<html><head><meta http-equiv="content-type" content="text/html; charset=utf-8"></head><body dir="auto"><br><blockquote type="cite"><div dir="ltr">I hope this will interest Woolfies, </div></blockquote><br><blockquote type="cite"><div dir="ltr">Good wishes to all,</div></blockquote> Gill<br><blockquote type="cite"><div dir="ltr">
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<title>InSight 15 - Duncan Grant 2</title>
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</h1></div></td></tr> </tbody>
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</h1></div></td></tr> </tbody>
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<a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XYnhDgHliFHL0TIst0skcFPuu8t_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw16iLVXJU09FxK2dfJTMk-2Fz9u4UV-2BQyN5CD42tuaGv2fW25Ya-2B48GJJtZ-2FbUNXFmLecirHCf1REKo5CTTuC8yNvJdVekePXxzQU-2FJ-2Btivb9tbmOvWLhN6AGbq-2Bd-2F8HOYxUaa3nhx7R4160etx9PNxfbQy-2FhxIjp6iqO6XJDGxzVYyYGNknZ5o-2FebpwH-2Bv3Vs8vcpWUBvJeCpKqC9cngIMGrHxH-2BqGYaJ6wqTfhc2f5KYNsZ8sn-2FFP4u6Khlzp8JOq50vMKpzR5x0kEkV45H2Y4yt" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 26px;font-style: italic;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: left;text-decoration: none">To celebrate the beginning of summer, InSight is dedicating three articles to works by Vanessa Bell and Duncan Grant. In this special edition, Richard Shone considers a drawing by Grant of the writer David Garnett (1892-1981) whose life was entwined with the Bloomsbury painters in surprising ways.</a><br>
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<i>InSight</i><br>
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<tr><td class="mailing-grid-item ace-item td-collapse" data-id="171a" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 24px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">No. XV</h1></div></td></tr> </tbody>
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<tr><td class="mailing-full-img" align="" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XYnhDgHliFHL0TIst0skcFPZdJt_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw14jcn6-2BhmjDZBuprjVz3imHlmN3yDJqrLUdWmM17eh2GVgwmzpN2cGmgy-2Fu2BuZYEzhqY1rFTfwjI-2BSIXdQSMsQvogysDmc9HZ0yGOWwlIPn7X9Ojp5mpeKQDQ4y-2B1OSDiBZZyP4-2FWiBi803aONJbRuuDIAKxqt3vr2gaXGNOu4h2kIe9hlp5RI95bRp8Fm4etc2L-2BZ9faoxNSXomZ4HVl9WGyz0VJvFruCwhuXWtGuHQK4kf5-2FG5wEQuNnqi2-2B75mdXIcSo3s-2BT6klJARunaOB" class="mailing-link" style="color: inherit;font: inherit;margin: 0;text-decoration: none"><img class="block-image" data-bind="img" usemap="#map-51b3" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit/artlogicstorage/pianonobile/images/view/5bfdb94bb3133154a81e89494e28a197.jpg" alt="" width="600" style="border: 0;display: block;height: auto;line-height: 100%;max-width: 100%;outline: none;text-decoration: none;width: 100%" data-unique-identifier=""> </a>
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<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Duncan Grant, <i>David ‘Bunny’ Garnett Smoking a Pipe</i>, c. 1918, graphite pencil on paper, 24 x 19 cm | For Sale<br>
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<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">This pencil drawing, showing Garnett with a pipe, is almost certainly one of several studies made towards a painting by Grant of c. 1918-19 and called <i>The Student</i>. It shows Garnett working at a table with lamps and papers in front of him but no sign of the pipe. A very similar drawing, also for this painting, in which Garnett is pipe-less, was owned by his son Richard.<br>
