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I don't believe any of these have been reviewed by IJOCA and we'd be glad to hear from interested reviewers. Mike Rhode mrhode@ gmail. com Frame by Frame A Materialist Aesthetics of Animated Cartoons
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<h2><font size="2"><span style="font-weight:normal">I don't believe any of these have been reviewed by IJOCA and we'd be glad to hear from interested reviewers.</span></font></h2><div>Mike Rhode</div><div><a href="mailto:mrhode@gmail.com">mrhode@gmail.com</a><br></div><h2><br></h2><h2>Frame by Frame</h2>
<p class="gmail-lead"></p>
<p>A Materialist Aesthetics of Animated Cartoons<br>
</p>
</div>
<div class="gmail-row">
<div class="gmail-col-sm-4">
<div class="gmail-row">
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<div class="gmail-thumbnail">
<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/25004/frame-by-frame.pdf.jpg?sequence=2&isAllowed=y"></div>
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<div class="gmail-item-page-field-wrapper gmail-table gmail-word-break">
<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-authors gmail-item-page-field-wrapper gmail-table">
<h5>Author(s)</h5>
<div class="gmail-ds-dc_contributor_author-authority">Frank, Hannah</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/25004?show=full__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLbXgdHKE$">Show full item record</a>
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<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>For most of the twentieth century, the making of animated cartoons
was mechanized and standardized to allow for high-volume production:
thousands of drawings were inked and painted onto individual transparent
celluloid sheets (called "cels") and then photographed in succession, a
labor-intensive process that was divided across scores of artists and
technicians, most of them anonymous. In order to understand how the
industrial mode of production influenced the medium’s visual style, this
book regards each frame of a given animated cartoon as a historical
document in its own right. This new consideration of the materiality of
the medium analyzes cartoons frame by frame to expose hitherto unseen
qualities of the image. The book covers the different technologies of
reproduction involved in this process, from photography to xerography,
as well as the idiosyncrasies of the image—from abstract imagery to
mistakes in reproduction—that can be seen only when the film is halted.
What emerges is both a new methodology for thinking about animation, the
idea of frame-by-frame analysis, and a highly original account of an
art formed on the assembly line.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__http://library.oapen.org/handle/20.500.12657/25004__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLMpKkOxM$">http://library.oapen.org/handle/20.500.12657/25004</a></span>
</div></div><div><br></div><div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Aesthetics; animation; avant-garde; cartoons; labor; photography; technology</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.1525/luminos.65</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9780520303621</div>
<div class="gmail-item-page-field-wrapper">
<h5>OCN</h5>1135845386</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22398__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLvBjyHlc$">University of California Press</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.ucpress.edu/__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBL1uz0reg$">https://www.ucpress.edu/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>Oakland, 2019</div>
</div><div>--------</div>
<div class="gmail-page-header gmail-first-page-header">
<h2>Animating Film Theory</h2>
<p class="gmail-lead"></p>
<p></p>
</div>
<div class="gmail-row">
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<div class="gmail-row">
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<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Beckman, Karen Redrobe (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Collection</h5>Knowledge Unlatched (KU)</div>
<div class="gmail-item-page-field-wrapper">
<h5>Number</h5>6979</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/52901?show=full__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLAaib9mA$">Show full item record</a>
</div>
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<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Animating Film Theory provides an enriched understanding of the
relationship between two of the most unwieldy and unstable organizing
concepts in cinema and media studies: animation and film theory. For the
most part, animation has been excluded from the purview of film theory.
The contributors to this collection consider the reasons for this
marginalization while also bringing attention to key historical
contributions across a wide range of animation practices, geographic and
linguistic terrains, and historical periods. They delve deep into
questions of how animation might best be understood, as well as how it
relates to concepts such as the still, the moving image, the frame,
animism, and utopia. The contributors take on the kinds of theoretical
questions that have remained underexplored because, as Karen Beckman
argues, scholars of cinema and media studies have allowed themselves to
be constrained by too narrow a sense of what cinema is. This collection
reanimates and expands film studies by taking the concept of animation
seriously.
Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan
Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken,
Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé
Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman,
Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess
Takahashi</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/52901__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLtaeT7rg$">https://library.oapen.org/handle/20.500.12657/52901</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Performing Arts; Animation; Performing Arts; Film; History & Criticism</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22279__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLPhNi8wY$">Duke University Press</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.dukeupress.edu/__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLq7lSVH0$">https://www.dukeupress.edu/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>2014</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table"><br></div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">-----------------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Genndy Tartakovsky: Sincerity in Animation<br>
</h2>
</div>
<div class="gmail-row">
<div class="gmail-col-sm-4">
<div class="gmail-row">
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-thumbnail">
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<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-authors gmail-item-page-field-wrapper gmail-table">
<h5>Author(s)</h5>
<div class="gmail-ds-dc_contributor_author-authority">Tembo, Kwasu David</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58883?show=full__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLuhnqKvo$">Show full item record</a>
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<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Genndy Tartakovsky is widely regarded as a pioneer in contemporary
Western animation of the 20th and 21st centuries. His groundbreaking and
prolific output, ranging from Dexter's Laboratory to Samurai Jack and
Sym-Bionic Titan, has become a mainstay of contemporary animated
programming, and collectively, the cornerstone of both titans of the
industry such as Cartoon Network and Adult Swim. This open access book
draws attention to the comparatively mysterious figure of this creator,
while simultaneously celebrating his singular vision, mastery of formal
technique, genre sensitivity, personal stylistic flair, and how these
aesthetic and narrative elements combine to produce what the author
calls an 'animation of sincerity' in all his works. The ebook editions
of this book are available open access under a CC BY-NC-ND 4.0 licence
on <a href="https://urldefense.com/v3/__http://www.bloomsburycollections.com__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLeiqzjpE$">www.bloomsburycollections.com</a>.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58883__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLoyvskKY$">https://library.oapen.org/handle/20.500.12657/58883</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Genndy Tartakovsky; cartoons; Western animation;
Dexter’s Laboratory; Samurai Jack; Sym-Bionic Titan; Cartoon Network;
Adult Swim; animation of sincerity; Star Wars; technique; genre; humor;
humour; 20th century; 21st century</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.5040/9781501356261</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9781501356278, 9781501356285, 9781501356278</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/23771__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLWdngOIo$">Bloomsbury Academic</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.bloomsbury.com/academic/__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLdVFMaP0$">https://www.bloomsbury.com/academic/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>New York, 2022</div>
<div class="gmail-item-page-field-wrapper">
<h5>Imprint</h5>Bloomsbury Academic</div><div class="gmail-item-page-field-wrapper">------------------------------------------</div><div class="gmail-item-page-field-wrapper"><br></div><div class="gmail-item-page-field-wrapper">
<div class="gmail-page-header gmail-first-page-header">
<h2>Snow White and the Seven Dwarfs</h2>
<p class="gmail-lead"></p>
<p>New Perspectives on Production, Reception, Legacy<br>
</p>
</div>
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</div>
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<div>
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</div>
<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Pallant, Chris (editor)</div>
<div>Holliday, Christopher (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58858?show=full__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLgyZCKKY$">Show full item record</a>
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<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>This book is available as open access through the Bloomsbury Open
Access programme and is available on <a href="https://urldefense.com/v3/__http://www.bloomsburycollections.com__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLeiqzjpE$">www.bloomsburycollections.com</a> Walt
Disney’s Snow White and the Seven Dwarfs (David Hand, 1937) occupies a
central place within the history of global animation. Based on the
German fairy tale by the Brothers Grimm, the film was the first
feature-length animated film produced by the Disney Studio and served to
announce the animated cartoon as an industrial art form. Yet Disney’s
landmark version not only set in motion the Golden Age of the Hollywood
cartoon, but has continued to stand as an international sensation,
prompting multiple revisions and remakes within a variety of national
filmmaking contexts. This book explores the enduring qualities that have
marked Snow White’s influence and legacy, providing a collection of
original chapters that reflect upon its pioneering use of technology and
contributions to animation’s visual style, the film’s reception within
an American context, and its status as a global cultural phenomenon.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58858__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLG7hjQpY$">https://library.oapen.org/handle/20.500.12657/58858</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Walt Disney; global animation; Brothers Grimm; first
