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<p>The painting is reproduced in black and white in my "Virginia
Woolf, Vanessa Bell and Painting" (p. 130) in <i>The Edinburgh
Companion to Virginia Woolf and the Arts,</i> ed. Maggie Humm
(2010). Barbara Ginsberg kindly described the colors for me and I
included them in my discussion of the painting in relation to
Woolf's description of the party in <i>Mrs. Dalloway </i>(pp.
129-131).</p>
<p>Diane Gillespie<br>
</p>
<br>
<div class="moz-cite-prefix">On 10/18/2018 9:44 AM, Christine Froula
via Vwoolf wrote:<br>
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<p>Fantastic recovery! And--are those <i>fingers</i> on the young
woman (Mary Hutchinson)'s left shoulder? if so... whose..?<br>
</p>
<div class="moz-cite-prefix">On 10/18/2018 11:04 AM, Regina Marler
via Vwoolf wrote:<br>
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<div>Dear Woolfians,</div>
<div><br>
</div>
<div>My friends Barbara and Howard Ginsberg bought this
painting from Caroline Cuthbert at Anthony d'Offay in the
1980s. Caroline only vaguely remembers the story of its
discovery by Quentin Bell and someone else, still rolled, in
the "Monk's House attic." The painting has somehow picked up
a title, "Mrs. Dalloway's Party"--I think a selling title
given by d'Offay. It's signed VB 1922 in pencil on the
verso, if I recall. </div>
<div><br>
</div>
<div>Looks like Mary Hutchinson on the left, and (at a
stretch) Iris Tree in center? She was plump in this period
but I'm not sure she was quite so monumental.<br>
</div>
<div><br>
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<div>Diane Gillespie referred to the painting in the Edinburgh
Companion, I think. Jane Garrity hopes to include mention of
the painting (and a reproduction, if possible) in a
forthcoming essay. Jane and I welcome any further thoughts
you may have--whether about VB's making of this painting,
VW's acquisition and non-display of it, or your musings on
the painting itself.</div>
<div><br>
</div>
<div>With thanks in advance,</div>
<div><br>
</div>
<div>Regina Marler</div>
<div><br>
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