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<tr><td class="mailing-full-img" align="" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XYnhDgHliFHL0TIst0skcFPo9Y6_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw173BmLCC2p0-2FTytb6wsRdwyrWs5w4Fkjy9LpYA0ocYswvSCh7gg7lakBZ8bTGxvfDdTPAvtNV6Np-2FBnQy5joMxIL7qsW2Cc9h4xf0XBu0ddRfMaTQC-2F6bdfu1gqTxZV8Rp-2Fp0XHiMbKtkNtZnasWgdjFKZmtonjDHTbXDq14Ukp6iS0s6NrTcaJfFqLK60CM0TTVSiHgPKALCS-2BRkO8gubZHG4SLWwT-2BxoHstspm5lNF1ywe0rO6wddzI871xQOsvX4lvBHjNb3ZYDJa80GBc0P" class="mailing-link" style="color: inherit;font: inherit;margin: 0;text-decoration: none"><img class="block-image" data-bind="img" usemap="#map-397d" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit/artlogicstorage/pianonobile/images/view/29e919dcd0a3312f58f1afb3f03e7026.jpg" alt="" width="600" style="border: 0;display: block;height: auto;line-height: 100%;max-width: 100%;outline: none;text-decoration: none;width: 100%" data-unique-identifier=""> </a>
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<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Duncan Grant, <i>The Student</i>, c. 1918-19, Private Collection<br>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="ee88" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 30px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">Garnett used to say that when he started to write seriously in c. 1919-20, Duncan Grant taught him, through example, how an artist might approach his or her work. Garnett sat to Grant on many occasions between 1915 and 1919. The most elaborate image is a big <i>Interior</i> of 1918, in which he is seen writing at a table while Vanessa Bell is painting, alongside him. There are also drawings and paintings of him from the 1920s and 1930s.<br>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container table-collapse mailing-layout-heading-block" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="1a97" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 0px;padding-left: 15px;padding-right: 15px;padding-top: 0px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Duncan Grant, <i>Interior</i>, 1918, Ulster Museum<br>
</h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="afea" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 30px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">To his friends, Garnett was always known as Bunny – a nickname he acquired as a boy because he adored a little coat he wore that was made of rabbit skins. His father, Edward, was an outstanding publisher’s reader, notably encouraging D.H. Lawrence, Joseph Conrad and John Galsworthy. His mother, Constance, was the eminent and highly influential translator of recent Russian literature, especially of Tolstoy, Chekhov and Dostoyevsky. Bunny was born with several literary silver spoons in his mouth but as a youth he studied at the Royal College of Science, South Kensington, where he discovered a previously unrecorded fungus.<br>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container table-collapse mailing-layout-heading-block" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="a0aa" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 0px;padding-left: 15px;padding-right: 15px;padding-top: 0px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Duncan Grant, <i>David Garnett in Profile</i>, 1915, Private Collection</h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="7065" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 30px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">Garnett came to know most of the friends later known as Bloomsbury in 1914-15. Although predominantly heterosexual, he had a four-year affair with Duncan Grant and became an intimate friend of Vanessa Bell with whom Grant was living. Both men were conscientious objectors and worked on a fruit farm in Suffolk before going with Bell to live at Charleston in Sussex where the two men were farm labourers, securing their status as legitimate non-combatants. Bell’s two young sons, Julian and Quentin, were devoted to Garnett who taught them elementary science and country pursuits.