<head><!-- BaNnErBlUrFlE-HeAdEr-start -->
<style>
#pfptBannera06p7yx { all: revert !important; display: block !important;
visibility: visible !important; opacity: 1 !important;
background-color: #CFD3D7 !important;
max-width: none !important; max-height: none !important }
.pfptPrimaryButtona06p7yx:hover, .pfptPrimaryButtona06p7yx:focus {
background-color: #adb0b4 !important; }
.pfptPrimaryButtona06p7yx:active {
background-color: #8c8e91 !important; }
</style>
<!-- BaNnErBlUrFlE-HeAdEr-end -->
</head><!-- BaNnErBlUrFlE-BoDy-start -->
<!-- Preheader Text : BEGIN -->
<div style="display:none !important;display:none;visibility:hidden;mso-hide:all;font-size:1px;color:#ffffff;line-height:1px;height:0px;max-height:0px;opacity:0;overflow:hidden;">
The issue is shipping now. The e-book version will be available shortly. IJOCA Vol. 24, No. 2 Fall/Winter 2022 Editor’s Notes John A. Lent 1 Symposium: The Rise of Can-ga edited by Chris Reyns-Chikuma Introduction: Canada + Manga = Canga?Chris
</div>
<!-- Preheader Text : END -->
<!-- Email Banner : BEGIN -->
<div style="display:none !important;display:none;visibility:hidden;mso-hide:all;font-size:1px;color:#ffffff;line-height:1px;height:0px;max-height:0px;opacity:0;overflow:hidden;">ZjQcmQRYFpfptBannerStart</div>
<!--[if ((ie)|(mso))]>
<table border="0" cellspacing="0" cellpadding="0" width="100%" style="padding: 16px 0px 16px 0px; direction: ltr" lang="en"><tr><td>
<table border="0" cellspacing="0" cellpadding="0" style="padding: 0px 10px 5px 6px; width: 100%; border-radius:4px; border-top:4px solid #8c8e91;background-color:#CFD3D7;"><tr><td valign="top">
<table align="left" border="0" cellspacing="0" cellpadding="0" style="padding: 4px 8px 4px 8px">
<tr><td style="color:#000000; font-family: 'Arial', sans-serif; font-weight:bold; font-size:14px; direction: ltr">
This Message Is From an External Sender
</td></tr>
<tr><td style="color:#000000; font-weight:normal; font-family: 'Arial', sans-serif; font-size:12px; direction: ltr">
This message came from outside your organization.
</td></tr>
</table>
<![if ie]><br clear="all"><![endif]>
<table align="right" border="0" cellspacing="0" cellpadding="0" style="padding: 4px 0px 4px 0px"><tr>
<td style="direction: ltr"> <a target="_blank" href="https://us-phishalarm-ewt.proofpoint.com/EWT/v1/KGKeukY!vYQd06nJwkvhQrEaEMev3av-yQjJwx1eUyQ6XTBuZ1tSvSN3UVdfUi4l-DG-vI6WzVOX3BOY-CQzDrnLByOVxDeiN_zKhImoBofAmWggBI-gEZyUvtaXtjULoesjG2tTYLrJhmmg$" style="mso-padding-alt: 7.5px; padding: 7.5px; border-radius: 2px; border: 1.5px solid #666666; "><strong style="font-weight: normal; color: #000000; text-decoration: none; font-family: 'Arial', sans-serif; font-size:14px; line-height: 40px; "> Report Suspicious </strong></a> </td>
</tr></table>
</td></tr></table>
</td></tr></table>
<![endif]-->
<![if !((ie)|(mso))]>
<div dir="ltr" lang="en" id="pfptBannera06p7yx" style="all: revert !important; display:block !important; text-align: left !important; margin:16px 0px 16px 0px !important; padding:8px 16px 8px 16px !important; border-radius: 4px !important; min-width: 200px !important; background-color: #CFD3D7 !important; background-color: #CFD3D7; border-top: 4px solid #8c8e91 !important; border-top: 4px solid #8c8e91;">
<div id="pfptBannera06p7yx" style="all: unset !important; float:left !important; display:block !important; margin: 0px 0px 1px 0px !important; max-width: 600px !important;">
<div id="pfptBannera06p7yx" style="all: unset !important; display:block !important; visibility: visible !important; background-color: #CFD3D7 !important; color:#000000 !important; color:#000000; font-family: 'Arial', sans-serif !important; font-family: 'Arial', sans-serif; font-weight:bold !important; font-weight:bold; font-size:14px !important; line-height:18px !important; line-height:18px">
This Message Is From an External Sender
</div>
<div id="pfptBannera06p7yx" style="all: unset !important; display:block !important; visibility: visible !important; background-color: #CFD3D7 !important; color:#000000 !important; color:#000000; font-weight:normal; font-family: 'Arial', sans-serif !important; font-family: 'Arial', sans-serif; font-size:12px !important; line-height:18px !important; line-height:18px; margin-top:2px !important;">
This message came from outside your organization.
