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<p class="MsoNormal"><span style="font-family:"Futura",sans-serif">I’ve seen the production as well and plan to watch again. I’d love the chance to discuss it with others. If this happens, please count me in.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura",sans-serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura",sans-serif">Melissa<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura",sans-serif"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif">--<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Dr. Melissa Johnson, MILS, PhD</span><span style="font-size:12.0pt;font-family:"Futura Medium",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Associate Professor, Art History & Visual Culture</span><span style="font-size:12.0pt;font-family:"Futura Medium",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">214C Center for the Visual Arts</span><span style="font-size:12.0pt;font-family:"Futura Medium",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Wonsook Kim School of Art
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Wonsook Kim College of Fine Arts</span><span style="font-size:12.0pt;font-family:"Futura Medium",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Illinois State University<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Pronouns: she/her/hers<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Email: <a href="mailto:majohn2@ilstu.edu"><span style="color:#0563C1">majohn2@ilstu.edu</span></a></span><span style="font-size:12.0pt;font-family:"Futura Medium",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif;color:black">Phone: 309-438-8170</span><span style="font-size:12.0pt;font-family:"Futura Medium",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Futura Medium",sans-serif"> <o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-family:"Futura",sans-serif"><o:p> </o:p></span></p>
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<p class="MsoNormal"><b><span style="font-size:12.0pt;color:black">From: </span></b><span style="font-size:12.0pt;color:black">Vwoolf <vwoolf-bounces@lists.osu.edu> on behalf of "Catherine W. Hollis via Vwoolf" <vwoolf@lists.osu.edu><br>
<b>Reply-To: </b>"Catherine W. Hollis" <hollisc@berkeley.edu><br>
<b>Date: </b>Thursday, May 27, 2021 at 11:00 AM<br>
<b>To: </b>Mark Hussey <mhussey@verizon.net><br>
<b>Cc: </b>Woolf List <VWOOLF@lists.acs.ohio-state.edu><br>
<b>Subject: </b>Re: [Vwoolf] FW: We've extended THE WAVES IN QUARANTINE! </span><span style="font-size:12.0pt;font-family:"Apple Color Emoji";color:black">🌊</span><span style="font-size:12.0pt;color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" style="background:white"><b><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:#EB0000">[This message came from an external source. If suspicious, report to
<a href="mailto:abuse@ilstu.edu">abuse@ilstu.edu</a>] <o:p></o:p></span></b></p>
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<p class="MsoNormal">Seconding Mark's suggestion. I am halfway through watching this production and would love to talk with people about it. So far, I am most moved by the parallel between the character Percival and David Bucknam, the composer who wrote a musical
score to <i>The Waves </i>in 1991 before passing away very young, and whose work is elegized in the production.<o:p></o:p></p>
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<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal">On Thu, May 27, 2021 at 6:16 AM Mark Hussey via Vwoolf <<a href="mailto:vwoolf@lists.osu.edu">vwoolf@lists.osu.edu</a>> wrote:<o:p></o:p></p>
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<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto">I’m forwarding this because it might be of interest to the list—well worth seeing!<o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><i> </i><o:p></o:p></p>
<p class="MsoNormal" style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><i>The Waves in Quarantine</i><br>
extended through June 30<o:p></o:p></p>
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<p style="margin-bottom:12.75pt;line-height:16.5pt;background:white"><span style="font-size:13.0pt;font-family:"Arial",sans-serif;color:#303030">You asked and we answered: <i>The Waves in Quarantine
