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</o:shapelayout></xml><![endif]--></head><body lang=EN-US link=blue vlink=purple><div class=WordSection1><p class=MsoNormal>Liz, you might have this student look at all of Christopher Reed’s work on Bloomsbury artists and domesticity. Woolf’s ideas on this are heavily influenced by her sister’s and Duncan Grant’s, of course. So <i>Bloomsbury Rooms: Modernism, Subculture, and Domesticity</i>; and his Introduction to <i>Not at Home: The Suppression of Domesticity in Modern Art and Architecture</i>, as well as his essay in that collection: “ ‘A Room of One’s Own’: The Bloomsbury Group’s Creation of a Modernist Domesticity.” In Reed’s work, the ordinary or everyday is exposed as a direct opposition to high modernist, anti-domesticity (read misogyny), as in Wyndham Lewis et al.<o:p></o:p></p><p class=MsoNormal><o:p> </o:p></p><p class=MsoNormal>Some thoughts.<o:p></o:p></p><p class=MsoNormal><o:p> </o:p></p><div><p class=MsoNormal><span style='color:black'>Brenda Helt<o:p></o:p></span></p><p class=MsoNormal><span style='color:black'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:10.0pt;color:black'>Co-editor <i>Queer Bloomsbury</i><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-GB style='font-size:10.0pt'><a href="https://edinburghuniversitypress.com/book-queer-bloomsbury-13031.html">https://edinburghuniversitypress.com/book-queer-bloomsbury-13031.html</a><o:p></o:p></span></p><p class=MsoNormal><span lang=EN-GB style='font-size:10.0pt'><o:p> </o:p></span></p><p class=MsoNormal><span lang=EN-GB style='font-size:10.0pt'>Fine artist<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:10.0pt;color:black'><a href="http://www.brendahelt.com/">http://www.brendahelt.com</a> <o:p></o:p></span></p><p class=MsoNormal><span style='color:black'><o:p> </o:p></span></p><p class=MsoNormal><span style='color:black'><o:p> </o:p></span></p><p class=MsoNormal><span style='color:black'><o:p> </o:p></span></p></div><p class=MsoNormal><o:p> </o:p></p><div><div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0in 0in 0in'><p class=MsoNormal><b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> Vwoolf [mailto:vwoolf-bounces+helt0010=umn.edu@lists.osu.edu] <b>On Behalf Of </b>Elizabeth F. Evans<br><b>Sent:</b> Thursday, April 20, 2017 7:19 PM<br><b>To:</b> VWOOLF@lists.acs.ohio-state.edu<br><b>Subject:</b> [Vwoolf] Woolf, painting, and the ordinary<o:p></o:p></span></p></div></div><p class=MsoNormal><o:p> </o:p></p><div><p class=MsoNormal><span style='font-size:10.0pt'>Dear all,</span><o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>A colleague's student is writing a paper on Woolf, painting, and the ordinary (or everyday) and is in need of secondary sources. I'm having trouble fitting those three things together to come up with recommendations. Any suggestions out there for articles or book chapters the student should consult? We'd all three be grateful!</span><o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>Thanks for your thoughts.</span><o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>With best wishes,</span><o:p></o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>Liz</span><o:p></o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal><o:p> </o:p></p></div><div><p class=MsoNormal><span style='font-size:10.0pt'>Dr. Elizabeth F. Evans<br>Visiting Research Assistant Professor<br>Department of English <br>University of Notre Dame<br><br>office: 224 Decio Hall<br>mailing address:<br> 356 O'Shaughnessy Hall<br> Notre Dame, IN 46556<br>email: <a href="mailto:elizabeth.evans@nd.edu">elizabeth.evans@nd.edu</a></span><o:p></o:p></p></div><p class=MsoNormal><o:p> </o:p></p></div></body></html>