[Vwoolf] Fwd: My new book: Dissensuous Modernism

[Allyson DeMaagd]

Dear Woolfians,

I am pleased to share the above discount on my first book, forthcoming
February 2022. In it, I discuss the sensuous and technological
experimentation in *Between the Acts *and connect Woolf to other
"dissensuous" women writers, including H.D., Mina Loy, and Elizabeth Bowen.

Thank you all for your thoughtful scholarship and support!

Allyson

---
Allyson C. DeMaagd, PhD
Pronouns: she/her/hers
*Dissensuous Modernism: Women Writers, the Senses, and Technology
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Easton, MD 21601






---------- Forwarded message ---------
From: University Press of Florida <press at upress.ufl.edu>
Date: Wed, Dec 1, 2021 at 10:50 AM
Subject: My new book: Dissensuous Modernism
To: <acdemaagd at mix.wvu.edu>


Women Writers, the Senses, and Technology
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Dissensuous Modernism
Women Writers, the Senses, and Technology


Allyson C. DeMaagd

Original Price: $85.00
Discount Price: $35.00
Use Code AU1221
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Contents
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Excerpt
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Placing women writers at the center of the sensory and technological
experimentation that characterized the modernist movement, Dissensuous
Modernism shows how women of the era challenged gendered narratives that
limited their power and agency and waged dissent through their radical
sensuous writing.

Allyson DeMaagd critiques an overemphasis among modernist writers and
generations of researchers on the “masculine” senses of sight and sound,
shifting the conversation toward the “feminine” senses of smell, taste, and
touch. These senses, long considered “lower,” were explored by writers such
as H.D., Mina Loy, Virginia Woolf, and Elizabeth Bowen, as DeMaagd
demonstrates through detailed close readings of their lesser-studied
novels. DeMaagd’s analysis shows how these women incorporated technology in
their work to reunify the senses or to draw attention to the destructive
disunity of the senses, highlighting the subversive potential of sensory
integration.

Dissensuous Modernism illuminates how modernist women writers breached the
sensory borders society erects between men and women, heteronormativity and
queerness, ability and disability, technology and nature, and human and
nonhuman. It elevates diverse embodied experiences and illuminates the
pivotal role of women in modernist sensory thought.
“DeMaagd’s timely study examines the changing sensescape in modernist
aesthetics and gives the long-denigrated ‘lower’ senses of smell, taste,
and touch their interpretive due, not only uncovering the gendering of
sensory experience, but also demonstrating the extent to which sensory
practices crucially involve questions of class, sexual orientation,
(dis)ability, and species.”—Vicki Tromanhauser, SUNY New Paltz

“Redressing the focus on visual senses that has dominated discussions of
modernist (usually male) writers, Dissensuous Modernism argues that these
modernist women writers call upon the underacknowledged senses of touch,
feel, and smell in questioning gendered hierarchies of embodied and
institutional power.”—Linda A. Kinnahan, editor of A History of
Twentieth-Century American Women’s Poetry
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