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<DIV>This is such a gross misreading and slanted interpretation of ‘Three
Guineas’. This Mr. Dalrymple seems to be completely ignorant about Woolf
or else he is deliberately ignoring many facts about her life. I am
currently reading her collected letters in tandem with her diary entries.
I have reached Volume 6 of the collected letters and am currently reading the
letters and entries from March of 1936. She talks about all of the
anti-fascist organizations she joined and signed petitions for even though she
didn’t really give much credit to their effectiveness. Leonard Woolf was
working hard as Secretary for the Labor Party and she attended meetings and
conventions with him. And she was working, at this time. Hard, laborious
work, retyping, correcting and rewriting sections of ‘The Years’, trying to get
it out to the printers so she could keep up with her responsibility to the
continued solvency of the Hogarth Press. She was also plowing through a
mass of correspondence and documents in preparation for writing her biography of
Roger Fry. And all during this time her ideas for ‘Three Guineas’ were
percolating in her mind, while she was forced to put them on a back burner so
she could complete the tasks at hand. Her writing and her work for
the Hogarth Press were her jobs. She was not ‘a woman of such languorous,
highly strung, thoroughbred equine beauty’. She was a working woman who
wrote a book of her observations about the flaws and repressions that she
perceived in a patriarchal society.</DIV>
<DIV> </DIV>
<DIV>But I’m not telling any of you anything that you don’t already know.
This inane piece of garbage produced a rant from me and I hope you will forgive
me for posting it here.</DIV>
<DIV> </DIV>
<DIV>There was mention of Christopher Reed’s essay in ‘Queer Bloomsbury’ on
‘Bloomsbury Bashing’. I had meant to write about ‘Queer Bloomsbury’ when I
finished reading it some months ago. It was fresh in my mind then but
procrastination has taken its toll and I would have to read the book again in
order to recall everything I wanted to say about it. I would like to thank
Brenda Helt and Madelyn Detloff for putting the collection together and editing
it so well. I am not someone who has done much reading of this type of
material so it was somewhat of a new experience for me. As someone who
inhabits an askew perspective of life, I have spent my life struggling to
navigate the perpendicular structures of most of the rest of the world in order
to survive. It was refreshing to read about the viewpoints of so many
others who have shared the same experience. It was enlightening to read
about how they interacted with and inspired one another. And I enjoyed all
of the different lenses used to view their work and their relationships to each
other and the world around them.</DIV>
<DIV> </DIV>
<DIV>Mark Scott</DIV>
<DIV>Common Reader </DIV>
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<DIV style="BACKGROUND: #f5f5f5">
<DIV style="font-color: black"><B>From:</B> <A
title=vwoolf@lists.osu.edu>Melanie White via Vwoolf</A> </DIV>
<DIV><B>Sent:</B> Saturday, March 23, 2019 1:12 PM</DIV>
<DIV><B>To:</B> <A title=neverowv1@southernct.edu>'Neverow, Vara S.'</A> ; <A
title=mhussey@verizon.net>'Mark Hussey'</A> ; <A
title=vwoolf@lists.acs.ohio-state.edu>'Woolf Listserv'</A> </DIV>
<DIV><B>Subject:</B> Re: [Vwoolf] Bloomsbury-bashing</DIV></DIV></DIV>
<DIV> </DIV></DIV>
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<P class=MsoNormal>Years ago when I was just getting acquainted with VW and
Bloomsbury, I chanced upon this essay, and I have never forgotten it. I was
blown away by the writer's contemptuous vitriole. He seemed to go very far out
of his way to take the most negative interpretation possible on everything to do
with her. I had trouble imagining why anyone would take this so very seriously,
as if he'd suffered personally as a direct result of something VW said or did. I
still don't understand it. Something in the Bloomsbury subculture reeeeally
pushes some peoples' buttons. <o:p></o:p></P>
<P class=MsoNormal><o:p></o:p> </P>
<P class=MsoNormal><A
href="https://www.city-journal.org/html/rage-virginia-woolf-12371.html">https://www.city-journal.org/html/rage-virginia-woolf-12371.html</A><o:p></o:p></P>
<P class=MsoNormal><o:p></o:p> </P>
<P class=MsoNormal><o:p></o:p> </P>
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<P class=MsoNormal><B>From:</B> Vwoolf
<vwoolf-bounces+melanie.white=comcast.net@lists.osu.edu> <B>On Behalf Of
</B>Neverow, Vara S. via Vwoolf<BR><B>Sent:</B> Friday, March 22, 2019 2:06
PM<BR><B>To:</B> Mark Hussey <mhussey@verizon.net>; 'Woolf Listserv'
<vwoolf@lists.acs.ohio-state.edu><BR><B>Subject:</B> Re: [Vwoolf]
Bloomsbury-bashing<o:p></o:p></P></DIV></DIV>
<P class=MsoNormal><o:p></o:p> </P>
<P class=MsoNormal>Thanks, Mark! Much appreciated. And thanks, Stuart, for
posting a similar snarky rant by the same Bloomsbury-hater. And, of course,
thanks to Brenda for the reference to Christopher Reed’s extremely detailed and
nuanced essay. <BR><BR>As to my own rationale for the request, I think it’s
worth keeping track of these snide remarks. They illuminate the motivations,
misunderstandings and misinterpretations of the adversaries and reveal the
flawed rationales for their various vendettas.