</div>
</div>
<div id="pfptBannera06p7yx" style="all: unset !important; float: right !important; display: block !important; display: block; margin: 0px 0px 0px 16px !important; text-align: right !important; width: fit-content !important;">
<a id="pfptBannera06p7yx" href="https://us-phishalarm-ewt.proofpoint.com/EWT/v1/KGKeukY!vYQd06nJwkvhQrEaEMev3av-yQjJwx1eUyQ6XTBuZ1tSvSN3UVdfUi4l-DG-vI6WzVOX3BOY-CQzDrnLByOVxDeiN_zKhImoBofAmWggBI-gEZyUvtaXtjULoesjG2tTYLrJhmmg$"
style="all: unset !important; display: inline-block !important; text-decoration: none">
<div class="pfptPrimaryButtona06p7yx" style="display: inline-block !important; display: inline-block; visibility: visible !important; opacity: 1 !important; color: #000000 !important; color: #000000; font-family: 'Arial', sans-serif !important; font-family: 'Arial', sans-serif; font-size: 14px !important; font-weight: normal !important; text-decoration: none !important; border-radius: 2px !important; padding: 7.5px 16px !important; margin: 3px 0 3px 16px !important; white-space: nowrap !important; width: fit-content !important;
border: 1px solid #666666">
Report Suspicious
</div>
</a>
</div>
<div style="clear: both !important; display: block !important; visibility: hidden !important; line-height: 0 !important; font-size: 0.01px !important; height: 0px"> </div>
</div>
<![endif]>
<div style="display:none !important;display:none;visibility:hidden;mso-hide:all;font-size:1px;color:#ffffff;line-height:1px;height:0px;max-height:0px;opacity:0;overflow:hidden;">ZjQcmQRYFpfptBannerEnd</div>
<!-- Email Banner : END -->
<!-- BaNnErBlUrFlE-BoDy-end -->
<div dir="ltr"><div>The issue is shipping now. The e-book version will be available shortly.<br></div><div><br></div><div>IJOCA Vol. 24, No. 2 Fall/Winter 2022</div>Editor’s Notes<br>John A. Lent<br>1<br>Symposium: The Rise of Can-ga<br><div>edited by Chris Reyns-Chikuma</div><div><br></div>Introduction: Canada + Manga = Canga?<br>Chris Reyns-Chikuma<br>4<br>Quebec Welcomes Manga or Towards a New Thread in the Imagined Community<br>Jean Sébastien<br>18<br>The Ways in Which Manga Enters Canada<br>Sylvain Rheault<br>33<br>“Discovering” Gekiga: Drawn and Quarterly, Yoshihiro Tatsumi, and Manga in Canada<br>Zachary Winchcombe<br>45<br>Is “Can-ga” the Next Scott Pilgrim?<br>How Canada Can Draw on Japanese Manga and Its Own Diverse Communities<br>to Celebrate and Promote Its Own Comic Creators<br>Ryan Clement<br>65<br>Reading Jane Austen in Canadian Shōjo Manga: Risks and Rewards<br>Tsugumi (Mimi) Okabe<br>84<br>The Algerian War Through the Noir Lens in Jacques Ferrandez and Maurice Attia’s Alger la noire<br>Fabrice Leroy<br>95<br>The Representation of the U.S.-Japan Alliance in Manga<br>Roman Rosenbaum<br>115<br>Pioneers in Comics Scholarship<br>Choices and Chances: Getting to Be a Comics Scholar<br>Joseph “Rusty” Witek<br>162<br>Drawing the Dust Bowl: An Interview with Aimee de Jongh<br>Sara W. Duke<br>179<br>Pioneers in Comics Scholarship<br>Working with the “Friendliest Gang in Academia”<br>Roger Sabin<br>187<br>“To Say Out Loud Everything You Think About and Everything Around You”<br>--The Views of Russia’s Viktor Bogorad<br>Oleg Dergachov<br>201<br>A Defiant Chronicler of War in Ukraine: Vladimir Kazanevsky<br>Oleg Dergachov<br>212<br>My Friend and Muse, Li Binsheng: Master Cartoonist, Peking Opera Performer, Magician, and Folklorist<br>Wang Jing<br>Translated by Xu Ying<br>222<br>Brilliant Color-Blind Colorist: Haitian Cartoonist Thony Loui<br>Mike Rhode<br>231<br>Satoshi Kon’s Opus through His Anime<br>Amanda Kennell<br>246<br>Gengoroh Tagame: An Award-winning, Openly-Gay, Erotic, Manga Artist Portrays Gay Life and Issues for the General Audience<br>Kinko