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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2016/03/21/ming-qing-studies-2017-cfp/" target="_blank">Ming Qing Studies 2017–cfp</a></h3>
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<p><strong><em>Ming Qing Studies 2017</em></strong><br />
<strong>Call for Papers</strong><br />
edited by <strong>Paolo Santangelo </strong>(Sapienza University of Rome)</p>
<p>We are glad to inform you that the new edition of <strong><em>Ming Qing Studies 2016 </em></strong>is going to be published by Aracne Publishers in Fall 2016 (see contents below).</p>
<p>Applicants are encouraged to submit abstracts for the next issue of <strong><em>Ming Qing Studies 2017</em></strong>. The contributions should concern Ming-Qing China in one or few of its most significant and multifaceted aspects, as well as on East Asian countries covering the same time period. All articles will be examined by our qualified peer reviewers. We welcome creative and fresh approaches to the field of Asian studies. Particularly appreciated will be the contributions on anthropological and social history, collective imagery, and interdisciplinary approaches to the Asian cultural studies. All submitted papers must be original and in good British English style according to our guidelines and editorial rules. Please email an abstract of the article you will submit us (300-500 words, plus a basic bibliography) in MS Word or pdf attachments along with your biographical information to the addresses listed below. Please mention your full name with academic title, university affiliation, department or home institution, title of paper and contact details in your email.</p>
<p><strong>Deadline </strong>for the abstract and bibliographical notes: <strong>June 31<sup>st</sup>, 2016. </strong><br />
<strong>Deadline </strong>for the article: <strong>December 31<sup>st</sup>, 2016.</strong></p>
<p><strong><em>Ming Qing Studies</em></strong> is a yearly publication, both on line and in printed form, which continues the positive experience of <em>Ming Qing Yanjiu </em>edited by Paolo Santangelo. Thanks to the cooperation of several scholars settled in Italy and abroad, it intends to widen the debate on the historical and cultural issues of late imperial China as well as pre-modern and modern East Asia. Although this publication focuses on late imperial China, its scope is broadened to the whole East Asia area, with its new cultural and anthropological features which are manifested in this fundamental period of transition from local to global history.</p>
<p>Please find the <strong>editorial norms</strong> and more information on <em>Ming Qing Studies</em> past issues at<br />
<a href="https://sites.google.com/site/mqsweb/home">https://sites.google.com/site/mqsweb/home</a>.</p>
<p><strong>Contacts</strong><br />
Prof. Paolo Santangelo (<a href="mailto:paolo.santangelo@uniroma1.it">paolo.santangelo@uniroma1.it</a>)<br />
Dr. M.Paola Culeddu (<a href="mailto:paola.culeddu@uniroma1.it">paola.culeddu@uniroma1.it</a><u>)</u><br />
Dr. Tommaso Previato (<a href="mailto:tpreviato@mail.ihp.sinica.edu.tw">tpreviato@mail.ihp.sinica.edu.tw</a>)</p>
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<td><strong>Ming Qing Studies 2016</strong></td>
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<td colspan="2" width="167"><strong>CONTENTS</strong></td>
<td colspan="2" width="280"><strong> </strong></td>
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<td colspan="2" width="167"><strong>Paolo Santangelo </strong></td>
<td colspan="2" width="280">Preface</td>
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<td colspan="2" width="167"><strong>Loredana Cesarino</strong></td>
<td colspan="2" width="280">The Tang Courtesan of Pingkang (平康妓) in Ming and Qing Sources.</td>
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<td colspan="2" width="167"><strong>Dandan Chen </strong>陈丹丹</td>
<td colspan="2" width="280">The Literary Expression of the Self during the Ming-Qing Transition.</td>
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<td colspan="2" width="167"><strong>Yufang Chen</strong> 陈玉芳</td>
<td colspan="2" width="280">What was tolerated? The Reinterpretation of the <em>Edict of Toleration</em> of 1692.</td>
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<td colspan="2" width="167"><strong>Sarah Dodd</strong></td>
<td colspan="2" width="280">Explorations of Desire: Monsters, Horror and Enchantment in Pu Songling’s <em>Liaozhai Zhiyi</em>.</td>
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<td colspan="2" width="167"><strong>Li-ling Hsiao </strong>蕭麗玲</td>
<td colspan="2" width="280">Picturing Music: Min Qiji’s Illustration of “Yingying Listens to Zither” for <em>Xixiang Ji</em>.</td>
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<td colspan="2" width="167"><strong>Gaia Perini</strong></td>
<td colspan="2" width="280">‘Angels of Vengeance’: the Influence of Russian Anarchist and Nihilist Movement on the Chinese Revolutionary Discourse during the Last Decade of the Qing Dynasty.</td>
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<td colspan="2" width="167"><strong>Winnie Wai Tsui </strong>徐瑋</p>
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<td colspan="2" width="280">Literary Reactions to the Taiping 太平Rebellion (1853-1864): A Study of the Poetry of Jiang Chunlin 蔣春霖 (1818-1868)</td>
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<td colspan="2" width="167"><strong>I-Hsien Wu </strong>吳逸仙</td>
<td colspan="2" width="280">Picturing Lin Daiyu: Honglou meng Across Media.</td>
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<td colspan="2" width="167"><strong>Chunlam Yiu </strong>姚春琳</td>
<td colspan="2" width="280">The Concept of <em>Qing</em> in <em>Honglou Meng</em>, (Part 1) - Historical Inheritance.</td>
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<td colspan="2" width="167"><strong>Zemian Zheng</strong> 鄭澤綿</p>
<p><strong> </strong></td>
<td colspan="2" width="280">Thinking through the Heart of a Child: Luo Jinxi on Body and Ritual.</td>
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<td colspan="2" width="167"><strong>NOTES and DISCUSSIONS</strong></td>
<td colspan="2" width="280"><strong> </strong></td>
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<td colspan="2" width="167"><strong>Anna Di Toro</strong></td>
<td colspan="2" width="280">The Socio-cultural Interaction between Russia and China in the 17<sup>th</sup> - early 20<sup>th</sup> Centuries. Some Observations Inspired by a Monograph by Nikolaj Samojlov.</td>
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<td colspan="2" width="167"><strong>REVIEWS</strong></td>
<td colspan="2" width="280"><strong> </strong></td>
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<td colspan="2" width="167"><strong>Marco Meccarelli </strong></p>
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<td colspan="2" width="280">Petra Ten-Doesschate Chu and Ning Ding, eds. (2015) <em>Qing Encounters: Artistic Exchanges between China and the West</em>, Los Angeles: Getty Research Institute. ISBN 978-1-60606-457-3. VII-XXI + 320 pages, 68 color and 45 b/w illustrations. Review by Marco Meccarelli.</td>
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<td width="163"><strong>Hang Lin </strong>林航</p>
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<p><strong>Daniele Brombal </strong></p>
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<td colspan="2" width="274">Pierson Stacey (2014), <em>From Object to Concept: Global Consumption and the Transformation of Ming Porcelain</em>, Hong Kong: Hong Kong University Press. ISBN 9789888139835. xv + 169 pp. Review by Hang Lin.</p>
<p>Tommaso Previato, ed. (2016), <em>Moving Across Borders in China: Interdisciplinary Approaches to the Study of Cultural Diversity in Marginal Areas</em>, Rome: Aracne Editrice (Asia Orientale Series). Review by Daniele Brombal.</td>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on March 21, 2016 </div>
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