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<h1><font size="2"><span style="font-weight:normal">I'm going to request that the book be sent directly to our reviewer, so US only I'm afraid. Email me directly with your desire and qualifications please.</span></font></h1><div>Mike</div><div><a href="mailto:mrhode@gmail.com">mrhode@gmail.com</a><br></div><h1><font size="2"><a href="https://urldefense.com/v3/__https://www.routledge.com/Burning-Down-the-House-Latin-American-Comics-in-the-21st-Century/Fernandez-Gandolfo-Turnes/p/book/9781032148311__;!!KGKeukY!3o2vRgWGxOSOsTd_mW94CEU4VS5LxW2WVR_5ciOAj49b9XhtEaCvUk94uVTfIxuEwTryIGyDDO_MpcH9E3kV9czen7s$">https://www.routledge.com/Burning-Down-the-House-Latin-American-Comics-in-the-21st-Century/Fernandez-Gandolfo-Turnes/p/book/9781032148311</a></font>
</h1><h1>Burning Down the House: <small class="gmail-d-block gmail-text-dark">Latin American Comics in the 21st Century</small> </h1>
<div class="gmail-authors">
Edited By <h2><a title="Search for more titles by Laura Cristina Fernández" href="https://urldefense.com/v3/__https://www.routledge.com/search?author=Laura*20Cristina*20Fern**Andez__;JSXDoQ!!KGKeukY!3o2vRgWGxOSOsTd_mW94CEU4VS5LxW2WVR_5ciOAj49b9XhtEaCvUk94uVTfIxuEwTryIGyDDO_MpcH9E3kVY-HUC_s$">Laura Cristina Fernández</a></h2>, <h2><a title="Search for more titles by Amadeo Gandolfo" href="https://urldefense.com/v3/__https://www.routledge.com/search?author=Amadeo*20Gandolfo__;JQ!!KGKeukY!3o2vRgWGxOSOsTd_mW94CEU4VS5LxW2WVR_5ciOAj49b9XhtEaCvUk94uVTfIxuEwTryIGyDDO_MpcH9E3kV2dx-PuI$">Amadeo Gandolfo</a></h2>, <h2><a title="Search for more titles by Pablo Turnes" href="https://urldefense.com/v3/__https://www.routledge.com/search?author=Pablo*20Turnes__;JQ!!KGKeukY!3o2vRgWGxOSOsTd_mW94CEU4VS5LxW2WVR_5ciOAj49b9XhtEaCvUk94uVTfIxuEwTryIGyDDO_MpcH9E3kV_PKqKPE$">Pablo Turnes</a></h2>
</div>
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Copyright Year 2023
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<div id="gmail-PAPE" class="gmail-bookData">
<div>ISBN 9781032148311</div>
<div>
Published
December 30, 2022
by
Routledge India
</div>
<div>
256 Pages
50 B/W Illustrations <br></div><div><br></div><div>
<div id="gmail-productDescription" class="gmail-description">
<h2 id="gmail-des">Book Description</h2>
<p>
<i>
</i></p><p><i>Burning Down the House </i>explores the political,
economic and cultural landscape of 21st-century Latin America through
comics. It examines works from Argentina, Brazil, Bolivia, Chile,
Uruguay, Perú, Colombia, México and Spain, and the resurgence of comics
in recent decades spurred by the ubiquity of the Internet and
reminiscent of the complex political experiences and realities of the
region.</p>
<p>The volume analyses experimentations in themes and formats and how
Latin American comics have become deeply plural in its inspirations,
subjects, drawing styles and political concerns while also underlining
the hybrid and diverse cultures they represent. It examines the
representative and historical images in a state of emergency and
political upheaval; decolonial perspectives and social struggles linked
to ethnic and sexual minorities. It looks at how Latin American comics
are made right now – from a diverse and autochthonous Latin American
perspective.</p>
<p>With a wide array of illustrations, this book in the Global
Perspectives in Comics Studies series will be an important resource for
scholars and researchers of comic studies, Latin American studies,
cultural studies, English literature, political history and
post-colonial studies.</p>
<p></p>
</div>
<div id="gmail-tableOfContents" class="gmail-toc">
<div class="gmail-ptableOfContents">
<h2 id="gmail-toc">Table of Contents</h2>
<p></p><p>Burning Down the House – Introduction </p><i>
<p>Laura Fernández, Amadeo Gandolfo & Pablo Turnes</p></i><b>
<p>PART I: Politics, protest and memory </p></b>
<p>1 Intertextuality and iconic images in Lucas Nine’s “Borges, inspector de aves” </p><i>
