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                                                        <h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2018/04/16/cross-currents-26/" target="_blank">Cross-Currents 26</a></h3>
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                                                                                                                                        <p>New China-Related Content: <em>Cross-Currents: East Asian History and Culture Review</em> (<a href="https://cross-currents.berkeley.edu/e-journal/issue-25">March 2018 online issue</a>): <u><a href="https://cross-currents.berkeley.edu/e-journal/issue-26">March 2018 e-Journal (No. 26)</a></u></p>
<p><u><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/note-readers">Co-editors’ Note to Readers</a></u></p>
<p><strong><u>Articles</u></strong></p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/kubler">Imagining China’s Children: Lower-Elementary Reading Primers and the Reconstruction of Chinese Childhood, 1945–1951</a><br />
Carl Kubler, University of Chicago</p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/smith">Japanese Modernism at a “Branch Point”: On the Museum of Modern Art, Hayama’s <em>1937</em> Exhibition</a><br />
Kevin Michael Smith, University of California, Davis</p>
<p><strong><u>Review Essays</u></strong></p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/brown">Transcultural, Resistant, Everyday: New Photographic Histories of China and Japan</a><br />
Shana J. Brown, University of Hawai‘i, Mānoa<br />
Luke Gartlan and Roberta Wue, eds. <em>Portraiture and Early Studio Photography in China and Japan</em>. New York: Routledge, 2017.<br />
David Odo. <em>The Journey of “A Good Type”: From Artistry to Ethnography in Early Japanese Studies</em>. Cambridge, MA: Peabody Museum Press, Harvard University, 2015.<br />
Kerry Ross. <em>Photography for Everyone: The Cultural Lives of Cameras and Consumers in Early Twentieth-Century Japan</em>. Stanford, CA: Stanford University Press, 2015.</p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/kim">Fighting Mothers, Suffering Mothers: Wartime Mixed Media and Postwar Female Cinematic Icons</a><br />
Kyu Hyun Kim, University of California, Davis<br />
Hikari Hori. <em>Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926–1945.</em> Ithaca, NY: Cornell University Press, 2018.<br />
Jennifer Coates. <em>Making Icons: Repetition and the Female Image in Japanese Cinema, 1945–1964.</em> Hong Kong: Hong Kong University Press, 2017.</p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/nelson">Medicinal Meditations on Korean History and Society</a><br />
Laura C. Nelson, University of California, Berkeley<br />
Soyoung Suh. <em>Naming the Local: Medicine, Language, and Identity in Korea since the Fifteenth Century.</em> Cambridge, MA: Harvard University Press, 2017. Eunjung Kim. <em>Curative Violence: Rehabilitating Disability, Gender, and Sexuality in Modern Korea.</em> Durham, NC: Duke University Press, 2017.</p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/woodworth">Where Is the City? Excavating Modern Beijing and Shanghai in Textual and Visual Cultures</a><br />
Max D. Woodworth, Ohio State University<br />
William Schaefer. <em>Shadow Modernism: Photography, Writing, and Space in Shanghai, 1925–1937. </em>Durham, NC: Duke University Press, 2017.<br />
Weijie Song. <em>Mapping Modern Beijing: Space, Emotion, Literary Topography. </em>Oxford: Oxford University Press, 2017.</p>
<p><strong><u>Photo Essay</u></strong></p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/curator">Students of the Nation: Images of the Nationalizing Chinese Child</a><br />
Curated by Carl Kubler, University of Chicago</p>
<p><strong><u>Readings from Asia</u></strong></p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/readings-asia">The Problem of Studying East Asia from the Perspective of One Nation: A Critical Examination of Fuma Susumu’s <em>Chōsen enkōshi to Chōsen tsūshinshi</em></a><br />
Hyowon Lee, Sungkyunkwan University</p>
<p>Fuma Susumu 夫馬 進. <em>Chōsen enkōshi to Chōsen tsūshinshi </em>朝鮮燕行使と朝鮮通信使 [Korean embassies to Beijing and Korean embassies to Japan]. Nagoya-shi: Nagoya Daigaku Shuppankai, 2015.</p>
<p><a href="https://cross-currents.berkeley.edu/e-journal/issue-26/readings-asia">Comments on Ge Zhaoguang’s Reading of the <em>Y</em><em>ŏ</em><em>nhaeng-nok </em>(Journeys to Beijing)</a><br />
Wen-hsin Yeh, University of California, Berkeley<br />
Ge Zhaoguang 葛兆光. <em>Xiangxiang yiyu: Du Lichao Chaoxian hanwen Yanxing wenxian zhaji </em>葛兆光,想象异域:读李朝朝鲜韩文燕行文献札记 [Imagining a foreign place: Notes on Korean Yi-dynasty Beijing journals in classical Chinese]. Beijing: Zhonghua shuju, 2014.</p>
<p>Keila Diehl, Ph.D.<br />
Managing Editor<br />
<em>Cross-Currents: East Asian History and Culture Review</em><br />
Institute of East Asian Studies<br />
UC Berkeley<br />
1995 University Avenue #510H<br />
Berkeley, CA 94704-2318<br />
<a href="http://cross-currents.berkeley.edu/">http://cross-currents.berkeley.edu</a><br />
<a href="https://www.facebook.com/crosscurrentsjournal">https://www.facebook.com/crosscurrentsjournal</a></p>
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                                                        by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on April 16, 2018                                               </div>
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