<br>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container table-collapse mailing-layout-heading-block" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="bed8" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 0px;padding-left: 15px;padding-right: 15px;padding-top: 0px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">The US first edition of David Garnett’s book <i>Lady into Fox</i>, published by Alfred A. Knopf in 1923</h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="e53c" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 30px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">In 1919 Garnett’s close association with Grant and Bell waned. He moved to London and was soon married with two sons and was the author of several curious, oddly personal novels such as <i>Lady Into Fox<u>,</u></i> <i>A Man in the Zoo</i> and <i>The Sailor’s Return</i>. He became a well-known literary figure, publisher (co-founding the Nonesuch Press, which published Paul Nash’s <i>Book of Genesis</i>, 1924) and editor but was also a keen countryman, fisherman, beekeeper and dairy farmer at Hilton Hall near Huntingdon.<br>
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<tr><td class="mailing-full-img" align="" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XYnhDgHliFHL0TIst0skcFPGOqo_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw16Cj-2BRFB0gey89ME-2B1m8FBWuhH-2F86CaukqYg9WJsjgsmB70dXAEALPeEZiHbkmle-2FywgF-2F8ShckdSZs3LI4mtsV0IFTFMsEreAYKoYW8Fvap-2Bmiuw3eKMHKjDPXHxVPdHx9MtlS54Kat90MKV3-2FghHs-2F1FRWSdLHdveTGfvR8gPvOzHik7hmlAGV-2BdfH7Wivclyj6TkQQyzvt3ArvrpatI8gfR5CoprT9y-2FfjbfSBH67LFPhLMSzm3i5k7-2Fv1sgdaJl0a7-2BH-2BBl7fFdKBwK-2BPgq" class="mailing-link" style="color: inherit;font: inherit;margin: 0;text-decoration: none"><img class="block-image" data-bind="img" usemap="#map-3ec2" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit/artlogicstorage/pianonobile/images/view/22217278ab5c07b2296ba07d920249b5.jpg" alt="" width="600" style="border: 0;display: block;height: auto;line-height: 100%;max-width: 100%;outline: none;text-decoration: none;width: 100%" data-unique-identifier=""> </a>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container table-collapse mailing-layout-heading-block" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="3ae2" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 0px;padding-left: 15px;padding-right: 15px;padding-top: 0px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Paul Nash, <i>The Creation of Sun and Moon</i> from <i>Genesis</i> (1924, Nonesuch Press)</h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="60be" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 30px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">Grant painted two dashing Post-Impressionist portraits of Garnett in 1915. One is in profile (with the lower part of a looming female nude by Grant above his head) and another, a pair to Bell’s boyish image, which as Garnett’s daughter Henrietta commented many years later, ‘reeks of sex appeal’. There was another large painting of Garnett made in Grant’s studio in Fitzroy Street in which he is seated on a bright checked rug over a chair. It was not finished and when in c. 1970 Grant saw it again he decided, unfortunately, to complete it. I remember ‘sitting for Bunny’s hands’ in the Charleston studio; Grant went on with the head and completely spoilt the initial sketch.<br>
