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For those not on BAMS email circulation - Helen has just shared a link to Kabe’s fascinating film. Maggie Emeritus Professor Maggie Humm Vice-Chair, Virginia Woolf Society of Great Britain: http: //www. virginiawoolfsociety. org. uk/ Author
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<p class="MsoNormal"><span style="mso-fareast-language:EN-US">For those not on BAMS email circulation - Helen has just shared a link to Kabe’s fascinating film.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="mso-fareast-language:EN-US">Maggie<o:p></o:p></span></p>
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<p class="MsoNormal">Emeritus Professor Maggie Humm<o:p></o:p></p>
<p class="MsoNormal">Vice-Chair, <i>Virginia Woolf Society of Great Britain</i>: <a href="https://urldefense.com/v3/__http://www.virginiawoolfsociety.org.uk/__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUmxhwfurP$">
<span style="color:#0563C1">http://www.virginiawoolfsociety.org.uk/</span></a><o:p></o:p></p>
<p class="MsoNormal">Author of <i>Talland House </i><a href="https://urldefense.com/v3/__https://amzn.to/2UJZ7zF__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUmz16vr1S$"><span style="border:none windowtext 1.0pt;padding:0cm;background:white">https://amzn.to/2UJZ7zF</span></a>
<span style="color:#0F1111;background:white">2021 Next Generation Indie Book Awards Finalist in Historical (Fiction - Post 1900s)/2021 Eric Hoffer Award Grand Prize Short List<o:p></o:p></span></p>
<p class="MsoNormal"><span style="color:#0F1111;background:white">Jan 2023 <i>Radical Woman Gwen John & Rodin
</i></span><o:p></o:p></p>
<p class="MsoNormal"><a href="https://urldefense.com/v3/__http://www.eerpublishing.com/humm-radical-woman-gwen-john---rodin.html__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUm1hQ7twp$"><span style="color:#0563C1">http://www.eerpublishing.com/humm-radical-woman-gwen-john---rodin.html</span></a> shortlisted
<img border="0" width="32" height="32" style="width:.3333in;height:.3333in" id="Picture_x0020_1" src="cid:image001.png@01D9ADA2.1B0C2BF0"> Page Turner Awards 2022<o:p></o:p></p>
<p class="MsoNormal">Website: <a href="https://urldefense.com/v3/__http://www.maggiehumm.net/__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUm_9a27lq$">
<span style="color:#0563C1">http://www.maggiehumm.net/</span></a><o:p></o:p></p>
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<p class="MsoNormal"><b><span lang="EN-US">From:</span></b><span lang="EN-US"> British Association for Modernist Studies <BAMS@JISCMAIL.AC.UK>
<b>On Behalf Of </b>Helen Tyson<br>
<b>Sent:</b> Monday, July 3, 2023 11:26 AM<br>
<b>To:</b> BAMS@JISCMAIL.AC.UK<br>
<b>Subject:</b> [BAMS] Kabe Wilson Film Launch<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">Dear friends and colleagues, <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">I'm very pleased to share the link to Kabe Wilson's recent film,
<i>Looking for Virginia: An Artist's Journey Through 100 Archives, </i>which launched at the University of Sussex Centre for Modernist Studies in May 2023.<o:p></o:p></span></p>
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<span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">In late 2019 Kabe Wilson set out to find two old photos, intending them to be part of birthday gifts. What happened next was not at all what he expected - in the bewildering three
years that followed he went back in time through multiple lives, uncovering photos of events he was never aware had happened, social encounters few would believe possible, racist letters, undeveloped negatives and a sketchbook concealing truths about a famous
painting. He travelled between Ethiopia and Sussex in both halves of the twentieth century, walked across the Midlands and the Cotswolds, sat with Emperors on the pier and bumped into Virginia Woolf on the Hove seafront. It is a story of beach holidays that
never happened or happened on the wrong beaches, refugees lost and found, friends found and lost, a hypermnesic dream, a cliff over a secret train tunnel and a lighthouse now situated in a park.</span><span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:black"><o:p></o:p></span></p>
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<span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">The culmination of his residency at the Centre for Modernist Studies, this multi-media presentation centres around the story of the ten paintings of Brighton and Sussex he produced
