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<p class="MsoNormal">Good morning,<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">I’d like to send again the CFP for one of the upcoming special topics issues of the
<i>Virginia Woolf Miscellany</i>. Please feel free to share widely.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Thanks very much,<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Kristin<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>CFP: <i>Virginia Woolf Miscellany</i> Issue #92, Fall 2017 Special Topic: Virginia Woolf and Indigenous Literatures</b>
<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Submissions Due: 31 March 2017 (date extended) Editor: Kristin Czarnecki</b> This issue of
<i>VWM</i> seeks essays that consider Woolf’s oeuvre in dialogue with works by Native American, First Nations, Australian, and New Zealander authors, among others. What kind of dialogic emerges when placing Woolf’s writings alongside those of indigenous writers?
How might indigenous literatures enhance interpretations of Woolf’s modernist, feminist, and pacifist poetics? How might such comparisons affect or inform understandings of subjectivity in women’s lives and literature, and the interconnections between narrative
innovation and socio-political activism? Does Woolf’s ecological vision align with those of indigenous writers responding to threats of global destruction and mass extinctions? Could such comparative and intersectional work chip away at the boundaries still
often imposed upon literary studies—the “West” versus the “Rest”? Other approaches are welcome. Please send submissions of no more than 2500 words, including notes and works cited, in the latest version of Word by 31 March 2017 to: Kristin Czarnecki,
<a href="mailto:kristin_czarnecki@georgetowncollege.edu">kristin_czarnecki@georgetowncollege.edu</a> .<o:p></o:p></p>
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