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<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Vanessa Bell, <i>The Memoir Club</i>, c. 1943, National Portrait Gallery</h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="ac61" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 30px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">Years later, Garnett was at the centre of one of Bloomsbury’s big scandals when, in 1942 he married Angelica, Duncan’s and Vanessa’s daughter. Garnett had been present at her birth. This caused considerable disquiet – she was twenty-six years younger than he. There were awful scenes and Grant and Garnett did not speak for some time; when appealed to, Maynard Keynes advised Duncan and Vanessa not to interfere. Reconciliation came about only gradually, especially through the birth of four daughters to whom Vanessa was particularly devoted. In Bell’s painting of the Bloomsberries gathered for a meeting of the Memoir Club, it is noticeable that she is seated next to Garnett but both have their backs to us.<br>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container table-collapse mailing-layout-heading-block" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="3139" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 0px;padding-left: 15px;padding-right: 15px;padding-top: 0px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">Pablo Picasso, <i>Salomé</i> from the <i>Saltimbanques</i> series, 1905, Museum of Modern Art, New York</h1></div></td></tr> </tbody>
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<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">Both Garnett’s wives were artists, as was his daughter Nerissa. He was a thoroughly literary man who, unusually, loved pictures and would go to the London galleries and liked talking art. His house, Hilton Hall, was filled with pictures and he would proudly point to a Picasso etching, <i>Salomé</i> (1905) ,which he had bought ‘before everyone bought Picassos’. Those who knew him in later years remember his slightly strangled, very slow speaking voice (you could fit a sentence in between two of his words), his superbly white hair, French beret, excellent cooking, elaborate and amusing stories about people he loved; his passion for women and his devotion to cats.<br>
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<tr><td class="mailing-full-img" align="" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XYnhDgHliFHL0TIst0skcFP1_Or_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw17nMu1qjhzscNAX9zZDwera0p8rrQ4Utkyd3shHZm7YaoKi1d3kMxQNU3kOWX2Api6M3CtUZTad6CSJxA75eC6vqP7vxwTBHEhrCyVFaTLr29DMZRaKC-2BcCQUBSiLsuKgpUFWTbE9vweukf-2FExR7kqKiUZBP9ccJw5AQAfvGg6-2FoQs1olQ3WR-2B7RhHDXOr8dvjZprG9gYMnUEZFiI8luC-2FXG0mKeLqny1nsVpaSEuxYBy-2BYwWLMyad-2BUxtULxgnf4iXI6A33LhoEoJvdHII48kF" class="mailing-link" style="color: inherit;font: inherit;margin: 0;text-decoration: none"><img class="block-image" data-bind="img" usemap="#map-9fc3" src="https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit/artlogicstorage/pianonobile/images/view/8f662fc123a5e88fe288d79b00906c02.png" alt="" width="600" style="border: 0;display: block;height: auto;line-height: 100%;max-width: 100%;outline: none;text-decoration: none;width: 100%" data-unique-identifier=""> </a>
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<tr><td class="mailing-grid-item ace-item td-collapse" data-id="6f9d" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 12px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: right;text-decoration: none;word-wrap: break-word">
<i>David 'Bunny' Garnett Smoking a Pipe</i> (detail)<br>
