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Ugh! Too bad for the Cunard passengers . . .<br>
Heffer says "<span style="font-size:12.0pt;font-family:"Georgia","serif";mso-fareast-font-family:Calibri;mso-fareast-theme-font:minor-latin;mso-bidi-font-family:
"Times New
Roman";color:#333333;mso-ansi-language:EN-US;mso-fareast-language:
EN-US;mso-bidi-language:AR-SA">Charleston
was acquired by <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Ftime-save-vanessa-bell-beasts-bloomsbury%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985806292&sdata=ufthcf4QTxJygsY8lIr6q59OZbF6lxmnAOuxLpOdJD0%3D&reserved=0"><span style="color:#222222;border:none windowtext
1.0pt;mso-border-alt:none windowtext 0in;
padding:0in">Vanessa
Bell."</span></a><br>
I was under the impression that it was rented. Would someone please wise me up?<br>
Thanks, Janet Larson, Rutgers</span><!--[if gte mso 9]><xml>
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<div class="moz-cite-prefix">On 3/22/2019 5:06 PM, Neverow, Vara S. via Vwoolf wrote:<br>
</div>
<blockquote type="cite" cite="mid:SN6PR02MB45429788DE4482D82C19F0D38E430@SN6PR02MB4542.namprd02.prod.outlook.com">
Thanks, Mark! Much appreciated. And thanks, Stuart, for posting a similar snarky rant by the same Bloomsbury-hater. And, of course, thanks to Brenda for the reference to Christopher Reed’s extremely detailed and nuanced essay.
<br>
<br>
As to my own rationale for the request, I think it’s worth keeping track of these snide remarks. They illuminate the motivations, misunderstandings and misinterpretations of the adversaries and reveal the flawed rationales for their various vendettas.
<br>
<br>
Best,<br>
<br>
Vara<br>
<br>
Vara Neverow<br>
Department of English<br>
Southern Connecticut State University<br>
New Haven, CT 06515<br>
203-392-6717<br>
<a class="moz-txt-link-abbreviated" href="mailto:neverowv1@southernct.edu">neverowv1@southernct.edu</a><br>
<hr style="display:inline-block;width:98%" tabindex="-1">
<div id="divRplyFwdMsg" dir="ltr"><font style="font-size:11pt" face="Calibri, sans-serif" color="#000000"><b>From:</b> Mark Hussey
<a class="moz-txt-link-rfc2396E" href="mailto:mhussey@verizon.net"><mhussey@verizon.net></a><br>
<b>Sent:</b> Friday, March 22, 2019 1:59:34 PM<br>
<b>To:</b> Neverow, Vara S.; 'Woolf Listserv'<br>
<b>Subject:</b> RE: [Vwoolf] Bloomsbury-bashing</font>
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<p class="x_MsoNormal">Not sure why anyone would want to waste their time on this old buffer’s ramblings, but here Heffer goes again… (It is possible to register for a free account to have full access to a limited number of articles; the readers’ comments are
even more depressing and ill-informed than Heffer’s nonsense):</p>
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<span style="font-size:9.5pt;
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color:#86146E; text-transform:uppercase">L</span><span style="font-size:9.5pt;
font-family:"Georgia","serif";
color:#333333">ast summer,
at my wife's suggestion, we went to <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fwhat-to-see%2Fcharleston-farmhouse-review-bloomsbury-sets-radical-spirit-restored%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985796284&sdata=zGyzri8qk1zCnLh4IPBjeRB07b8Gfm30YDeFQnHLwrQ%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/art/what-to-see/charleston-farmhouse-review-bloomsbury-sets-radical-spirit-restored/" shash="BOc21RO5vqWcj3E7/mtUUSp3kZ/qTxLOMjweKsYDmww8+ziNUOqUg3AqhHMewn1RKwOD/JZkmvkpEWyMUfJa4mXx+i+2zAZ+Pij3jmDijhMPe2gARGAPUFmza7BFApET48pVT7sUxCydyVHssojcoy52TJAMkjYlYU878hJSIRA=" moz-do-not-send="true"><span style="color:#222222;
border:none windowtext 1.0pt; padding:0in;
text-decoration:none">Charleston
