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<div>MCLC LIST</div>
<div>From: James A. Flath <<a href="mailto:jflath@uwo.ca">jflath@uwo.ca</a>></div>
<div>Subject: Boris Riftin <i>i</i><i>n memoriam </i></div>
<div>***********************************************************</div>
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<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Boris Riftin
</span></font></font><i><span lang="EN-GB"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">in memoriam</span></font></font></span></i></p>
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</span></font></p>
<p class="MsoNormal" style="line-height:150%"><i><span lang="EN-GB"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><span class="Apple-style-span" style="font-family: 'Times New Roman', sans-serif; font-size: 16px; font-style: normal; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Boris
L’vovič Riftin (7. 9. 1932 – 3. 10. 2012), known to many as Li Fuqing </span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">李福清</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
will be remembered as a pioneer in the study of Chinese popular literature, folklore and visual culture.</span></font></font></span></span></font></font></span></i></p>
<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri,sans-serif" size="4"><span class="Apple-style-span" style="font-size: 14px;"><br>
</span></font></p>
<p class="MsoNormal" style="line-height:150%"><i><span lang="EN-GB"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><span class="Apple-style-span" style="font-family: 'Times New Roman', sans-serif; font-size: 16px; font-style: normal; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Boris
Riftin began his studies at Leningrad University in 1950, and spent the summer of that year with a Dungan (Chinese Muslim) family in Kazahkstan. The family had fled China during the Qing dynasty, but in retaining their language and traditions were able to
entertain their Russian guest with songs and tales of the Three Kingdoms hero Zhuge Liang. Riftin recorded these tales in Cyrillic, and on returning to Leningrad he furthered his study of Chinese and Eastern Mongol tales and epos under the guidance of the
folklorist Vladimir Ya. Propp (1895-1970). [i]</span></font></font></span></span></font></font></span></i></p>
<p class="MsoNormal" style="line-height:150%"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></p>
<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">After his initial visit to China in 1958 Riftin published his first monograph,
</span></font></font><i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Сказание о Bеликой стене и проблема жанра в китайском фольклоре</span></font></font></span></i><i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></span></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">The
Tale of the Red Cliff and the Problems Concerning the Genre in Chinese Folklore</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">] (</span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Мoscow,
1961).</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> He subsequently defended his doctoral thesis on the written and oral versions of
the Three Kingdoms cycle, which was published in Russian as </span></font></font><i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Историческая эпопея
и фольклорная традиция в Китае. Устные и книжные версии Троецарствия</span></font></font></span></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Historical Epos and Popular Tradition in China. Oral and Written Versions of
</span></font></font></i></span><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Romance of the
</span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Three Kingdoms</span></font></font></span></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">],
(Мoscow, 1970)</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">, and later in Chinese as
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Sanguo yanyi yu minjian wenxue chuantong
</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">三國演義與民間文學傳統</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Romance of the Three Kingdoms and the Tradition of Popular Literature</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">],
(Shanghai, 1997). In the meantime Riftin continued his research on oral-derived popular stories, spending a year at Peking University (1965/66), and building the foundation for his many later works such as ‘Zhuge Liang chuanshuo chutan
</span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">諸葛亮傳説初探</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">’
[‘Initial Research on the Zhuge Liang Legend’] in Christina Neder et al. eds. </span>
</font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">China and her Biographical Dimensions. Commemorative Essays for Helmut Martin.
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Wiesbaden, 2001); and in
</span></font></font><i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">От мифа к роману. Эволюция изображения персонажа в китайской литературе
</span></font></font></span></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">From
Myth to Novel. Evolution of a Character</span></font></font></i></span><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">’</span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">s
Portrayal in Chinese Literature</span></font></font></span></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">], (Мoscow, 1979).</span></font></font></span><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></span><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></span></p>
<p class="Default" style="line-height:150%"><span lang="EN-GB" style="color:windowtext;
mso-ansi-language:EN-GB"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></span></p>
<p class="Default" style="line-height:150%"><span lang="EN-GB" style="color:windowtext;mso-ansi-language:EN-GB"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">In
the 1990s, Riftin taught for more than five years </span></font></font></span><span style="color:windowtext;mso-ansi-language:EN-US"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">at
Tsing-hua University on Taiwan, where he gained valuable contacts with Western sinologists, including the eminent scholar of Chinese storytelling Vibeke
</span></font></font></span><span lang="CS" style="color:windowtext"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Børdahl</span></font></font></span><span style="color:windowtext;
mso-ansi-language:EN-US"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">.