Ito<br>268<br>An Essay<br>The “Art” of the Swipe (Or: Revenge of the Fanboys)<br>Mark David Nevins<br>281<br>The Occasionally Fabulous Cartooning Life of Eric Orner<br>Mike Rhode<br>307<br>In Remembrance<br>Martin Barker (1946-2022)<br>Ian Gordon<br>330<br>In Remembrance<br>Big Name B: With Thanks to and in Memory of Martin Barker<br>Jonathan Gray<br>334<br>Quixotic “Adaptations”: 21st Century Illustrative and Written Tributes of Don Quijote<br>Mackenzi McGowan<br>337<br>Effects of Service Quality Characteristics of “Lore Olympus” on User Satisfaction and Reuse Intention of Generation Z in Korea<br>Y. S. Seo and Austin Kang<br>356<br>Irreverence Images. Everyday Rebellion in Paul Kirchner’s and Gary Larson’s Cartoons<br>Delázkar Rizo<br>376<br>Namor: The Dynamics of Outsider and Insider<br>Jason D. DeHart<br>388<br>Abstract Comics:A Challenge to the Audiences’ Imaginative Capacities <br><div>Dietrich Grünewald</div>Translated by Abigail Fagan<br>395<br>Chinese Comic Artist Cai Weidong<br>Xu Ying<br>414<br>A Comparative Analysis of the Representation of Violence in Fanon’s The Wretched of the Earth and Selected Batman Comics<br>Pritesh Chakraborty<br>424<br>Pompeyo the Villain and Couples’ Interactions<br>Georgina González Mendívil<br>439<br>New Book Series and Reprints<br>John A. Lent<br>446<br>Randy Scott Retires from Michigan State University Library’s Comic Art Collection<br>Mike Rhode<br>449<br>A Review Essay<br>A Colonial Perspective on the Indonesia-Netherlands Comics Connection<br>Rik Spanjers<br>451<br>A Review Essay<br>Mystery, Magic, and Love in Manila: A Review of Three Graphic Novels from the Philippines<br>Lara Saguisag<br><div>459</div><div><br></div>Book Reviews<br>-Paul Williams. The US Graphic Novel, by Paul Levitz, p.463.<br>-Brian Doherty. Dirty Pictures. How an Underground Network of Nerds, Feminists, Misfits, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix, by John A. Lent, p.465.<br>Eike Exner. Comics and the Origins of Manga: A Revisionist History,<br>by Sam Cowling, p.468.<br>-Jan Baetens, Hugo Frey, and Fabrice Leroy. Intermediality in French-Language Comics and Graphic Novels, by Elke Defever, p.473.<br>-Christopher Conway and Antionette Sol. The Comic Book Western: New Perspectives on a Global Genre, by Chris York, p.476.<br>-Li Baochuan. The History of Chinese Paper-cut Animation (Zhongguo Jianzhi Donghua Shi), by Xu Ying, p.478.<br>-Cord Scott. The Mud and the Mirth; Marine Cartoonists in World War I, by James Willetts, p.484.<br>-Alison Halsall and Jonathan Warren, eds. The LGBTQ+ Comics Studies Reader: Critical Openings, Future Directions, by Christopher M. Roman, p.486.<br>-Paul Madonna. You Know Exactly What You Have to Do, the Third Collection of All Over Coffee, by Cord A. Scott, p.489.<br>-Sean O’Connell. With Great Power: How Spider-Man Conquered Hollywood During the Golden Age of Comic Book Blockbusters, by Viola Burlew, p.492.<br>-Ewa Stańczyk. Comics and Nation. Power, Pop Culture, and Political Transformation in Poland, by John A. Lent, p.495.<br>-Andre Frattino and Kate Kasenow. Tokyo Rose--Zero Hour: A Japanese American Woman’s Persecution and Ultimate Redemption After World War II, by John A. Lent, p.496.<br>-James Hodapp, ed. Graphic Novels and Comics as World Literature, by John A. Lent, p.497.<br><div>-Asha Pran. Meri Nazar Mein Pran. From a Sign Board Painter to Padma Shri Awardee. Creator of Chacha Chaudhary, Cartoonist Pran, by John A. Lent, p.499.</div><div><br></div>A Review Essay<br>A Funereal Exhibition<br>Mark McKinney<br>501<br>The Doraemon Exhibition Singapore 2022: Fine Art Versus<br><div>Fan Art, by Clio Ding, p.514.</div><div><br></div>A Challenge<br>Domingos Isabelinho<br>521</div>