<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:Helvetica;
panose-1:2 11 6 4 2 2 2 2 2 4;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:Tahoma;
panose-1:2 11 6 4 3 5 4 4 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
margin-bottom:.0001pt;
font-size:12.0pt;
font-family:"Times New Roman",serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:blue;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:purple;
text-decoration:underline;}
p.msonormal0, li.msonormal0, div.msonormal0
{mso-style-name:msonormal;
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Times New Roman",serif;}
span.apple-converted-space
{mso-style-name:apple-converted-space;}
span.EmailStyle20
{mso-style-type:personal-reply;
font-family:"Calibri",sans-serif;
color:#1F497D;}
.MsoChpDefault
{mso-style-type:export-only;
font-size:10.0pt;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang="EN-US" link="blue" vlink="purple">
<div class="WordSection1">
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Hello, all,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Many thanks to Amanda Golden for alerting me to this wonderful announcement, below. Happy reading!<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Best,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Kristin<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"><o:p> </o:p></span></p>
<div>
<div>
<blockquote style="margin-top:5.0pt;margin-bottom:5.0pt">
<div>
<div id="divtagdefaultwrapper">
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif">Routledge has made the entire first double- issue of <i>Feminist Modernist Studies</i> <b><i>free-access</i> </b>to anyone<i> until the end of January, 2018</i>. Click on the top link to
go to the Routledge page, or to sample quickly,<span style="color:#1F497D"> </span>
stay here and click on a specific link below the essay of interest-- Cassandra Laity <o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b><i>Feminist Modernist Studies </i></b><b>(Routledge)<i> </i> Vol 1 Numbers 1-2 (March-July 2018)</b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b>Special Issue: Toward feminist modernisms</b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Ftoc%2Frfmd20%2F1%2F1-2%3Fnav%3DtocList&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=BSVgaT396H%2FTLPQuJWJWE1uT4z99WWYT3EqY3chpHP0%3D&reserved=0" target="_blank" id="LPlnk445150"><b><span style="font-family:"Times New Roman",serif">http://tandfonline.com/toc/rfmd20/1/1-2?nav=tocList</span></b></a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b>______________________________________</b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b>Table of Contents</b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Editor's Introduction<b>: </b>toward feminist Modernisms,” Cassandra Laity<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b><i>FREE ACCESS</i></b>: <span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.tandfonline.com%2Feprint%2FaecNJCVHMHgbSydPRr2r%2Ffull&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=CJEzMWUpjG5HxXzSQcfRih3lL%2F21p6d6TtwsWNAzIhE%3D&reserved=0" target="_blank" id="LPlnk696044"><span style="font-family:"Times New Roman",serif">http://www.tandfonline.com/eprint/aecNJCVHMHgbSydPRr2r/full</span></a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b>On the</b> <b>State of/Future of Feminist Modernist Studies</b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Practicing transnational feminist recovery today,” Jessica Berman<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1382968&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=29vLcQ1JoYAkhKx8N42bdt1uwbFp2dWXtBqmQZOfIjs%3D&reserved=0" target="_blank" id="LPlnk831609">http://tandfonline.com/doi/full/10.1080/24692921.2017.1382968</a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Feminist inter/modernist studies,” Kristin Bluemel and Phyllis Lassner<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1380777&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=Ha8Nx1QTNee5HTr0dOLLABy40PbMJB9Rma2mqd4oYdg%3D&reserved=0" target="_blank" id="LPlnk738039">http://tandfonline.com/doi/full/10.1080/24692921.2017.1380777</a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Strong-armed Sisyphe: feminist queer modernism again . . . again,” Madelyn Detloff<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b><i><span style="font-family:"Calibri",sans-serif">FREE ACCESS</span></i></b><span style="font-family:"Calibri",sans-serif">: <a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1387412%3Fscroll%3Dtop%26needAccess%3Dtrue&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=KuW2z%2FReCezLm4Sh%2F%2BQdKFYwBzGLXqkeOl0VViSo%2Fq4%3D&reserved=0" target="_blank" id="LPlnk440768">http://tandfonline.com/doi/full/10.1080/24692921.2017.1387412?scroll=top&needAccess=true</a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Black modernist feminism and this contemporary moment: Evie Shockley's <i>the new black,” </i>Miriam Thaggert<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1387414&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=xFhJUoVmd2lcal5Y1YeDqXtZMILnuGJNdSV2Cl%2Fdx9I%3D&reserved=0" target="_blank" id="LPlnk731579">http://tandfonline.com/doi/full/10.1080/24692921.2017.1387414</a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"> <o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b><span style="font-family:"Calibri",sans-serif">Modern Women and Crossings</span></b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Katherine Dunham's Chicago stage: crossings to Caribbean negritude<b><span style="font-family:"Calibri",sans-serif">,” </span></b>Rishona Zimring <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b><i>FREE ACCESS</i></b>: <span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1370263&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=D5yLRTNW%2FaO2CYOXmM4xW8YeUDuK81ji1jsNUz7K4Bk%3D&reserved=0" target="_blank" id="LPlnk611207"><span style="font-family:"Times New Roman",serif">http://tandfonline.com/doi/full/10.1080/24692921.2017.1370263</span></a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Fashion is Spinach, but style is politics: Elizabeth Hawes's