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<DIV>E.g., "The 'inhumanity' of 'Jacob's Room', as both Adorno and Lyotard might
recognize it, obtains in the text's denial of its own explanatory closure, in
the inconclusiveness that refuses to allow any signified in the narrative to
emerge from behind the force of its signifier." (p. 74).</DIV>
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<DIV>BELL, Kevin, "Something Savage, Something Pedantic: Imaginary Portraits of
Certitude in 'Jacob's Room'" in "Ashes Taken for Fire: Aesthetic Modernism and
the Critique of Identity" (Minneapolis: University of Minnesota Press,
2007).</DIV>
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