<BR><BR>Best,<BR><BR>Vara<BR><BR>Vara Neverow<BR>Department of
English<BR>Southern Connecticut State University<BR>New Haven, CT
06515<BR>203-392-6717<BR>neverowv1@southernct.edu<o:p></o:p></P>
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<P class=MsoNormal><B><SPAN style="COLOR: black">From:</SPAN></B><SPAN
style="COLOR: black"> Mark Hussey <mhussey@verizon.net><BR><B>Sent:</B>
Friday, March 22, 2019 1:59:34 PM<BR><B>To:</B> Neverow, Vara S.; 'Woolf
Listserv'<BR><B>Subject:</B> RE: [Vwoolf] Bloomsbury-bashing</SPAN>
<o:p></o:p></P>
<DIV>
<P class=MsoNormal> <o:p></o:p></P></DIV></DIV>
<DIV>
<DIV>
<P class=xmsonormal>Not sure why anyone would want to waste their time on this
old buffer’s ramblings, but here Heffer goes again… (It is possible to register
for a free account to have full access to a limited number of articles; the
readers’ comments are even more depressing and ill-informed than Heffer’s
nonsense):<o:p></o:p></P>
<P class=xmsonormal> <o:p></o:p></P>
<P class=xmsonormal> <o:p></o:p></P>
<P class=xmsonormal style="MARGIN-BOTTOM: 12pt; BACKGROUND: white"><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; TEXT-TRANSFORM: uppercase; COLOR: #86146e'>L</SPAN><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; COLOR: #333333'>ast
summer, at my wife's suggestion, we went to <A
href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fwhat-to-see%2Fcharleston-farmhouse-review-bloomsbury-sets-radical-spirit-restored%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777486797&sdata=ZoffTIdunZ0oN7mDOMlowuqdBx8NdtdNqcymeTstK5U%3D&reserved=0"><SPAN
style="TEXT-DECORATION: none; BORDER-TOP: windowtext 1pt; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; COLOR: #222222; PADDING-BOTTOM: 0in; PADDING-TOP: 0in; PADDING-LEFT: 0in; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0in">Charleston
Farmhouse</SPAN></A> in Sussex, a place of pilgrimage for devotees of the
Bloomsbury Group. In the Twenties, this collection of writers and artists
supposedly changed – in their view, modernised – British culture. Charleston was
acquired by <A
href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Ftime-save-vanessa-bell-beasts-bloomsbury%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777496806&sdata=fPnxbJpHd3EqG7O%2BSclsD4wISNt1mA611xdCov85HmA%3D&reserved=0"><SPAN
style="TEXT-DECORATION: none; BORDER-TOP: windowtext 1pt; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; COLOR: #222222; PADDING-BOTTOM: 0in; PADDING-TOP: 0in; PADDING-LEFT: 0in; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0in">Vanessa
Bell</SPAN></A>, sister of <A
href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fbooks%2Fauthors%2Fvirginia-woolf-remains-one-literatures-alluring-writers%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777496806&sdata=RBYnmR%2F5KFxmFOeH5qbUhTMAVZbgNMpAd%2FgCS2dlJ%2BQ%3D&reserved=0"><SPAN
style="TEXT-DECORATION: none; BORDER-TOP: windowtext 1pt; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; COLOR: #222222; PADDING-BOTTOM: 0in; PADDING-TOP: 0in; PADDING-LEFT: 0in; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0in">Virginia
Woolf</SPAN></A>, during the Great War. Her husband was Clive Bell, an art
critic. However, Mrs Bell shared the house with Duncan Grant, by whom she had a
daughter, Angelica. Grant was homosexual, and one of his boyfriends had been
David Garnett, a novelist, whom Angelica married. It is little wonder that
biographies, diaries, films and television programmes about the denizens of
Bloomsbury seem to have such enduring appeal.</SPAN><o:p></o:p></P>
