by Benjamin Hagen, the President of the International Virginia Woolf Society, starts on page 76
and continues onto page 75. Also on page 75 is the list of the IVWS officers, the members-at-large, and the archival liaison.</p>
<p class="ContentPasted0" style="background: transparent; margin: 0px 0px 24px;">
The information in the<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Society Column</em><span class="ContentPasted0" style="margin:0px"> </span>ranges from a report on Woolf panels
at the 2023 MLA Convention and the upcoming 2024 Convention to the CFP for the Louisville Conference on Literature since 1900, the publication of<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Woolf
Studies Annual<span class="ContentPasted0" style="margin:0px"> </span></em>29, the 32nd Conference on Virginia Woolf with the topic Woolf and Ecologies held at Florida Gulf Coast University in June 2023, hosted by Laci Mattison, with a second virtual reprise
of the conference–Woolf and Ecologies II–hosted by the IVWS with Derek Ryan as the organizer this fall. Also mentioned is the 33rd Conference on Virginia Woolf, to be hosted by J. Ashley Foster at Fresno State University–California in June 2024. And the column
includes a reference to a link to Kabe Wilson’s film to “<a href="https://urldefense.com/v3/__https://www.sussex.ac.uk/research/centres/centre-for-modernist-studies/artist-in-residence__;!!KGKeukY!wlJSY0kr0VeT0y6-Q8LiWBzrCDdJ4NKPgfwj-7ScI5UjnGWRTx-VJd8UOeSCejVEbCcMVsV9F_hanrT-t0RvpmJSnbpb$" id="OWA85106226-94e3-f645-3aee-8e177cadf374" class="OWAAutoLink ContentPasted0" style="margin: 0px; background: transparent; color: rgb(0, 102, 204);">Looking
for Virginia: An Artist’s Journey Through 100 Archives</a>.” Other information included the previous and upcoming Woolf Salon Projects, the special online event for the Angelica Garnett Undergraduate Prize, and the 2022 IVWS Fall Lecture with Beth Rigel Daugherty.</p>
<p style="background: transparent; margin: 0px 0px 24px;"><strong style="background: transparent; margin: 0px; font-weight: bold;"><em class="ContentPasted0" style="background: transparent; margin: 0px;">Submitting Contributions</em></strong></p>
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Contributions to the<span class="ContentPasted0" style="margin:0px"> </span><em class="ContentPasted0" style="background: transparent; margin: 0px;">Miscellany</em><span class="ContentPasted0" style="margin:0px"> </span>can include scholarly work, reviews of
relevant exhibitions, films, and performances, short poetry, photographs, and other forms of artwork. The submission should be sent to<span class="ContentPasted0" style="margin:0px"> </span><a href="mailto:neverowv1@southernct.du" id="OWA5c57749e-6a86-1ad9-4451-2e00dbe14bad" class="OWAAutoLink ContentPasted0" style="margin: 0px; background: transparent; color: rgb(0, 102, 204);">Vara
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<font face="'Times New Roman', Times, serif" size="3" data-ogsb=""><span style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">Editor,</span><span style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0"> </span><span style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="" class="ContentPasted0">Virginia
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<i data-ogsb=""><span data-ogsb="" style="border: 1pt none windowtext; font-family: "Times New Roman", Times, serif; margin: 0px; padding: 0in; color: black;" class="ContentPasted0">I acknowledge that Southern Connecticut </span><span data-ogsb="" style="font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">State </span></i><span style="font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="" class="ContentPasted0">University
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<span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px"><b data-ogsb="" class="ContentPasted0">Recent Publications:</b></span></p>
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<span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">Lead editor,</span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><span style="font-size:12pt;margin:0px" class="ContentPasted0"> </span></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="" class="ContentPasted0">Virginia
Woolf: Critical and Primary Sources</i></span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb=""><span style="font-size:12pt;margin:0px" class="ContentPasted0"> </span></i></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">(Bloomsbury,
2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); E</span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">ditor, Volume One, 1975-1984, </span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="" class="ContentPasted0">Virginia
Woolf: Critical and Primary Sources</i></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0"> (Bloomsbury, 2020); </span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">Co-editor,</span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><span style="font-size:12pt;margin:0px" class="ContentPasted0"> </span></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="" class="ContentPasted0">The
Edinburgh Companion to Virginia Woolf and Contemporary Global Literature</i></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0"> (Edinburgh, 2020; with Jeanne Dubino, Paulina</span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><span style="font-size:12pt;margin:0px" class="ContentPasted0"> </span></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">Paj</span><span data-ogsb="" style="font-size:13.3333px;margin:0px"><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">ą</span></span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">k,
Catherine H</span><span data-ogsb="" style="font-size:12pt;font-family:"Times New Roman", Times, serif;margin:0px" class="ContentPasted0">ollis, and Celiese Lypka)</span></p>
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<font face="'Times New Roman', Times, serif" size="3" data-ogsb=""><span style="font-size: medium; margin: 0px; display: inline !important; background-color: rgb(255, 255, 255);">(she/her/hers)</span><br data-ogsb="">
Professor, English Department</font></div>
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<font face="'Times New Roman', Times, serif" size="3" data-ogsb="">Editor,<span> </span><i data-ogsb="">Virginia Woolf Miscellany</i><br data-ogsb="">
Southern Connecticut State University<br data-ogsb="">
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neverowv1@southernct.edu</font></div>
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<i data-ogsb=""><span data-ogsb="" style="border: 1pt none windowtext; margin: 0px; padding: 0in; color: black;">I acknowledge that Southern Connecticut </span><span data-ogsb="" style="margin:0px">State </span>University was built on traditional territory<span data-ogsb="" style="margin:0px"><span data-ogsb="" style="margin:0px"> </span>of
the indigenous peoples and nations of the Paugussett and Quinnipiac </span><span data-ogsb="" style="margin:0px">peoples.</span><span data-ogsb="" style="margin: 0px; color: black;"> </span><span data-ogsb="" style="font-size:10pt;margin:0px"> </span></i></p>
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<span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><b data-ogsb="">Recent Publications:</b></span></p>
<p style="margin: 0in; font-family: "Times New Roman", serif; background: white;">
<span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px">Lead editor,<span> </span></span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="">Virginia
Woolf: Critical and Primary Sources<span> </span></i></span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px">(Bloomsbury, 2020; with Jeanne Dubino, Kathryn Simpson, and Gill Lowe); E</span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px">ditor,
Volume One, 1975-1984, </span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="">Virginia Woolf: Critical and Primary Sources</i></span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"> (Bloomsbury,
2020); </span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px">Co-editor,<span> </span></span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"><i data-ogsb="">The
Edinburgh Companion to Virginia Woolf and Contemporary Global Literature</i></span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px"> (Edinburgh, 2020; with Jeanne Dubino, Paulina<span> </span></span><span data-ogsb="" style="font-size:10pt;font-family:"Times New Roman", Times, serif;margin:0px">Paj</span><span data-ogsb="" style="font-size:13.3333px;margin:0px"><span data-ogsb="" style="font-size:10pt;font-family:"Times New Roman", Times, serif;margin:0px">ą</span></span><span data-ogsb="" style="font-size:10pt;font-family:"Times New Roman", Times, serif;margin:0px">k,
Catherine H</span><span data-ogsb="" style="font-size:13.3333px;font-family:"Times New Roman", Times, serif;margin:0px">ollis, and Celiese Lypka)</span></p>
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