</h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container table-collapse mailing-layout-heading-block" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="42c4" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 15px;padding-left: 15px;padding-right: 15px;padding-top: 30px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td class="mailing-grid-item ace-item td-collapse" data-id="171a" style="border-collapse: collapse;border-spacing: 0;margin: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div class="mailing-heading-wrapper" style="border: 0;border-collapse: collapse;mso-table-lspace: 0;mso-table-rspace: 0"><h1 data-bind="heading" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 24px;font-weight: 300;letter-spacing: 0px;line-height: 160%;margin: 0;overflow-wrap: break-word;text-align: left;text-decoration: none;word-wrap: break-word"><i>InSight</i></h1></div></td></tr> </tbody>
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<table cellpadding="0" cellspacing="0" border="0" align="center" width="630" class=" mailing-container" style="background-color: #ffffff;border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0" data-ace-container-id="e84c" bgcolor="ffffff"><tbody><tr><td class="ace-space-element " style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0;padding-bottom: 35px;padding-left: 15px;padding-right: 15px;padding-top: 0px"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"> <tbody>
<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: left;text-decoration: none">Piano Nobile's <i>InSight</i> series takes a detailed look at art, artists, critics and collectors, highlighting the stories behind a single artwork, relationship or event. As enforced isolation disrupts our everyday lives, <i>InSight </i>responds in a small way with words and images to take you somewhere else. For more information about featured works and prices, please contact us by email <i><a href="mailto:info@piano-nobile.com" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 17px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: left;text-decoration: none">info@piano-nobile.com</a></i> or phone <i>+44 (0)207 229 1099</i>.</div></td></tr></tbody></table></td></tr> </tbody>
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<tr><td style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><table cellpadding="0" cellspacing="0" border="0" width="100%" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><tbody><tr><td class="ace-item" data-id="147d" style="border-collapse: collapse;border-spacing: 0;margin-left: 0;margin-right: 0;mso-table-lspace: 0;mso-table-rspace: 0;padding: 0"><div data-bind="text" class="text-style-body-text" style="color: #443a3a;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;mso-table-lspace: 0;mso-table-rspace: 0;text-align: center;text-decoration: none">
<a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XYdWae2HaGOTqKoKpnqutVpTvaH_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15IxdumkRW1ZIZiOOsu2Cs9uXDM-2FG81Kvs7mlsadWIAz-2BVwjgvTfHZfyr-2BWV0qbW8che63Hqj02KFDfSqk2QZ9YWfSQYMWyCjTqhdisFR-2Bi2O09pGvJOMMOoYZA8xzM69qfGgeiR2iwOxyMfhrZRey9wPvz-2BoTXHBUZ9nfuSIZkOhbs-2Bs3WpXy8eXav3TmWSaUw9YGofb8P-2FCnh0vDStjNoK-2FbHLTwW4I8VFOwSMCCDh6udCEcW7r6Q89CyEGE37q3fO6Gq7V8wWespw2pXCDR6" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. I Eduardo Paolozzi, <i>Newton After Blake</i></a><br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZw53-2F8KdrCtREePJ2eYuG-2BNvs9_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15p1eXXf1xfApX1x48CqdfSqYoNTcQ5noiu36IM9h0PNgFoixrONvy6IY4i4ZoCRkWN0hRjILz-2F7JjWIe-2Bi6nR0HVlJ38YNtWhRwTRblWmYDX0XRPExDxpCNRWYiaf07VtzCJel-2F-2BSVkS4tvyuL5nHcd-2FL-2B8ieOXaGvyDJ5bKLHIQObCOPMjg-2FDTO1SNWtpLX-2BDyzPHLzcK9nryXCmiMj68b7TnALT0hy94BWigs4aJroBH3W9VP-2BUBoE0AdPG-2B4m-2Bz7z243PWWIUeE4lT6Hnat" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. II