Riftin took part in the conferences she later organized and contributed to the resulting volumes
</span></font></font></span><i><span lang="CS" style="line-height: 150%; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">The Eternal Storyteller: Oral Literature
in Modern China </span></font></font></span></i><span lang="CS" style="line-height: 150%; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(</span></font></font></span><span lang="CS" style="line-height: 150%; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Richmond,
Surrey, 1999)</span></font></font></span><span style="color:windowtext;mso-ansi-language:EN-US"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">, and</span></font></font></span><span style="color:windowtext"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font><i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">The Interplay of the Oral and the Written in Chinese Popular Literature
</span></font></font></span></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(</span></font></font></span><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Copenhagen,
2010). </span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></span></span></p>
<p class="MsoNormal" style="line-height:150%"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></p>
<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Riftin’s work has appeared also in English and German, but he published
more extensively in Chinese, including </span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Zhongguo shenhua gushi lunji
</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">中國神話故事論集</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Collected Discussions on Chinese Fairy Stories</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">],
(Beijing, 1987; and Taibei, 1991); </span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Zhongguo gudian wenxue yanjiu zai Sulian</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">中國古典文學在蘇聯</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Research on Ancient Chinese Literature in the Soviet Union</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">],</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(Beijing, 1988; and Taibei, 1991),
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Hanwen gu xiaoshuo lunheng
</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">漢文古小説論衡</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Essays on Ancient Chinese Novels</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(Nanjing, 1992);
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Li Fuqing lun Zhongguo gudian xiaoshuo </span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">李福清論中國古典小説</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Li Fuqing (Riftin) Discusses Ancient Novels of China</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Taibei, 1997),
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Cong shenhua dao guihua:Taiwan yuanzhumin shenhua gushi bijiao yanjiu
</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">從神話到鬼話</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">:
</span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">臺灣原住民神話故事比較研究</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">From Fairy Stories to Ghost Stories: Comparative Research on Taiwanese Aboriginal Fairy Stories</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Taibei, 1998), etc. [ii]</span></font></font></p>
<p class="MsoNormal" style="line-height:150%"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></p>
<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">In the profusely illustrated
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Guangong chuanshuo yu Sanguo yanyi </span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">関公傳説與三國演義</span></font></font></span><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Legends
of Guangong and Romance of the Three Kingdoms</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(Taibei, 1997;</span></font></font><span style="line-height: 150%; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
1999</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">), he indulged his interest in using folk woodblock prints as one of the key sources
in the study of popular literature. These folk prints, often referred to as ‘new year pictures’ (</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">nianhua
</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">年畫</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">),
became his main preoccupation later in life.[iii]</span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> Riftin had been introduced to these works by
another of his mentors, V. M. Alekseev (1881-1951), who had assembled a large collection of these prints in China before they fell out of production and nearly disappeared in the early 20</span></font></font><sup><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">th</span></font></font></sup><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
century. Although Alekseev never published extensively on the subject, Riftin was involved in a project that published his notes posthumously as</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
Китайская народная картина </span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Chinese
Folk Prints: Spiritual Life of China in Old Images</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(Moscow, 1966). Having enjoyed access to these and other print collections in Russia, Riftin
wouldemerge as one of the world’s leading experts in the field of popular wood-block print. He was the pivotal force in publishing, together with Wang Shucun
</span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">王樹村</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
and Liu Yushan </span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">劉玉山</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
the rare Chinese New Year prints collected in the Soviet Union as </span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Sulian cang Zhongguo minjian
nianhua zhenpin ji </span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">蘇聯藏中國民間年畫珍品集</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Selected Chinese Folk Prints Collected in the Soviet Union</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
(Beijing, 1989). He went on to collaborate with the Feng Jicai Institute at Tianjin University (</span></font></font><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">天津大学冯骥才文学艺术研究院</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">),
joining in the production of the multi-volume complete edition of Chinese woodblock prints,
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Zhongguo muban nianhua jicheng:</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">中國木板年畫集成</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Complete Collection of Chinese Woodblock Nianhua</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">],
and</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">editing the volume
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Eluosi cangpin juan</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">俄羅斯藏品卷</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Volume on Russian Collections</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(Beijing, 2009). In the fall of 2011, at the age of 80, Boris Riftin joined an international
symposium at the Feng Jicai Institute for the unveiling of this monumental work.