Farmhouse</span></a> in Sussex, a place of pilgrimage for devotees of the Bloomsbury Group. In the Twenties, this collection of writers and artists supposedly changed – in their view, modernised – British culture. Charleston was acquired by <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Ftime-save-vanessa-bell-beasts-bloomsbury%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985806292&sdata=ufthcf4QTxJygsY8lIr6q59OZbF6lxmnAOuxLpOdJD0%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/art/artists/time-save-vanessa-bell-beasts-bloomsbury/" shash="aUg3rXg5SSTTcHlCpf/iesqs1BIHYWsmeTdWrEszWM+yd+8y/CDO0zMjTWW/R4aHPfRh56ky9IR0h85oiVYA9nxMtRRGpI891N4tviFdxDX6CsfyTTdF21kFuniBA6ktHPYECbimb9BobAX2wLRxY7P9IQhbRJLLUGlHrf/yzPw=" moz-do-not-send="true"><span style="color:#222222;
border:none windowtext 1.0pt; padding:0in;
text-decoration:none">Vanessa
Bell</span></a>, sister of <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fbooks%2Fauthors%2Fvirginia-woolf-remains-one-literatures-alluring-writers%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985816305&sdata=p%2FIcprkP%2Fk0fHrsg3FUUpSliDA00MvDT0m8PlEaI%2FSo%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/books/authors/virginia-woolf-remains-one-literatures-alluring-writers/" shash="N7kulL9o+hpSBd0CaR3pVQQDK41ClLvITyDdxrqsTEZWjtYYrn+lKHkj7rIj16MbLNkjC58Xn5spRxKR6jUDQG853qycuyi0SmltdquyL+MUJi6p24c5FVYVlsA591gX/cjPA7ca29cGmHw5H/r/DCnsIj9t9DNvLQZh8h3Hp38=" moz-do-not-send="true"><span style="color:#222222;
border:none windowtext 1.0pt; padding:0in;
text-decoration:none">Virginia
Woolf</span></a>, during the Great War. Her husband was Clive Bell, an art critic. However, Mrs Bell shared the house with Duncan Grant, by whom she had a daughter, Angelica. Grant was homosexual, and one of his boyfriends had been David Garnett, a novelist,
whom Angelica married. It is little wonder that biographies, diaries, films and television programmes about the denizens of Bloomsbury seem to have such enduring appeal.</span></p>
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<span style="font-size:9.5pt;
font-family:"Georgia","serif";
color:#333333">But is it all a bit of a con? Charleston heaves with visitors. Yet the decor – Bloomsbury colour schemes imposed on the walls, furniture and doors, the
paintings, even the lampshades – causes the uncouth, me among them, to marvel at its crudity. It gave me the same sensation as seeing ancient cave art, only without the anthropological resonance. One senses that most who go to Charleston do so to commune with
the spirit of Bloomsbury, which hangs heavily over it. Leonard and Virginia Woolf were frequent visitors; so were Roger Fry and Lytton Strachey.</span></p>
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<span style="font-size:9.5pt;
font-family:"Georgia","serif";
color:#333333">Yet when one reads about these people, one soon realises the benefit of Bloomsbury for those who were part of it: the mutual backslapping, with everyone
praising everyone else's work. The paintings of Grant and Bell are not in the league of <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Fwork-meals-sex-untold-story-picassos-early-years%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985816305&sdata=AI8ayfJndVrnANYEtytYe3pZPVjB9M9F2v3UZltg0F4%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/art/artists/work-meals-sex-untold-story-picassos-early-years/" shash="nhheecIgkmu5iMB8IJelKjKEc7e3wmQ2le4Q6Td7LhrSsDVsQB7Xf14uMw4aDfV6aX0isxvX0oqjbIvpFI/DD/K+CR/U26NSzz3f6MRch6IErNrF924cxiTeIs9RMnFbbk/AOVdKBCRb8dYJdX5zmnKbF824sQiTyBnCvlfoSIo=" moz-do-not-send="true"><span style="color:#222222;
border:none windowtext 1.0pt; padding:0in;
text-decoration:none">Picasso</span></a>;
and yet many regard them with comparable reverence. Not everyone has fallen under the spell: in 1935, the Cunard Line commissioned Grant to design murals for the first-class lounge of the Queen Mary, but ordered them to be removed once they saw them the following
