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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2017/12/18/vol-29-no-2-of-mclc/" target="_blank">Vol. 29, no. 2 of MCLC</a></h3>
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<p><a href="http://u.osu.edu/mclc/files/2017/12/mclc29.2-1ornfov.jpeg"><img style="max-width:100%" class=" wp-image-23399 alignleft" src="http://u.osu.edu/mclc/files/2017/12/mclc29.2-1ornfov-281x300.jpeg" alt="" /></a>We are pleased to announce publication of <em>Modern Chinese Literature and Culture</em>, volume 29, number 2 (Fall 2017). Find a table of contents for the issue below, along with links to abstracts. For those of you who are subscribers, you should be receiving your copy in the next couple of weeks. For those of you who would like to subscribe or to purchase single copies of this issue, please contact my (new) assistant Mario De Grandis (<a href="mailto:mclc@osu.edu">mclc@osu.edu</a>). We greatly appreciate the support you show for MCLC through your subscriptions. Back issues of <em>MCLC</em>, with a two-year lag, are <a href="http://www.jstor.org/journal/modechinlitecult">available through JSTOR</a>. Seeing as it is the season of giving, if anyone is in a giving mood, please consider <a href="https://www.giveto.osu.edu/makeagift/OnlineGivingDonation.aspx?Source_Code=WA&Fund=301588">donating to MCLC</a>. Enjoy the new issue.</p>
<p>Kirk Denton, editor</p>
<p><strong>Volume 29, Number 2 (Fall 2017)</strong></p>
<p>Articles</p>
<ul>
<li>Editor’s Note</li>
<li><a href="http://u.osu.edu/mclc/journal/abstracts/healey/"><i>Estranging Realism in Chinese Science Fiction: Hybridity and Environmentalism in Chen Qiufan’s </i>The Waste Tide</a><br />
Cara Healey</li>
<li><a href="http://u.osu.edu/mclc/journal/abstracts/yanjiewang/"><i>Ghostly Haunting and Moral Interrogation in Wang Xiaoshuai’s </i>Red Amnesia</a><br />
Yanjie Wang</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/moller-olsen/">Fictional Dictionaries: Power and Philosophy of Language in Contemporary Chinese Fiction</a></i><br />
Astrid Møller-Olsen</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/henningsen/">What Is a Reader? Participation and Intertextuality in Hand-Copied Entertainment Fiction from the Chinese Cultural Revolution</a> </i><br />
Lena Henningsen</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/du-3/">Pursuing the Special Agent—Adaptation of Mao Dun’s Fushi and the Politics of Representing Espionage </a></i><br />
Ying Du</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/mullaney/">Quote Unquote Language Reform: New-Style Punctuation and the Horizontalization of Chinese</a><br />
</i>Thomas S. Mullaney</li>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on December 18, 2017 </div>
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