<p>Tania Pérez Cano</p></i>
<p>2 The comic as a form of memory of two student movements in contemporary Mexico: the case of Grito de Victoria by Augusto Mora </p>
<p><i>Laura Nallely Hernández Nieto</i></p>
<p>3 The memory of Trauma under the dictatorship as portrayed in contemporary Chilean comics. A comparative perspective with Spain </p><i>
<p>Elena Masarah Revuelta and Gerardo Vilches Fuentes</p></i>
<p>4 Historical graphic novels in Uruguay 2000–2020 </p><i>
<p>María Victoria Saibene</p></i>
<p>5 Between comics and memories, other stories of Brazil </p><i>
<p>Marilda Lopes Pinheiro Queluz</p></i>
<p>6 Black visualities in Brazilian comics: a historical overview </p>
<p><i>Ivan Lima Gomes</i></p>
<p>7 And you will come marching with me: the Chilean comics after the social mobilization </p><i>
<p>Hugo Hinojosa Lobos</p></i><b>
<p>PART II: Genre and sexual dissidence </p></b>
<p>8 Approaches to remember the bodies in two Latin American comics:
“Notas al Pie” by Nacha Vollenweider and “Las Sinventuras de Jaime
Pardo” by Vicho Plaza </p><i>
<p>Jorge Sánchez</p></i>
<p>9 Resisting imposed lines: (Feminine) territoriality in the work of Chilean comics artist Panchulei </p><i>
<p>Jasmin Wrobel</p></i>
<p>10 Bolivian comics and the subalternity </p><i>
<p>Marcela Murillo</p></i>
<p>11 Emancipated behavior: the body and art in the work of Águeda Noriega and Ale Torres </p><i>
<p>Carla Sagástegui Heredia</p></i>
<p>12 Comics as a means to illustrate sexual dissidence: Guadalupe and Poder Trans </p><i>
<p>Janek Scholz</p></i>
<p>13 Pervertion through funny comics: the case of Diego Parés’ Sr. and Sra. Rispo </p><i>
<p>Rodrigo O. Ottonello</p></i><p></p>
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<h2 id="gmail-aut">Series Editor(s)</h2>
<h3>Biography</h3>
<div class="gmail-bio">
<p>
<b>
</b></p><p><b>Laura Cristina Fernández </b>is a head professor in the
Faculty of Arts and Design, Universidad Nacional de Cuyo (UNCU),
Argentina. She holds a PhD in Social Sciences and an MA in Latin
American Art. She is actively involved in several research projects
concerning comics, recent memory and crisis and has co-directed research
projects on independent comics, fanzines and discourses on gender and
sexual dissidence. Her most recent works as a comic artist are <i>Ruptures. Les bébés volés du Franquisme </i>(<i>Ruptures. The stolen babies of Francoism</i>, with Laure Sirieix, Bang Editions, 2022) and <i>Turba. Memorias de Malvinas </i>(<i>Peat. Memories of Malvinas</i>, Editorial Hotel de las Ideas, 2022).</p><b>
</b><p><b>Amadeo Gandolfo </b>holds a History degree and a PhD in Social
Sciences. He was granted postdoctoral scholarships by the
Ibero-American Institute of Berlin in 2019 and by the Humboldt
Foundation in 2020. He curated several comics exhibitions in the city of
Buenos Aires. He edited <i>Kamandi</i>, an online magazine of comics
criticism (<a href="https://urldefense.com/v3/__http://www.revistakamandi.com__;!!KGKeukY!3o2vRgWGxOSOsTd_mW94CEU4VS5LxW2WVR_5ciOAj49b9XhtEaCvUk94uVTfIxuEwTryIGyDDO_MpcH9E3kVsWuN82M$">www.revistakamandi.com</a>) alongside Pablo Turnes. His research
focuses on Ibero-American graphic humor from a transnational perspective
and on authorship and collaboration conflicts in the field of American
comics. He currently lives in Berlin.</p><b>
</b><p><b>Pablo Turnes </b>is a History Professor and holds a PhD in
Social Sciences. He teaches at the Universidad de Buenos Aires (UBA) and
is a researcher of the Instituto de Investigaciones Gino Germani (UBA).
He currently lives in Berlin as a postdoctoral fellow at the Alexander
von Humboldt Foundation. His research, under the direction of Dr. Stefan
Rinke (LAI-Freie Universität Berlin), focuses on the topic of
contemporary Latin American comics and their relationship to memory,
trauma and recent Latin American history.</p></div></div>
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