year.</span></p>
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<span style="font-size:9.5pt;
font-family:"Georgia","serif";
color:#333333">The literary side of Bloomsbury continues to capture the imagination of successive generations; and Woolf and Strachey, from the group's hard core, are
the most prominent. (EM Forster, often accused of being a Bloomsbury man, had far more diverse connections.) Both Woolf and Strachey merit more detailed consideration than there is space for here, but a general observation about each will suffice.</span></p>
<p class="x_MsoNormal" style="margin-bottom:12.0pt;
background:white">
<span style="font-size:9.5pt;
font-family:"Georgia","serif";
color:#333333">Woolf was brilliant at conveying her own psychoses in her prose, and in her adoption of the stream of consciousness as developed by Proust and <a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fart%2Fartists%2Fhow-james-joyces-ulysses-inspired-good--and-bad--art%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985826309&sdata=AZegQ783DE62c81KR1pWn0e6PyO4D7Hugiz%2FpdC1dko%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/art/artists/how-james-joyces-ulysses-inspired-good--and-bad--art/" shash="MLlfjzXkJir3UcQxxfmCovc+PTYTCrXRDNTRbY0N7WR6J60AB783kCZU8i35ZKR/Kmhwp2gl1bUXvJ7KV7rzzOAZFEj0ZquCods0G7redWTZV1yYPjjI/ltktnOJHwqtFPHcGMl9N9sjvm1kliq/UIkyJH4xWKARjWwC7LrvJgo=" moz-do-not-send="true"><span style="color:#222222;
border:none windowtext 1.0pt; padding:0in;
text-decoration:none">Joyce</span></a>.
I have yet to detect any originality in her literary conceptions, although she was capable of effective communication of scenes, characters and ideas. Her fiction is laced with her snobbery, and her criticism throbs with it: if one finds such things amusing,
then Woolf is a hoot.</span></p>
<p class="x_MsoNormal" style="margin-bottom:12.0pt;
background:white">
<span style="font-size:9.5pt;
font-family:"Georgia","serif";
color:#333333">Strachey had an entirely destructive mentality. Eminent Victorians<i> </i>(1918), praised for its wit, makes cheap laughs out of twisting the truth. His
essay on Thomas Arnold is a travesty, and his decision to mock a culture that made Britain into the world's leading power is instructive – though only of Strachey himself. He shared the self-obsession of the rest of the group, who were united above all by
an unshakeable belief in their superiority. Perhaps the Bloomsberries were rather superior in their time. Happily, the intervening years have given the rest of us the chance to catch up, and see through their collective self-regard.</span></p>
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<p class="x_MsoNormal"><b><span style="font-size:10.0pt;
font-family:"Tahoma","sans-serif"">From:</span></b><span style="font-size:10.0pt;
font-family:"Tahoma","sans-serif""> Vwoolf [<a class="moz-txt-link-freetext" href="mailto:vwoolf-bounces+mhussey=verizon.net@lists.osu.edu">mailto:vwoolf-bounces+mhussey=verizon.net@lists.osu.edu</a>]
<b>On Behalf Of </b>Neverow, Vara S. via Vwoolf<br>
<b>Sent:</b> Friday, March 22, 2019 10:00 AM<br>
<b>To:</b> vwoolf listserve<br>
<b>Subject:</b> [Vwoolf] Bloomsbury-bashing</span></p>
</div>
</div>
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<p class="x_MsoNormal"><span style="color:black">Greetings,<br>
<br>
Possibly of interest is a link below to an article in the <i>Telegraph. </i>The article seems to be is dedicated to Bloomsbury-bashing. Alas, the article is only accessible to subscribers. Perhaps someone who has access will be able to share it with those of
us who do not. <br>
<br>