during the 2020 lockdown period, and the exciting art history discovery that led to one of them becoming the cover image of a new edition of Virginia Woolf’s<span class="contentpasted11"> </span><em>To the Lighthouse</em>. By guiding us through a century of
archives, in more than one sense, Kabe challenges our understandings of archival work, showing that every life is a mystery marked by constant overlaps between people, times and places, and how memory and archive can combine to offer vital clues to the past
that prove that we are all ultimately and powerfully connected.</span><span style="font-size:12.0pt;font-family:"Arial",sans-serif;color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">The film, transcript, and more details about Kabe Wilson's work can all be viewed on the Centre for Modernist Studies website: <a href="https://urldefense.com/v3/__https://www.sussex.ac.uk/research/centres/centre-for-modernist-studies/artist-in-residence__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUmw9hALSl$">https://www.sussex.ac.uk/research/centres/centre-for-modernist-studies/artist-in-residence</a>.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">If you have any questions about the film, the Centre for Modernist Studies, or the artist in residence scheme, please do get in touch with me at
<a href="mailto:H.Tyson@sussex.ac.uk">H.Tyson@sussex.ac.uk</a>.<o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">All best wishes, <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:12.0pt;font-family:"Times New Roman",serif;color:black">Helen<o:p></o:p></span></p>
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<p><span style="font-size:10.0pt;font-family:"Times New Roman",serif">Dr Helen Tyson</span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Times New Roman",serif">Pronouns: she/her</span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Times New Roman",serif">Lecturer in 20th and 21st Century British Literature</span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Times New Roman",serif">Co-Director
<a href="https://urldefense.com/v3/__https://www.sussex.ac.uk/research/centres/centre-for-modernist-studies/__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUm-JfQOw4$" title="https://www.sussex.ac.uk/research/centres/centre-for-modernist-studies/">
Centre for Modernist Studies </a></span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
<p><span style="font-size:10.0pt;font-family:"Times New Roman",serif">University of Sussex</span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
<p><span style="font-size:9.0pt;font-family:"Times New Roman",serif">My most recent article:
<a href="https://urldefense.com/v3/__https://doi.org/10.1111/criq.12638__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUmy1M52BD$" title="https://doi.org/10.1111/criq.12638">
'"Action [...] real and effective": Marion Milner and "Expressive Action"', Critical Quarterly, 63.4 (2021)</a></span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
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<td><table border="0" cellspacing="0" cellpadding="0"><tr><td><a href="https://urldefense.com/v3/__https://eu-api.mimecast.com/s/click/vq6vdO3X5s026F-DZ1rKbHhzsA2ifSv6Y4_zK2bh5p7wE68XdA0O04qOHfXF5r4Pu-ghdN1ELnYJdfm2xxRM0x_B6hNoq9-enOkj1SoC5xKAolwtUBLFmHRemLJdkQkBWbv5olehDT335EomT6ojp-kF7nQov-BmiaS0RdNyOTekOOtH-gQiXOyvpfY0TM8LN0VQFSI60irMjLKALVXk5A__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUm5Vw9Jqy$"><IMG border="0" src="cid:123070311325700845@uk-mta-235.uk.mimecast.lan" ></A></td></tr></table></td>
<td><table border="0" cellspacing="0" cellpadding="0"><tr><td><a href="https://urldefense.com/v3/__https://eu-api.mimecast.com/s/click/V5cKV3mUEd00vOSgvXwtbXKTy6fuTOQWHlDGitfc3aofimw14dhKDG1ynAFS2FwRtHNhaKwvKxTSM3lm_8WwIvOOBJVh3IDTQk3Y7FQ_mpNANiUz1_hAh5MKbWTllptYr3dHS4wOoz8Gby15OpQJUEvycYLnY3CCyHdGIv0aT5Y7o93qs5Lx9HjeCEk5i17g5kYVgOq4ZPK9JEUJaSdvOg__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUmxmSePt3$"><IMG border="0" src="cid:123070311325700445@uk-mta-235.uk.mimecast.lan" ></A></td></tr></table></td>
<td><table border="0" cellspacing="0" cellpadding="0"><tr><td><a href="https://urldefense.com/v3/__https://eu-api.mimecast.com/s/click/uYdzQzQXhDdHR-C0Isqh0nS_3qLpmr-k0xj4j8lE-fke7nlddzQXlKawEQBimLmsDLoAB_iuEqJuLV5AY-yvDEuJIuJDwtcoXTy1_-RDsn2CCZR0B5J5t_wsTBqd_WgV7E9Z4jRLHMgPzYpE_frk7Q74XvFZcmrw8kviRMF78qtLkLpId812fdyOd1QM92n6IhshxiF-YITWkRuO1hU7Yw__;!!KGKeukY!wL7QiGlVOQaEHm1pQ7uyN5wG6DK_mtNmOoLIUJ8ahFCZZG2O3uMwpmXejh_9GjRLATzKF6iKDnnvCYAKVczYQZzUmyoOwwbl$"><IMG border="0" src="cid:123070311325700545@uk-mta-235.uk.mimecast.lan" ></A></td></tr></table></td>
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