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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2016/11/02/vol-28-no-2-of-mclc-2/" target="_blank">Vol. 28, no. 2 of MCLC</a></h3>
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<p><em><a href="http://u.osu.edu/mclc/files/2016/11/mclc28.2-2h6d41d.jpg" rel="attachment wp-att-17277"><img style="max-width:100%" class="wp-image-17277 alignleft" src="http://u.osu.edu/mclc/files/2016/11/mclc28.2-2h6d41d-300x296.jpg" alt="mclc28-2" /></a>MCLC</em> is pleased to announce the imminent publication of vol. 28, no. 2 (Fall 2016). Find below the table of contents, with links to abstracts. For those of you who are subscribers, you should be receiving your copy within the next few weeks. If you have any questions about your subscription, please contact SHI Jia, my assistant, at <a href="mailto:mclc@osu.edu"><span class="s1"><a href="mailto:mclc@osu.edu">mclc@osu.edu</a></span></a>. We rely on subscriptions for our survival, so please keep your subscription up to date! Shi Jia will also handle new subscriptions, which we welcome. A reminder that essays from back issues of <em>MCLC</em>, with a two-year lag, are available in pdf through JSTOR:</p>
<p class="p2"><span class="s2"><a href="http://www.jstor.org/journal/modechinlitecult">http://www.jstor.org/journal/modechinlitecult</a></span></p>
<p class="p1">Kirk Denton, editor</p>
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<p><strong><a href="http://u.osu.edu/mclc/journal/current-issue/">Volume 28, Number 2 (Fall 2016)</a></strong></p>
<p>Articles</p>
<ul>
<li>Editor’s Note</li>
<li><a href="http://u.osu.edu/mclc/journal/abstracts/sibau/"><i>Portrait of the Artist as a Schoolboy: Bao Tianxiao’s Creative Interventions in </i>Little Xin’s School Journal</a><br />
Maria Franca Sibau</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/qianliu/">The Making of Transcultural Lyricism in Su Manshu’s Fiction</a></i><br />
Jane Qian Liu</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/shaohuaguo/">The Appeal of Style: Han Han and Microcultural Contention in Digital China</a></i><br />
Shaohua Guo</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/wenjincui/">The “Symbol of Angst” and the Poetics of Remembrance: Lu Xun and Chinese Literary Modernity</a> </i><br />
Wenjin Cui</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/sterk/">The Apotheosis of Montage: The Videomosaic Gaze of </a></i><a href="http://u.osu.edu/mclc/journal/abstracts/sterk/">The Man with the Compound Eyes</a><i><a href="http://u.osu.edu/mclc/journal/abstracts/sterk/"> as Postmodern Ecological Sublime</a> </i><br />
Darryl Sterk</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/zuyanzhou/">Dao and Reconstruction of Cultural Identity in Contemporary Chinese Literary and Mass Media Products</a> </i><br />
Zuyan Zhou</li>
<li><i><a href="http://u.osu.edu/mclc/journal/abstracts/yijuhuang/">A Buddhist Perspective: Trauma and Reincarnation in Mo Yan’s </a></i><a href="http://u.osu.edu/mclc/journal/abstracts/yijuhuang/">Life and Death Are Wearing Me Out</a><i> </i><br />
Yiju Huang</li>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on November 2, 2016 </div>
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