functionalist feminism,” Sarah Cornish<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1385832&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=ffpjSEDC%2Bp0Go9zzN9XvzOidJIYbY7KKSq2J5oFj5nQ%3D&reserved=0" target="_blank" id="LPlnk257704">http://tandfonline.com/doi/full/10.1080/24692921.2017.1385832</a><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Transferred debts: Marion Milner's <i>A Life of One's Own</i> and the limits of anlaysis,” Vanessa Smith<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1371929&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=vHd6qqvDnGBXnyS%2FYugUrtXft5kLVixOQ9LKWKJ%2Fwbw%3D&reserved=0" target="_blank" id="LPlnk319432">http://tandfonline.com/doi/full/10.1080/24692921.2017.1371929</a><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b>The Body and Embodiment</b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“Gallantry and its discontents: Joan of Arc and virtuous transmasculinity in Radclyffe Hall and Vita Sackville-West,” Jaime Hovey <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1374586&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=1dziJnkovrretRsd5UqGWQcbKARWKYbj9zU69BTmWmQ%3D&reserved=0" target="_blank" id="LPlnk934742">http://tandfonline.com/doi/full/10.1080/24692921.2017.1374586</a><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“’In the centre of a circle’: Olive Moore's <i>Spleen</i> and gestational immigration,” Erin M. Kingsley<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1385150&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=CMerUvKthyiMl%2BzPEytEeOMRWEQRy1OoVkYgoCpMAlI%3D&reserved=0" target="_blank" id="LPlnk548079">http://tandfonline.com/doi/full/10.1080/24692921.2017.1385150</a><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“The corset, the bicycle and the Hottentot: Alexandre Falguière’s <i>The Dancer</i> and Cléo de Mérode’s modern feminine body,” Susan Waller <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1370258&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=1Hai%2FWkTYkn38HZD%2FSawsofSWyzkQHy%2FiY%2FIu%2BXeAag%3D&reserved=0" target="_blank" id="LPlnk931771">http://tandfonline.com/doi/full/10.1080/24692921.2017.1370258</a><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><b>Out of the Archives </b><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal">“There is no glass woman: Muriel Rukeyser's lost feminist essay ‘Many Keys’”<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> Eric Keenaghan<span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Ftandfonline.com%2Fdoi%2Ffull%2F10.1080%2F24692921.2017.1368883&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=i8imi3d1KxdDPhz9eclr8bneoFSdSHj7mlCvIJm8vHs%3D&reserved=0" target="_blank" id="LPlnk387438">http://tandfonline.com/doi/full/10.1080/24692921.2017.1368883</a><span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"> <span style="font-family:"Calibri",sans-serif"><o:p></o:p></span></p>
</div>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
</div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
<div>
<p class="MsoNormal"><span style="font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
</div>
<div id="Signature">
<div id="divtagdefaultwrapper">
<div>
<p class="MsoNormal"><span style="font-size:10.0pt">Prof. Cassandra Laity</span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.0pt">Editor,<span class="apple-converted-space"> </span><em>Feminist Modernist Studies (FMS; </em>Routledge; 2017--<em>)</em><span class="apple-converted-space"><i> </i></span></span><em><o:p></o:p></em></p>
<div>
<p class="MsoNormal"><i><span style="font-size:10.0pt"><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.tandfonline.com%2Floi%2Frfmd20&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=XqJ9F%2FTA%2FxyqanyeH5p8U0%2BJmVL%2F97T%2BUQIRHprBo64%3D&reserved=0" id="LPNoLP">http://www.tandfonline.com/loi/rfmd20</a><br>
<br>
</span></i><o:p></o:p></p>
<div>
<p class="MsoNormal"><i><span style="font-size:10.0pt">Former Co-Editor,<span class="apple-converted-space"> </span>Modernism/Modernity<span class="apple-converted-space"> </span>(JHUP; 2000-2010)<o:p></o:p></span></i></p>
</div>
</div>
<p class="MsoNormal"><span style="font-size:10.0pt">Currently, Visiting Scholar<br>
English Department<span class="apple-converted-space"> </span><br>
University of Tennessee-Knoxville<br>
e-mail<span class="apple-converted-space"> </span><a href="mailto:claity@utk.edu">claity@utk.edu</a><br>
most recent essay, "Eco-Geologies of Queer Desire"<br>
<a href="https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Facademic.oup.com%2Fcww%2Farticle%2F10%2F3%2F429%2F2447411%2FEco-Geologies-of-Queer-Desire-Elizabeth-Bishop-s&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=D4fGl7Yz8%2BHPS2SKf5PqSiJBwSjubeOZ%2BtyOMehm8As%3D&reserved=0" id="LPNoLP">https://academic.oup.com/cww/article/10/3/429/2447411/Eco-Geologies-of-Queer-Desire-Elizabeth-Bishop-s</a></span><span style="font-size:10.0pt;font-family:"Tahoma",sans-serif"><o:p></o:p></span></p>
</div>
</div>
</div>
</div>
<p class="MsoNormal"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif">_______________________________________________<br>
Msa-discuss mailing list<br>
</span><a href="mailto:Msa-discuss@chaos.press.jhu.edu"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif">Msa-discuss@chaos.press.jhu.edu</span></a><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif"><br>
</span><a href="https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fchaos.press.jhu.edu%2Fmailman%2Flistinfo%2Fmsa-discuss&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=uE2PWrAkMQ9EtnkExfVjt1ZhH%2BxQqik%2Faasl%2F9oQIJU%3D&reserved=0"><span style="font-size:9.0pt;font-family:"Helvetica",sans-serif">https://eur03.safelinks.protection.outlook.com/?url=http%3A%2F%2Fchaos.press.jhu.edu%2Fmailman%2Flistinfo%2Fmsa-discuss&data=02%7C01%7C%7C94fd1591015a4a07d02a08d556222235%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C636509626954089091&sdata=uE2PWrAkMQ9EtnkExfVjt1ZhH%2BxQqik%2Faasl%2F9oQIJU%3D&reserved=0</span></a><o:p></o:p></p>
</div>
</blockquote>
</div>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
</div>
</body>
</html>