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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2015/08/03/clear-vol-36/" target="_blank">CLEAR vol. 36</a></h3>
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<p><strong>Chinese Literature: Essays, Articles, Review</strong><br />
Vol 36 (Dec. 2014)</p>
<p><a href="http://www.chineselit.com/">http://www.chineselit.com/</a></p>
<p>ARTICLES</p>
<p>Forbidden Imaginations: Three Chinese Narratives on Mother-Son Incest<br />
Author: Lee, Tong King</p>
<p>The Sacred and the Cannibalistic: Zhou Zuoren's Critique of Violence in Modern China<br />
Author: Li, Tonglu</p>
<p>The Aesthetic versus the Political: Lin Huiyin and Modern Beijing<br />
Author: Song, Weijie</p>
<p>From Amused Indulgence to Serious Instruction: Chinese Poetry on Girlhood<br />
Author: Chengjuan, Sun</p>
<p>Creation and Transmission: Eileen Chang and <em>Sing-song Girls of Shanghai</em><br />
Author: Wang, Xiaojue</p>
<p>From <em>Zuozhuan</em> to <em>Shiji</em>: Changes in Gender Representation in Sima Qian's Rewriting of Stories<br />
Author: Xiucai, Zheng</p>
<p>Revolution and Continuity in Guo Moruo's Representations of <em>Qu Yuan</em><br />
Author: Zikpi, Monica E. M</p>
<p>BOOK REVIEWS</p>
<p><em>Rhapsody in Black</em>, by Jidi Maijia, tr. by Denis Mair<br />
Author: Bender, Mark</p>
<p><em>Escape from Blood Pond Hell: The Tales of Mulian and Woman Huang</em>, tr. and introduced by Beata Grant and Wilt L. Idema<br />
Author: Bryson, Megan</p>
<p><em>From the Old Country: Stories and Sketches of China and Taiwan</em>, by Zhong Lihe, Tr. by T. M. McClellan<br />
Author: Chen, Lingchei Letty</p>
<p><em>Modern Poetry in China: A Visual-Verbal Dynamic</em>, by Paul Manfredi<br />
Author: Crespi, John</p>
<p><em>Modern Archaics: Continuity and Innovation in the Chinese Lyric Tradition, 1900-1937</em>, by Shengqing Wu<br />
Author: Green, Frederik</p>
<p><em>
Sinophone Studies: A Critical Reader</em>, ed. by Shu-mei Shih, Chien-hsin Tsai, and Brian Bernards<br />
Author: Klein, Lucas</p>
<p><em>The Chinese Prose Poem: A Study of Lu Xun's Wild Grass (Yecao)</em>, by Nicholas Kaldis<br />
Author: von Kowallis, Jon Eugene</p>
<p><em>Ming Erotic Novellas: Genre, Consumption and Religiosity in Cultural Practice</em>, by Richard G. Wang<br />
Author: Liu, Chiung-yun Evelyn</p>
<p><em>Critics and Commentators: The Book of Poems as Classic and Literature</em>, by Bruce Rusk<br />
Author: Middendorf, Ulrike</p>
<p><em>Lin Shu, Inc. Translation and the Making of Modern Chinese Culture</em>, by Michael Hill<br />
Author: Neather, Robert</p>
<p><em>
Every Rock a Universe: The Yellow Mountains and Chinese Travel Writing; Including A Record of Comprehending the Essentials of the Yellow Mountains</em>, by Jonathan Chaves<br />
Author: Schneider, David K</p>
<p><em>Sinophone Malaysia Literature: Not Made in China</em>, by Alison M. Groppe<br />
Author: Wang, Andy</p>
<p><em>Literary Remains: Death, Trauma, and Lu Xun's Refusal to Mourn</em>, by Eileen J. Cheng<br />
Author: Xu, Hangping</p>
<p><em>Modernity with a Cold War Face: Reimagining the Nation in Chinese Literature Across the 1949 Divide</em>, by Xiaojue Wang<br />
Author: Li, Jie</p>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on August 3, 2015 </div>
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