</span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></p>
<p class="MsoNormal" style="line-height:150%"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></p>
<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Many of us remember him as he was then: friendly, charismatic, incredibly
vital; </span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">unparalleled in his scholarly vigor and in the intoxicating excitement
of his research. He will be greatly missed.</span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></span></p>
<p class="MsoNormal" style="line-height:150%"><span lang="CS"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></span></p>
<p class="MsoNormal" style="line-height:150%"><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Lucie Olivová</span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></span></p>
<p class="MsoNormal" style="line-height:150%"><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">James Flath</span></font></font></span></p>
<div><br clear="all">
<hr align="left" size="1" width="33%">
<div id="edn1">
<p class="MsoNormal" style="line-height:150%"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[i] Riftin’s collection of Dungan tales was</span></font></font><span style="color:#33CCCC"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">later published as
</span></font></font><i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Дунганские народные сказки и предания
</span></font></font></span></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(</span></font></font></span><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Dungan
Folktales and Sayings</span></font></font></i><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
Moscow 1977). The Dungan tales were also published in Czech by Věna Hrdličková as
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Kouzelná tykev</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">.
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Pohádky z Dálného východu
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">(</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Magic
Gourd. Folktales from the East</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">, Prague, 1981). There also is a recent Chinese version, co-edited
by Professor Hai Feng </span></font></font><strong><span lang="ZH-CN" style="font-weight: normal; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">海</span></font></font></span></strong><strong><span lang="ZH-CN" style="mso-ansi-language:EN-US;font-weight:normal;mso-bidi-font-weight:
bold"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
</span></font></font></span></strong><strong><span lang="ZH-CN" style="font-weight: normal; "><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">峰</span></font></font></span></strong><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">from
Xinjiang University: </span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Donggan minjian gushi chuanshuo ji</span></font></font></i><span lang="ZH-CN"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">東干民間故事傳説集</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
(</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Collected Folk Stories and Legends of the Donggan</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
Shanghai, 2011), </span></font></font><span lang="EN-GB"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">reviewed by Ivo Spira in
</span></font></font><i><span style="font-variant:small-caps"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Chinoperl</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
Papers</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">, No. 31, 2012</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">.
Riftin’s original manuscripts of the tales are now being scrutinized by Spira, of Oslo University.
</span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></p>
<p class="MsoEndnoteText"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></p>
<p class="MsoEndnoteText"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><span class="Apple-style-span" style="font-family: 'Times New Roman', sans-serif; font-size: 16px; line-height: 24px; "><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[ii]
A more complete account of his works on Chinese literature can be found in ‘Selected Bibliography of Works in Chinese, English and German’ (in Vibeke Børdahl,
</span></font></font></span><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">The Eternal Storyteller. Oral Literature in Modern China</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">.
Richmond: Curzon Press, 1999, p. 340-343), and in </span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">„Список научных трудов (1952-1992)</span></font></font></span><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">”</span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">,
</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Петербургское востоковедение
</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">St.
Petersburg Eastern Studies</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">] 1993.3, pp. 383–393. His bibliography covering the years 1993
tо 2002 will be published in the journal </span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">Восток</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">
[</span></font></font><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">East</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">]
2012, № 6.</span></font></font></span></span></span></font></font></o:p></p>
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<div id="edn2">
<p class="MsoEndnoteText"><span lang="EN-CA"><o:p><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> </span></font></font></o:p></span></p>
</div>
<div id="edn3">
<p class="MsoNormal" style="line-height:150%"><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">[iii] A more comprehensive survey of his work on wood-block
prints is available in Ellen Johnston Laing ‘Boris Riftin and Chinese Popular Woodblock Prints as Sources on Traditional Chinese Theater’ (</span></font></font></span><i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">CHINOPERL
Papers</span></font></font></i><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"> No. 29, 2010, 184-208</span></font></font><span lang="CS"><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;">).</span></font></font><font class="Apple-style-span" face="Calibri"><font class="Apple-style-span" size="4"><span class="Apple-style-span" style="font-size: 14px;"><o:p></o:p></span></font></font></span></p>
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