Winifred Nicholson, </a><i><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZw53-2F8KdrCtREePJ2eYuG-2Bm13l_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw16CKORFb468TAYS4seqUwq8P6O-2FklEGGJ2AIHdhIitmPuOtsS5S79HNgifBBlKvCBqf-2F9h4aUlszu-2BtaSReMFJPpwZdZsTpgmtu-2FL4jwAyus8Z2-2FddO-2F-2BqPCb8XduPJoydHDkNLEVtjOiQdZGF1zLMkBOKJbof3797ykYLDius8Q8f3bYJvo1oXdmaUSCRK96N7wF4W3YLoq6APORDHUwiXj0QZtYodWPtUqzslVllN1STAAghYGB9P7rDqxIIOf-2BGWo7i-2FJv8pOe2wG7PRRR5d" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">The Warwick Family</a> |</i> <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XbhQYbYqVC21oVgeHoi0zOUACRd_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw167dqF9gH7zFJ249HFc1HnfqZLllxG6M9vGDvMX0jXemD8tmaZYv8VCYfYa-2BSd-2Fz03cvq7ZBrcyegGBPEdE9vKOj8csGN3vagzenUQCq37ser1Z5w0XrNxotd5HcSC1NlfcEDO-2FvWO7qrMP2g3MgSpuN8JP3Y19AE-2BcmpyqhzQHIe2MHkxuPUW4xeJKLYOidKTrwOj6N9FGjJNXZ7P71cN0GVMVgfw5nv90e-2Faf2Zt2OuZ5-2FVfl4tj-2BC-2ByUt9gc7K-2B1Z-2Bci5XXoKObqW7ne8z5o" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. III Michael Andrews, <i>Ayers Rock</i></a> <br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XY2fWAiOx-2BCD07jPGPIBozfb3fS_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15BthPCfwb7q9ad8GiG-2B5nmVjxEDX6usEt4og9OdpgsJdDXkkJgDgJHmBy4DNRWXKy5uEtnkW7Lfqw3P7HYHomc8TcN93zaAnLK6039qcJ70eyjHvIx0Qd3wGwKWLWuhLXiEkrVTD74C9h8kFvDWcfrIt76ow35O0iMp972nwEn1NRSQpAk-2B96PurNYrglaybiX2suB7G1VjsFgEE5FBQV7QHK8zJ1JqbhQzIDhy7qwQvGEpG1nhWGL3YomQvUC8aOckFkRcM9KOB6MKbMz-2BY-2Fh" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. IV Sickert and Degas</a> | <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZilESHZ0WTlnRMAnFIRivgFYY3_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw159Dglhc2IzIzJDQKhwVDQPoqe-2B7j89s3a7yBM0U3gRHklg7lItEPnTc3RfsfuIFLebkv8sH0y3AyH0kaRUkmnGODaRCpwhO7HSSe6CtXMXbrLN8wkUSoreOe3ue-2FogjCcmT0PtvRazHwzl7Sr2i9LKFj7CgZtGxgxqqeJwtD5Urqi64DJOjyIAyklebdhW3m24UHcqPK5xrOtRQM8d0EnGrPQYcQGX0xXU6AfdIXiqkoBZ5M7BvbCCQeQdalgrLYzU5fyZ-2FZuN0f-2FNX4-2BOExR8" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. V Craigie Aitchison, <i>Crucifixion 8</i></a> <br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZ8ggXqYuyyI1kQAOcoZ2SvsxAD_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw163IjKXpmwzJnWipCj7cK37p-2FDqHKEXSVH2ZpG5TxA8sGDP4ki3BpO-2B5d3NaqGUG-2BYq8MeID403LgZ1-2F-2FG0SDEtnansFG3UoRWNw67LnQ3pHSYWgbdK2S-2BQwnJS0kX-2FUfWlpCkEFSqjnybbhXxl8IpB0-2FtImuQufLH0Kd-2FA7dgQdAU3emFYqfeEiHjdb6ZxjM9JbZesu4f-2BjD7WhveFwdaDlRt9gqEmMK1sQYWoPm8sqcqlPBsHk6vliQlTvAy9O6XbSClZmAqn8kTQCbWHqi6h" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. VI Eric Kennington, <i>Portrait of Carl Hansen</i></a> <br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XbiQC4-2FqzyLn2CDPS96m2TJPM0p_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15jmHKj-2B8rcC4jbVx2RX7hU4Ez2ZfPVoq-2BkWp-2FgRcMOD67v6osMkqo7aPtttJXyZ-2FTDCoeZORFZU2Sh6lP668USG0i-2FW88Sz-2FPhsYhWdMkjKnCwQE55OVvcFTAR-2BxdrEeq4E-2BkxDXqTFlceblJEN1raFMy6DRJ9I-2B0AJmUVisa6m-2BUgJDfrQcYd1KZrsSUseAcqJK5ij-2Bt9fpHOsXMgR4fl3hNDLJO1j91B89PbckTNcJS7Zt2MNCabfVWOnUMB5hEV3l4vyNza3o-2Bp6K9vlTEw" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. VII Ben Nicholson, <i>May 1955 (green chisel)</i></a><br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZVR6wZeSdNGz3z1RzBQKNNANVZ_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15bjSPyI3RXEvpz8W-2FglnavhEIsRmaifVogm7FhnXcpiCgqZat7eJahSbPD-2BiHpQc24IZs3Ro90hXxl5jNuPSr8HynYClYEjfGvIocoWaeTpN1OtaU6hjUwtz8NiL-2BJkv0IfkTnfMBngLRt5LmQwXx8uF24y-2BKL0yoKVK7pkpQsfVG3cnQzEcK-2Fjkctg8e3qpustPNdvMYqhLH5cG6-2B0rHug9hpLM0Ce5qEn1S-2BTziALx84IBW2qFjY8BHLSbi6wE9iduujPPegj3lCzzJwgiJE" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. VIII