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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2019/02/25/harvard-yale-workshop-on-modern-chinese-literary-and-media-studies/" target="_blank">Harvard-Yale Workshop on Modern Chinese Literary and Media Studies</a></h3>
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<p><strong>Frontiers and Strata in Modern Chinese Literary and Media Studies</strong><br />
Harvard-Yale Workshop on Modern Chinese Literary and Media Studies</p>
<p>Organized by Professor Jing Tsu and Professor David Der-wei Wang<br />
Coordinated by Hang Tu and Dihao Zhou<br />
Time and Location: Yenching 212, Harvard University, March 1<sup>st</sup>, 2019</p>
<p><strong>9:30-11:00</strong></p>
<p><strong>Panel A: Reconsiderations in Sinophone literature, modernism, and transnational Modernity</strong><br />
<strong>Chair: Professor Karen Thornber, Harvard University</strong></p>
<p>Fangdai Chen: “The ‘Untimely’ Avant-Garde: Surrealist Poetry in Colonial Taiwan and Beyond.”</p>
<p>Simone Glasl: “Tragic pleasure: the role of sympathy in Zhu Guangqian`s aesthetic theory.”</p>
<p>Nan Qu: “A Wartime Tale of Two Cities: The Transnational Literary Interaction and the Intellectual Cosmopolitanism From Madrid to Wuhan During the Prologue Era of World War II.”</p>
<p>Jessica Tan: “From Shanghai Modern to Cold War Hong Kong: Gendered Modernity and Mobility in Evan Yang’s Films.”</p>
<p><strong>11:15-12:45</strong></p>
<p><strong>Panel B: From Left melancholia to the crisis of postsocialism</strong><br />
<strong>Chair: Dr. Zhou Hau Liew, Harvard University</strong></p>
<p>Po-hsi Chen: “Tenkō and Left-wing Melancholia in Taiwan.”</p>
<p>Hang Tu: “Left Melancholy: Chen Yingzhen, Wang Anyi, and the Desire for Utopia.”</p>
<p>Yingchun Fan: “Redemption in Crevices: The Different Literary Explorations of Zong Pu and Li Yu.”</p>
<p>Dihao Zhou: “Textual Corrosion and Corrosive Text: the Crisis of Socialism and Science Fiction.”</p>
<p><strong>1:30-3:00</strong></p>
<p><strong>Panel C (1): Post-humanism, eco-criticism, and new directions in media and film studies </strong><br />
<strong>Chair: Professor Jie Li, Harvard University</strong></p>
<p>Cheng Li: “Planting Socialist Nature: The Discourse of Trees in Early Socialist China.”</p>
<p>Yedong Chen: “<em>Mid-autumn</em>: The Untold Story of Stanislavsky Coming to Yan’an.”</p>
<p>Peng Hai: “Probing Environmental Justice in China: <em>Plastic China </em>and the Visuality of Unimagined Communities.”</p>
<p>Kyle Shernuk: “Ethnicized Ecologies: DV filmmaking against the Capitalocene”</p>
<p><strong>3:30-5:00</strong></p>
<p><strong>Panel C (2): Post-humanism, eco-criticism, and new directions in media and film studies</strong><br />
<strong>Chair: Professor Jing Tsu, Yale University</strong></p>
<p>Jannis Jizhou Chen: “Affective Objects (<em>Qingwu lun</em>): Critical Theory in a Comparative Framework.”</p>
<p>Dingru Huang: “Of Machine, Mule, and Man: Qiu Dongping and the Ecologies of Wartime China.”</p>
<p>Huanruo Wang: “Tell China’s Story Well: Observations and Reflections from Fieldwork in Documentary Filmmaking.”</p>
<p>Posted by: Hang Tu <<a href="mailto:hangtu@g.harvard.edu">hangtu@g.harvard.edu</a>></p>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on February 25, 2019 </div>
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