</i>has been extended through June 30! Hear a little more about the project in <a href="https://urldefense.com/v3/__https://nam02.safelinks.protection.outlook.com/?url=https*3A*2F*2Furldefense.com*2Fv3*2F__https*3A*2F*2Fe.wordfly.com*2Fclick*3Fsid*3DMjAxXzIxNDU0XzIzMDI1OF83Mjk5*26l*3D82703ec5-5bbe-eb11-a82d-0050569dd3d9*26utm_source*3Dwordfly*26utm_medium*3Demail*26utm_campaign*3DMK21WQextensionpurchased*26utm_content*3Dversion_A__*3B!!KGKeukY!jzybuIapdJENe_XQ0IuBOGSiBJLoSlBo8NLeJ2cwdpq7uCY3pAG3mlGixhFmoFJofKIrwo7D5LZS*24&data=04*7C01*7C*7C5b1930f4bafd4e5b1f0a08d9212893c1*7C085f983a0b694270b71d10695076bafe*7C1*7C0*7C637577280434070678*7CUnknown*7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0*3D*7C1000&sdata=bo1aiX45OKnl0dKZI0kjZPv4Ncxam2DCnM*2Fecqqwc7U*3D&reserved=0__;JSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUl!!KGKeukY!mPe5zeYJJFNsFTcoPVY3mO3aF3PVbhgYMdWy9oSx-tooR_V9TaDnthx4nOraVnc3dLjFLloNeD_7$" target="_blank">
<span style="color:#4C2DC1">this short clip</span></a> from the opening night conversation. Then watch (or rewatch!) all six movements on demand anytime between now and June 30. </span><o:p></o:p></p>
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<span style="font-size:13.0pt;font-family:"Arial",sans-serif;color:#303030">The press calls the piece: </span><o:p></o:p></p>
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<span style="font-family:"Arial",sans-serif;color:#666666">“A fascinating example of theatrical experimentation and creativity.”<br>
— <i>Berkeleyside </i></span><o:p></o:p></h4>
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<i><span style="font-family:"Arial",sans-serif;color:#666666"><br>
</span></i><span style="font-family:"Arial",sans-serif;color:#666666">"Striking cinematography. . . artists at the height of their powers.”<br>
— <i>Bay Area News Group</i></span><o:p></o:p></h4>
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<b><i><span style="font-size:13.0pt;font-family:"Arial",sans-serif;color:#303030">You already have access to The Waves in Quarantine. Log in to your account to watch now on our website. </span></i></b><o:p></o:p></p>
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<span style="font-family:"Arial",sans-serif;color:#666666"><a href="https://urldefense.com/v3/__https://nam02.safelinks.protection.outlook.com/?url=https*3A*2F*2Furldefense.com*2Fv3*2F__https*3A*2F*2Fe.wordfly.com*2Fclick*3Fsid*3DMjAxXzIxNDU0XzIzMDI1OF83Mjk5*26l*3D83703ec5-5bbe-eb11-a82d-0050569dd3d9*26utm_source*3Dwordfly*26utm_medium*3Demail*26utm_campaign*3DMK21WQextensionpurchased*26utm_content*3Dversion_A__*3B!!KGKeukY!jzybuIapdJENe_XQ0IuBOGSiBJLoSlBo8NLeJ2cwdpq7uCY3pAG3mlGixhFmoFJofKIrws0G5q9T*24&data=04*7C01*7C*7C5b1930f4bafd4e5b1f0a08d9212893c1*7C085f983a0b694270b71d10695076bafe*7C1*7C0*7C637577280434070678*7CUnknown*7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0*3D*7C1000&sdata=A*2B2o5swclt8Yez0txWMaIuMjxfkUDE*2BdLCzbz1UHco8*3D&reserved=0__;JSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJSUlJQ!!KGKeukY!mPe5zeYJJFNsFTcoPVY3mO3aF3PVbhgYMdWy9oSx-tooR_V9TaDnthx4nOraVnc3dLjFLt-Tt6Ra$" target="_blank"><span style="font-size:12.0pt;color:white;text-decoration:none">Watch
now</span></a> </span><o:p></o:p></p>
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<p style="margin-bottom:12.75pt;line-height:16.5pt;background:white"><span style="font-size:13.0pt;font-family:"Arial",sans-serif;color:#303030">In kitchens and on couches, at beaches and on rooftops,
<b><i>The Waves in Quarantine</i></b> invites an audience into the creative process. As Virginia Woolf ingeniously excavated the inner lives of six friends in her groundbreaking novel, Peterson and her collaborators create a film in six movements that meditates
on themes from the musical adaptation of Virginia Woolf’s masterpiece <i>The Waves</i>.</span><o:p></o:p></p>
<p style="margin-bottom:12.75pt;line-height:16.5pt;background:white;background-attachment:scroll;background-position-x:0%;background-position-y:0%">
<i><span style="font-size:13.0pt;font-family:"Arial",sans-serif;color:#303030">The Waves in Quarantine</span></i><span style="font-size:13.0pt;font-family:"Arial",sans-serif;color:#303030"> builds upon Woolf’s gorgeous prose to reveal an intimate look at where
art meets isolation, creating something entirely new in the process. This theatrical experience for the screen gifts us with many of the things we’ve been missing in the past year: music in unexpected places, the intimacy of strangers, metaphor in the ordinary.
Through a combination of dazzling choral music, text from the novel itself, exquisite visual imagery, and access behind the scenes as these artists imagine, question, explore, and experiment,
<i>The Waves in Quarantine</i> juxtaposes the majestic with the everyday to forge a truly unique work of interdisciplinary art, made of and for this moment.</span><o:p></o:p></p>
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<p class="MsoNormal">Catherine W. Hollis, PhD<o:p></o:p></p>
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