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<h3 style="margin-top:0;"><a style="font-weight: 500; font-size: 21px;line-height: 30px; margin-top:25px; margin-bottom: 10px;" href="http://u.osu.edu/mclc/2014/11/22/beijingdusseldorf-art-exhibition/" target="_blank">Beijing/Dusseldorf art exhibition</a></h3>
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<p><b>Exhibition in Beijing and Düsseldorf:</b><br />
<b>展览在北京与杜塞尔多夫：</b><br />
<b>Ausstellung in Beijing und Düsseldorf:</b></p>
<p><b></b><b>Out of the Fence – Connected in Parallel 护栏——并联</b></p>
<p>Dear friends and comrades,</p>
<p>We are proud to announce our upcoming exhibition in Beijing and Düsseldorf.<br />
We will be delighted if you come and join us.</p>
<p><b>Artists</b></p>
<p>Zhang Xinjun 张新军, *1983 Zhengzhou/ Henan 河南郑州<br />
Zhai Liang 翟倞, *1983 Houma/ Shanxi 山西侯马<br />
He Jian 何健, *1980 Beijing 北京</p>
<p>Curated by Stefanie Thiedig</p>
<p><b>Beijing</b></p>
<p>Nov-30–Dec-7-2014<br />
Opening: Nov-30-2014, 4pm – artists present<br />
Talk: Dec-7, 4pm – artists present<br />
@Black Sesame Space 黑芝麻空间<br />
Heizhima Hutong 13, Dongcheng District, Beijing<br />
北京市东城区黑芝麻胡同13号</p>
<p>With the support for Beijing of Goethe-Institut (China).</p>
<p><b>Düsseldorf</b></p>
<p>Jan-16–Feb-25-2015<br />
Opening: Jan-16-2014, 4pm – curator present<br />
@Galerie Philine Cremer<br />
Ackerstraße 23, Düsseldorf</p>
<p><b>Out of the Fence 护栏</b></p>
<p>In order to order population, fences are showing up massively on the streets and sideways of Beijing. It appears almost lunatic. Lunacy of constructing of structuring of regulating. Navigating the masses. Are we inside or outside the zoo gates?</p>
<p>Representing an enclosure of a piece of land in the West, fences in China regulate the masses and guide the people. Crowd coping seems only necessary in exceptional cases in the West – it is the daily card in China. Are fences restraints, borders, barriers? Do they offer security or seclusion or confrontation, are they possibly conquerable? How do we live inside them?</p>
<p><b>Connected in Parallel 并联</b></p>
<p>How do we find, create and use the personal space inside the given and limited aisles? Our three artists are guided by all kind of fences on their ways, but they are also connected by fences and at the same time divided – connected in parallel. Inside these fences, they have their personal on and off buttons, with which they can switch and witch how they like. In this exhibition they are showing us their own paths …</p>
<p>We are very much looking forward to seeing you.</p>
<p>All the best regards,</p>
<p>Stefanie Thiedig.</p>
<p>中文版</p>
<p>亲爱的朋友们与同伴们，<br />
今天到这个杰出优秀的圈子里来通知的动机就是我们的展览在北京与杜塞尔多夫。</p>
<p><b>艺术家</b></p>
<p>张新军，1983年生于河南郑州<br />
翟倞，1983年生于山西侯马<br />
何健，1980年生于北京</p>
<p>策展人：由甲</p>
<p><b>北京</b></p>
<p>2014年11月30日——12月7日<br />
开幕式：11月30日，下午4点钟——艺术家将出席<br />
论坛：12月7日，下午4点钟——艺术家将出席<br />
@Black Sesame Space 黑芝麻空间<br />
北京市东城区黑芝麻胡同13号</p>
<p>赞助北京：歌德学院（中国）</p>
<p><b>杜塞尔多夫</b></p>
<p>2015年1月16日到2月25日<br />
开幕式：1月16日，下午4点钟——策展人将出席<br />
@Galerie Philine Cremer<br />
Ackerstraße 23, Düsseldorf</p>
<p><b>Out of the Fence 护栏</b></p>
<p>北京的街头巷尾，无论是人行道上还是马路上，到处竖立着分离和引导人群用的护栏！护栏从功能上等同于警示。警示有很多种，有建筑工地的警示、 秩序警示以及对人群的控制。我们身在何处，是在动物园的栅栏以内还是以外呢？</p>
<p>西方的区域秩序的维护到了中国变成了对人群的引导和控制。在西方，通常只用于特殊场合的一种对群众的控制，到了中国，变成了家常便饭。护栏、 强制和界限意 味着障碍吗？护栏、强制和界限会给我们带来安全吗、还是会导致隔绝甚至是反抗？人们可以克服护栏吗？我们怎么生活在充满护栏的一个世界里？</p>
<p><b>Connected in Parallel 并联</b></p>
<p>这里涉及到的问题是，在业已存在并标明的路径中创造属于个人的自由空间并让它为自己服务。三位参展艺术家分别走着自己的路，这些路被充满各种 可能性的护栏 引导着伸向远方，他们三人彼此由护栏联系在一起，却又同时处于分离的状态。在这些围栏的范围内，他们依靠自己的开关，主动地决定自己与外部世 界建立或中止 联系。</p>
<p>附件能找到我们北京的海报。</p>
<p>我们期待着您的拜访！</p>
<p>祝你们都好，</p>
<p>由甲。</p>
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by <a href="mailto:denton.2@osu.edu">denton.2@osu.edu</a> on November 22, 2014 </div>
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