<a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fbooks%2Fwhat-to-read%2Fsnobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985836317&sdata=T6amjRM1U97atB7ZkSNxQHAyPP83MiuEUsO%2B1wrFZmk%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/books/what-to-read/snobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom/" shash="etwWxG5gyRdCLLfkN8wAg0TJd/rHZFtEcZ912e8LxYXsDEvMSz83kseWcabiHt3TZVaMZDpMNaHyML9zHJS3bbK0cPkQTVwpABIM5iMxysz8u47UnXCMiVtZPeMhmcFGZdOl9L8tEsozLCUR2rAaXSA/+I5ApYZ7JdHvrNXT9U4=" id="LPlnk479695" moz-do-not-send="true">https://www.telegraph.co.uk/books/what-to-read/snobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom/</a>
</span></p>
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background:white">
<a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwwwtelegraph.co.uk%2Fbooks%2Fwhat-to-read%2Fsnobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985836317&sdata=Cg7zA%2BL8FdrUvPcz7VmJT25%2FCWq9cjOM1gpQJ8X8kLc%3D&reserved=0" originalsrc="https://wwwtelegraph.co.uk/books/what-to-read/snobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom/" shash="kW010epyt+P+Nvx3Ucs9x0OQZieJkjt4MNVYyAYjt4SEfVZ7XTerc5nVP6Qglll6vhOKX+RTomM8gBNSfHQ9+HXUsINjI8yWVbLSTxYtBsiuy2D463967TIdwZhfrdsx6Tgbg4ry/MJXvHhxBNCWR6TO7O94B6cXQPjAU6mX+UM=" target="_blank" moz-do-not-send="true"><span style="text-decoration:none"><img id="LPThumbnailImageID_15532630089130.8914475868381961" src="https://www.telegraph.co.uk/content/dam/books/2019/03/08/TELEMMGLPICT000190495534-xlarge_trans_NvBQzQNjv4BqPuL-8ex6Wxr3HGFUi6PIc45tImKey5x700iKis9lGeo.jpeg" moz-do-not-send="true" width="250" height="156" border="0"></span></a></p>
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<p class="x_MsoNormal" style="margin-top:15.0pt"><span style="font-size:16.0pt;
font-family:"Segoe UI
Light","sans-serif";
color:#212121"><a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.telegraph.co.uk%2Fbooks%2Fwhat-to-read%2Fsnobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom%2F&data=02%7C01%7Cjlarson%40newark.rutgers.edu%7Cee7d69abb5e749845af808d6af0a4546%7Cb92d2b234d35447093ff69aca6632ffe%7C1%7C0%7C636888855985846329&sdata=J9o97VNBDE38BWp%2BQHBUvCtCWmFSofMNL7Hb8TZ%2B4sM%3D&reserved=0" originalsrc="https://www.telegraph.co.uk/books/what-to-read/snobbish-crude-self-obsessed-has-bloomsbury-group-lost-bloom/" shash="jMMPIef3xaIXMQd6B1DHnat+i0BhmD3GmO8aUhJUrsRWhyrKpW3s+JyLWHv1p2JcE8BuA00jBMUbZpszMGjSy/wHbRW0hTkAAGG5m1NC0/I4eGj/BMTR/UwerM1OmfA5+QuFBw0WXzyPORm6JVojXCt7AVlOoGXno6nqRlXjZC4=" target="_blank" moz-do-not-send="true"><span style="text-decoration:none">Snobbish,
crude and self-obsessed: has the Bloomsbury Group lost its bloom? - telegraph.co.uk</span></a></span></p>
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<span style="font-size:10.5pt;
font-family:"Segoe
UI","sans-serif";
color:#666666"><a class="moz-txt-link-abbreviated" href="http://www.telegraph.co.uk">www.telegraph.co.uk</a></span></p>
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<span style="font-size:10.5pt;
font-family:"Segoe
UI","sans-serif";
color:#666666">L ast summer, at my wife's suggestion, we went to Charleston Farmhouse in Sussex, a place
of pilgrimage for devotees of the Bloomsbury Group. In the Twenties, this collection of writers and ...</span></p>
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<p class="x_MsoNormal"><span style="color:black"><br>
<br>
<br>
Best,<br>
<br>
Vara<br>
<br>
Vara Neverow<br>
Department of English<br>
Southern Connecticut State University<br>
New Haven, CT 06515<br>
203-392-6717<br>
<a class="moz-txt-link-abbreviated" href="mailto:neverowv1@southernct.edu">neverowv1@southernct.edu</a>
</span></p>
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<pre class="moz-quote-pre" wrap="">_______________________________________________
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