<P class=xmsonormal style="MARGIN-BOTTOM: 12pt; BACKGROUND: white"><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; COLOR: #333333'>But is it
all a bit of a con? Charleston heaves with visitors. Yet the decor – Bloomsbury
colour schemes imposed on the walls, furniture and doors, the paintings, even
the lampshades – causes the uncouth, me among them, to marvel at its crudity. It
gave me the same sensation as seeing ancient cave art, only without the
anthropological resonance. One senses that most who go to Charleston do so to
commune with the spirit of Bloomsbury, which hangs heavily over it. Leonard and
Virginia Woolf were frequent visitors; so were Roger Fry and Lytton
Strachey.</SPAN><o:p></o:p></P>
<P class=xmsonormal style="MARGIN-BOTTOM: 12pt; BACKGROUND: white"><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; COLOR: #333333'>Yet when
one reads about these people, one soon realises the benefit of Bloomsbury for
those who were part of it: the mutual backslapping, with everyone praising
everyone else's work. The paintings of Grant and Bell are not in the league of
<A
href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Fwork-meals-sex-untold-story-picassos-early-years%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777506811&sdata=RfnzsyV5OTtAESV44i5kMegcc0SMqsGZg3pWbDHhWYE%3D&reserved=0"><SPAN
style="TEXT-DECORATION: none; BORDER-TOP: windowtext 1pt; BORDER-RIGHT: windowtext 1pt; BORDER-BOTTOM: windowtext 1pt; COLOR: #222222; PADDING-BOTTOM: 0in; PADDING-TOP: 0in; PADDING-LEFT: 0in; BORDER-LEFT: windowtext 1pt; PADDING-RIGHT: 0in">Picasso</SPAN></A>;
and yet many regard them with comparable reverence. Not everyone has fallen
under the spell: in 1935, the Cunard Line commissioned Grant to design murals
for the first-class lounge of the Queen Mary, but ordered them to be removed
once they saw them the following year.</SPAN><o:p></o:p></P>
<P class=xmsonormal style="MARGIN-BOTTOM: 12pt; BACKGROUND: white"><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; COLOR: #333333'>The
literary side of Bloomsbury continues to capture the imagination of successive
generations; and Woolf and Strachey, from the group's hard core, are the most
prominent. (EM Forster, often accused of being a Bloomsbury man, had far more
diverse connections.) Both Woolf and Strachey merit more detailed consideration
than there is space for here, but a general observation about each will
suffice.</SPAN><o:p></o:p></P>
<P class=xmsonormal style="MARGIN-BOTTOM: 12pt; BACKGROUND: white"><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; COLOR: #333333'>Woolf was
brilliant at conveying her own psychoses in her prose, and in her adoption of
the stream of consciousness as developed by Proust and <A
href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Fhow-james-joyces-ulysses-inspired-good--and-bad--art%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777506811&sdata=GWzg8zwZjOJAjj6Xf7zC2U1umdgb9kuZz3wSbRyW0CE%3D&reserved=0"><SPAN
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I have yet to detect any originality in her literary conceptions, although she
was capable of effective communication of scenes, characters and ideas. Her
fiction is laced with her snobbery, and her criticism throbs with it: if one
finds such things amusing, then Woolf is a hoot.</SPAN><o:p></o:p></P>
<P class=xmsonormal style="MARGIN-BOTTOM: 12pt; BACKGROUND: white"><SPAN
style='FONT-SIZE: 9.5pt; FONT-FAMILY: "Georgia",serif; COLOR: #333333'>Strachey
had an entirely destructive mentality. Eminent Victorians<I> </I>(1918),
