<div dir="ltr"><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><b><span style="color:black">June 2-4, 2022: Labor in the Space Between, Case Western Reserve University</span></b></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><span style="color:black"> </span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><span style="color:black">Hosted by the Space Between Society and the Medical Humanities Program at Case Western Reserve University, the 2022 Labor in the Space Between meeting will be held at Case Western Reserve University in Cleveland, Ohio. </span>Our conference encourages prospective applicants to critically examine labor practices between 1914 and 1945 and the ways these practices have shaped our constructions of society, the body, and the self. <span style="color:black">While economics and the social sciences have been the privileged disciplinary frameworks for thinking about labor, this conference invites scholars working in the various humanities to imagine what our diverse disciplines have to contribute to contemporary critical thinking about labor. </span>Some questions we hope to examine include:</p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"> </p><p class="MsoNormal" style="margin:0in 0in 0in 0.5in;border:none;font-size:12pt;font-family:"Times New Roman",serif"><span style="font-family:"Noto Sans Symbols"">●<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">      </span></span>How does cultural production between 1914 and 1945 reflect cultural attitudes toward art and labor?<span style="color:black"></span></p><p class="MsoNormal" style="margin:0in 0in 0in 0.5in;border:none;font-size:12pt;font-family:"Times New Roman",serif"><a name="m_2378240207277919657__heading=h.gjdgxs"></a><span style="font-family:"Noto Sans Symbols"">●<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">      </span></span><span style="color:black">How were cultural movements like Futurism, Modernism and the new Documentary affected by and engaging with labor movements?</span></p><p class="MsoNormal" style="margin:0in 0in 0in 0.5in;border:none;font-size:12pt;font-family:"Times New Roman",serif"><span style="font-family:"Noto Sans Symbols"">●<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">      </span></span>How do race, gender, class, disability, and national, ethnic and religious identities intersect with labor and its representations?<span style="color:black"></span></p><p class="MsoNormal" style="margin:0in 0in 0in 0.5in;border:none;font-size:12pt;font-family:"Times New Roman",serif"><span style="font-family:"Noto Sans Symbols"">●<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">      </span></span><span style="color:black">What are the tensions between representations and constructions of labor and the actual performance of labor?</span></p><p class="MsoNormal" style="margin:0in 0in 0in 0.5in;border:none;font-size:12pt;font-family:"Times New Roman",serif"><span style="font-family:"Noto Sans Symbols"">●<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">      </span></span><span style="color:black">What can labor activism’s past tell us about casualization and union-busting in our own era?</span></p><p class="MsoNormal" style="margin:0in 0in 0in 0.5in;border:none;font-size:12pt;font-family:"Times New Roman",serif"><span style="font-family:"Noto Sans Symbols"">●<span style="font-variant-numeric:normal;font-variant-east-asian:normal;font-stretch:normal;font-size:7pt;line-height:normal;font-family:"Times New Roman"">      </span></span><span style="color:black">How can the intersectionality of the various fields of the humanities serve to enhance our understandings of and relationships to work and labor?</span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><span style="color:black"> </span></p><p style="margin:0in;font-size:10pt;font-family:"Times New Roman",serif"><span style="font-size:12pt;color:black">Cleveland, a major center of industrialization, has been a city defined by labor, and allows us to think of many of the intersections of labor and culture between 1914 and 1945. It is a city where Russian Jews fled to from the pogroms of the early 20^th century and where </span><span style="font-size:12pt;background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">Black Americans escaping harsh, Southern segregationist laws and racism </span><span style="font-size:12pt;color:black">sought new opportunities during the Great Migration. It is a city whose universities and hospitals were instrumental in medical and nursing advances in both the First and Second World Wars, and whose manufacturing industries profited hugely from WWII. It is a city that has always opened its arms to refugees, including 995 Afghans who have recently arrived to build new lives. Cleveland is but one illustration of how labor markets were disrupted in myriad ways between 1914 and 1945. These shifts and disruptions resulted in social and cultural upheavals that were addressed by writers, artists, journalists, and other individuals in a range of forms of cultural production.</span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><span style="color:black"> </span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><span style="color:black">Themes this conference will explore include </span><i><span style="color:black">Labor </span></i><span style="color:black">and</span><span style="color:black"></span></p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"><span style="color:black"> </span></p><ul type="disc" style="margin-top:0in;margin-bottom:0in"><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Medicine: disability, reproductive, war and medicine, war nursing</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Migration</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">War: military production, resistance, collaboration, propaganda, killing, memorialization</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">E<span style="background-image:initial;background-position:initial;background-size:initial;background-repeat:initial;background-origin:initial;background-clip:initial">nslavement, indentured servitude, camps, forced, prison, concentration camps</span>, ghettos, and gulags</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Communism, and its representation</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Postwar planning and rebuilding</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Foodways: culinary production, agriculture</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Technology: mass production versus individualism</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Creativity: literature, cinema, fashion, the arts, academic production</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Historicization</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Hierarchies: service versus creative/research/generative</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Domesticity: household economies, servants, gendered spheres</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Working class art and literature</li><li class="MsoNormal" style="margin:0in;color:black;font-size:12pt;font-family:"Times New Roman",serif">Invisibility: Hidden, silent, undocumented, emotional, and affective</li></ul><p class="MsoNormal" style="margin:0in 0in 0in 0.25in;font-size:12pt;font-family:"Times New Roman",serif"> </p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif">Please note that, as of now, plans are for an in-person meeting. Case Western Reserve University requires meeting attendees to follow university COVID-19 protocols including masking and providing proof of vaccination.</p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif"> </p><p class="MsoNormal" style="margin:0in;font-size:12pt;font-family:"Times New Roman",serif">Please submit a 300-word abstract and a 100-word bio to Ravenel Richardson at <a href="mailto:mrr82@case.edu" target="_blank"><span style="color:blue">mrr82@case.edu</span></a> by December 15, 2021.  </p><div><br></div>-- <br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div dir="ltr"><div dir="ltr"><div dir="ltr"><span style="font-family:garamond,serif">V. Lauryl Tucker (she/her)<br>Associate Professor, Dept. of English</span></div><div dir="ltr"><span style="font-family:garamond,serif">Sewanee: University of the South<br><a href="mailto:vltucker@sewanee.edu" target="_blank">vltucker@sewanee.edu</a><br>Gailor Hall 23</span></div><div><span style="font-family:garamond,serif">Twitter: </span><a href="https://urldefense.com/v3/__https://twitter.com/LaurylTucker__;!!KGKeukY!kLyr7rEgt3ZgB8nZ_13Y1tzuGMLWAkpLKLjKdhAFNp22FJo52S1prIg__fhbw2BBc0w$" style="font-family:garamond,serif" target="_blank">@LaurylTucker</a></div><div dir="ltr"><br></div></div></div></div></div></div></div></div></div></div></div></div>