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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2015/07/31/chinoperl-34-1/" target="_blank">Chinoperl 34.1</a></h3>
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<p><strong>CHINOPERL</strong><br />
Volume: 34, Number: 1 (July 2015)<br />
------------------------------------------------------------------------<br />
The issue is now available online at:<br />
<a href="http://www.maneyonline.com/toc/chi/34/1?ai=sf&ui=2ujy&af=T">http://www.maneyonline.com/toc/chi/34/1?ai=sf&ui=2ujy&af=T</a></p>
<p>------------------------------------------------------------------------<br />
Dream, Drama, Metadrama: Tang Xianzu and/in Jiang Shiquan's Linchuan<br />
meng (Dreams of Linchuan)<br />
Qiancheng Li<br />
CHINOPERL, Vol. 34, No. 1: 1-21.<br />
------------------------------------------------------------------------<br />
Teaching AMERICAN Students the “Essence” of Chinese Theatre at the<br />
National Academy of Chinese Theatre Arts (Zhongguo xiqu xueyuan)<br />
Rose Jang<br />
CHINOPERL, Vol. 34, No. 1: 22-40.<br />
------------------------------------------------------------------------<br />
A Report on the Sixth International Nanxi (Southern Drama) Conference<br />
Josh Stenberg<br />
CHINOPERL, Vol. 34, No. 1: 41-45.<br />
----------------------------------------------------------------------<br />
The Touring Canteen: Notes from the 2014 European Tour of the Quanzhou<br />
Liyuan Theatre<br />
Josh Stenberg<br />
CHINOPERL, Vol. 34, No. 1: 46-56.<br />
------------------------------------------------------------------------<br />
Book Reviews<br />
Kimberly A. Besio<br />
CHINOPERL, Vol. 34, No. 1: 57-72.<br />
------------------------------------------------------------------------<br />
Performance Review: The American Conservatory Theater/La Jolla<br />
Playhouse Co-Production of The Orphan of Zhao<br />
Cathryn Fairlee<br />
CHINOPERL, Vol. 34, No. 1: 73-77.<br />
------------------------------------------------------------------------<br />
Liu Zengfu as One of the Last Connoisseurs of Jingju (Peking Opera)<br />
XU Peng<br />
CHINOPERL, Vol. 34, No. 1: 78-80.<br />
------------------------------------------------------------------------</p>
<p>The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression. Find out more at <a href="http://www.maneyonline.com/chi" rel="nofollow">http://www.maneyonline.com/chi</a>.</p>
<p>To be automatically notified when a new issue of CHINOPERL is published, simply sign up for table of contents alerts:<br />
<a href="http://www.maneyonline.com/action/doUpdateAlertSettings?action=addJournal&journalCode=chi" rel="nofollow">http://www.maneyonline.com/action/doUpdateAlertSettings?action=addJournal&journalCode=chi</a></p>
<p>Kind regards,<br />
Rosie Paley<br />
Maney Publishing</p>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on July 31, 2015 </div>
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