Leon Kossoff, <i>Study from 'Minerva Protects Pax from Mars' after Rubens</i> </a><br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XbqQeMzJOyZ0lh43KBDfC3tn344_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw17arSUsmFkFli5piL2SVEq6gOPGgp0ZRnCEmqPQUI-2BDuN5fPAqv9N04izSEqawql2Q2N-2FqvvNUMj2nC8DnVD5jAJWdEs3SvMWaU4-2B8m-2FGf7TlHZTBXMga1oEs0HrkXRxiWFiqFmwZKD8TyGksY0TTXiB0IStLGx1lmky7SuqpsqCr95sed7eiHvdKEVWhcBywZlIs4aevzPsVN0u8Ef0eOwfRIkPxgAj9l878kTMxxEHToE4yGywYd3SSJw5-2Facs0zX8zynFo3Tknu8-2FGALPjOX" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. IX Leon Kossoff, <i>Young Man Seated</i> </a>| <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZmZETwsgtJSh1CvVOZCAFhA8gj_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw14v5ZDEpOEVFSfQvYAFuoMD3uKTKVFtV-2Bm9v-2B0rYMV0s-2BcZfRZWIJmTgFzb12kldazPgZZmcj7nAq0yGmonOwIAnGDitcUg7PnZTExvnLzTgbFY6YwglVZ6-2BYP8FVZhsut0Xn5DYFjzFOTdSQJp9qwCQLO5o-2FvR0xsLU0dm3T7JEWNSuW8c9YL3PAEeoQsg4O7BuLasUgRT1aSqexjj1cZwrfAla8cRdB9Lhy4rlSbBZEdVM5Ltz-2BQ-2FfMjirr86QHs8-2FPLbnYwPz8ZvUjPrNQ-2Bm" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. X Leon Kossoff, <i>Dalston Lane, Summer</i> </a><br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XZM1tlZ5o6sQhSrz223EAu6NyCY_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15hhfZj4Zt6SG8zlmF79SQBKvxEbISEYat6RkM-2BYYS4GSLjE-2FrCYX-2FYmHfoVpYXY3ktbbQEmUunkQo07iOtk4qOBsocjgFzIFS-2BcNfnciF-2BYNqpy22cNos-2BHNszVlNr2VoOce2zJqPDyZoBoGtBgcNR7K8vVP8Io5UtjPAYF4CPT-2BOu8YoxWWQtX1MQe3bWwm5prB-2BmbfMjEV0PSdSlH4ERmdg51hqvm-2BfoXpAdxlJzrV8aAFlDuyYPZmdnUuiTAYkd6VMsL1pa1PaFZAx2OneX" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. XI Bryan Wynter, <i>Wolf Country</i></a> | <a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4Xbm2vi4YAyIJQTb4rvYqmo811uH_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw15fN0VCDtiHQp2VzgxOXgnKa5LmgGJewOorhUvOSxyyThnFh0E1lD2MkdKcPuozvzH-2FSAss3S66wpcM5c0dhvUcLHF02-2F6EAScHURnmRNPC7rnv2hGPnIvQCJwS1C8O0nMrsjH1QilBOt1CIXreWxF7W2UsDLtFXbGWidqfKfX6T5PDpk1ISuZma8wl0w0KTDUxlHXpvrwDDVI6uNACOmycBMCR7clldNYUPrtr6-2FcAVTwLwBbR8P7-2B5lOQcItw4iVOEWrvGoAgKo2nculB5rsF" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. XII Barbara Hepworth, <i>Disc with Strings (Moon)</i></a><br><a href="http://link.artlogicmailings.com/ls/click?upn=hVeRuw8adE8p-2BQn58RPR8jxLaT1JkDVPygG80Vfr4XatYTqKaGgwE-2Fs7m79iumpJsP0D_aVJqfpaMJEXjOOTnGF64Za3pjE92eR8jtaZ5uQkDmZ8Et7VwiJIlE226CYIDAc4RGjuvWfEJvlizssP21v5yH5l6C07p2vLzfY1jpSbQEfsAgL1k9Q3xMTSdg2O-2BgS6BK52wvJSuQcrxxWXZY1ZMBKcgYjr5Y2g0BK2MCdruG56oqXuhb8ldkAr7e8XRfPC5mi-2B1iEcvsH8vg9hauz1ZvIp5Yu1Aa6J4j1BhWJ3m1FladaOg06u2Sd4dTM9pDedV3h7fJA-2Ft2uxJYPLrNpLqsLKDrKe-2F2quxdnLqA7JXz8jfR-2FthIY6RG-2FHK2x-2BB-2B-2FcGxY929L9GqvZ3toKmzOi5mk8wrn9zPAZtiUsq-2Fwnj69IfWL6qTBLu8TmQViqQoBjvrmRFsMs9rP6kE59WJHZxeLCMfmYHQiWOhQLPVzq3dwKpF2bhSXcujfMTB-2BfrQdjQTmpNkvruQZgnkiNKv-2FT63x-2FBqt9mHM20lt6hl4s-2F4EnJWeJByHkmM3kfTIV-2BhHITfD5yNp65hCWuorTTf8-2FuJ8cNxP6-2B5WODLBRxIKyuw17iJreW76L0EWilGRjypeukA9-2Bb-2F4iJ-2FLFMotA25L81Zvfb2UE3cbXf-2Be05EU492nMQ03PvISF8-2FR5tzetu70n8CDsS6LpSwrZbKMgeh-2ByESSE28tEh1oaIfY3MZcQBxwmH6k7jqt9tmzYSgtnQ8HOOXT0BuE6VxSA5-2FDijeArX58-2Fw9Y-2Fgnz-2ByuqhDiS-2BZE9OLRxou8MAS0ZdnWWe-2ByFCT3pi0J0w7N20wy1XjyVJZ4pEkYDZ5Q73HxmEWiwhj1atP-2FWPLsB9nWHQk-2BgfUdJH9" style="color: #443a3a;font: inherit;font-family: Baskerville, 'Times New Roman', georgia, serif;font-size: 15px;font-weight: normal;letter-spacing: 0px;line-height: 160%;margin: 0;text-align: center;text-decoration: none">No. XIII Lucian Freud, <i>Head of a Woman</i></a> | No. XIV Walter Sickert, <i>The Studio</i><br>
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