praised for its wit, makes cheap laughs out of twisting the truth. His essay on
Thomas Arnold is a travesty, and his decision to mock a culture that made
Britain into the world's leading power is instructive – though only of Strachey
himself. He shared the self-obsession of the rest of the group, who were united
above all by an unshakeable belief in their superiority. Perhaps the
Bloomsberries were rather superior in their time. Happily, the intervening years
have given the rest of us the chance to catch up, and see through their
collective self-regard.</SPAN><o:p></o:p></P>
<P class=xmsonormal> <o:p></o:p></P>
<P class=xmsonormal> <o:p></o:p></P>
<DIV>
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<P class=xmsonormal><B><SPAN
style='FONT-SIZE: 10pt; FONT-FAMILY: "Tahoma",sans-serif'>From:</SPAN></B><SPAN
style='FONT-SIZE: 10pt; FONT-FAMILY: "Tahoma",sans-serif'> Vwoolf
[mailto:vwoolf-bounces+mhussey=verizon.net@lists.osu.edu] <B>On Behalf Of
</B>Neverow, Vara S. via Vwoolf<BR><B>Sent:</B> Friday, March 22, 2019 10:00
AM<BR><B>To:</B> vwoolf listserve<BR><B>Subject:</B> [Vwoolf]
Bloomsbury-bashing</SPAN><o:p></o:p></P></DIV></DIV>
<P class=xmsonormal> <o:p></o:p></P>
<DIV id=x_divtagdefaultwrapper>
<P class=xmsonormal><SPAN style="COLOR: black">Greetings,<BR><BR>Possibly of
interest is a link below to an article in the <I>Telegraph. </I>The article
seems to be is dedicated to Bloomsbury-bashing. Alas, the article is only
accessible to subscribers. Perhaps someone who has access will be able to share
it with those of us who do not. <BR><BR><A id=LPlnk479695
href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fbooks%2Fwhat-to-read%2Fsnobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777516820&sdata=uzFgLV7zA9DbR%2B17z8CJg18d2%2FiQoZqdZ%2B82RbRc9rQ%3D&reserved=0">https://www.telegraph.co.uk/books/what-to-read/snobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom/</A>
</SPAN><o:p></o:p></P>
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href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fbooks%2Fwhat-to-read%2Fsnobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom%2F&data=02%7C01%7Cneverowv1%40southernct.edu%7Cfd78bd77e72248fe753f08d6aef02512%7C58736863d60e40ce95c60723c7eaaf67%7C0%7C0%7C636888743777526825&sdata=mO%2F22TlUopwsmT3gk9koSIgH3gD1xQIWPGupjav1AB8%3D&reserved=0"
target=_blank><SPAN style="TEXT-DECORATION: none">Snobbish, crude and
self-obsessed: has the Bloomsbury Group lost its bloom? -
telegraph.co.uk</SPAN></A></SPAN><o:p></o:p></P></DIV>
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style="MARGIN-BOTTOM: 12pt; MARGIN-TOP: 7.5pt">
<P class=xmsonormal style="MARGIN-TOP: 15pt; LINE-HEIGHT: 10.5pt"><SPAN
style='FONT-SIZE: 10.5pt; FONT-FAMILY: "Segoe UI",sans-serif; COLOR: #666666'>www.telegraph.co.uk</SPAN><o:p></o:p></P></DIV>
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<P class=xmsonormal style="MARGIN-TOP: 15pt; LINE-HEIGHT: 15pt"><SPAN
style='FONT-SIZE: 10.5pt; FONT-FAMILY: "Segoe UI",sans-serif; COLOR: #666666'>L
ast summer, at my wife's suggestion, we went to Charleston Farmhouse in
Sussex, a place of pilgrimage for devotees of the Bloomsbury Group. In the
Twenties, this collection of writers and
...</SPAN><o:p></o:p></P></DIV></TD></TR></TBODY></TABLE></DIV>
<P class=xmsonormal><SPAN
style="COLOR: black"><BR><BR><BR>Best,<BR><BR>Vara<BR><BR>Vara
Neverow<BR>Department of English<BR>Southern Connecticut State University<BR>New
Haven, CT 06515<BR>203-392-6717<BR>neverowv1@southernct.edu
</SPAN><o:p></o:p></P></DIV></DIV></DIV></DIV>
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