feature-length animated film; Golden Age of Hollywood; cartoon;
international sensation; influence; legacy; technology; visual style;
film reception; cultural phenomenon</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.5040/9781501351198</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9781501351204, 9781501351211, 9781501351204</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/23771__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLWdngOIo$">Bloomsbury Academic</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.bloomsbury.com/academic/__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLdVFMaP0$">https://www.bloomsbury.com/academic/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>New York, 2021</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table"><br></div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">-------------------------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table"><br></div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Global Animation Theory</h2>
<p class="gmail-lead"></p>
<p>International Perspectives at Animafest Zagreb<br>
</p>
</div>
<div class="gmail-row">
<div class="gmail-col-sm-4">
<div class="gmail-row">
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<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/23774/1006369.pdf.jpg?sequence=3&isAllowed=y"></div>
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</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
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<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Bruckner, Franziska (editor)</div>
<div>Gilić, Nikica (editor)</div>
<div>Lang, Holger (editor)</div>
<div>Šuljić, Daniel (editor)</div>
<div>Turković, Hrvoje (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Collection</h5>Knowledge Unlatched (KU)</div>
<div class="gmail-item-page-field-wrapper">
<h5>Number</h5>102502</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/23774?show=full__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLmgkDYuo$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Global Animation Theory offers detailed and diverse insights into
the methodologies of contemporary animation studies, as well as the
topics relevant for today’s study of animation. The contact between
practical and theoretical approaches to animation at Animafest Scanner,
is closely connected to host of this event, the World Festival of
Animated Film Animafest Zagreb. It has given way to academic writing
that is very open to practical aspects of animation, with several
contributors being established not only as animation scholars, but also
as artists. This anthology presents, alongside an introduction by the
editors and a preface by well known animation scholar Giannalberto
Bendazzi, 15 selected essays from the first three Animafest Scanner
editions. They explore various significant aspects of animation studies,
some of them still unknown to the English speaking communities.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__http://library.oapen.org/handle/20.500.12657/23774__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLmvxiZMU$">http://library.oapen.org/handle/20.500.12657/23774</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Media & Communications</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.5040/9781501337161</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9781501337154;9781501337147</div>
<div class="gmail-item-page-field-wrapper">
<h5>OCN</h5>1126193765</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/23771__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLWdngOIo$">Bloomsbury Academic</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.bloomsbury.com/academic/__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLdVFMaP0$">https://www.bloomsbury.com/academic/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>New York, 2018-11-01</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table"><br></div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">------------------------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Comics and Videogames</h2>
<p class="gmail-lead"></p>
<p>From Hybrid Medialities to Transmedia Expansions<br>
</p>
</div>
<div class="gmail-row">
<div class="gmail-col-sm-4">
<div class="gmail-row">
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-thumbnail">
<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/42475/9781000224115.pdf.jpg?sequence=8&isAllowed=y"></div>
</div>
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</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Rauscher, Andreas (editor)</div>
<div>Stein, Daniel (editor)</div>
<div>Thon, Jan-Noël (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/42475?show=full__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLSn764nE$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>"This book offers the first comprehensive study of the many
interfaces shaping the relationship between comics and videogames. It
combines in-depth conceptual reflection with a rich selection of
paradigmatic case studies from contemporary media culture.
The editors have gathered a distinguished group of international
scholars working at the interstices of comics studies and game studies
to explore two interrelated areas of inquiry: The first part of the book
focuses on hybrid medialities and experimental aesthetics ""between""
comics and videogames; the second part zooms in on how comics and
videogames function as transmedia expansions within an increasingly
convergent and participatory media culture. The individual chapters
address synergies and intersections between comics and videogames via a
diverse set of case studies ranging from independent and experimental
projects via popular franchises from the corporate worlds of DC and
Marvel to the more playful forms of media mix prominent in Japan.
Offering an innovative intervention into a number of salient issues in
current media culture, Comics and Videogames will be of interest to
scholars and students of comics studies, game studies, popular culture
studies, transmedia studies, and visual culture studies."</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/42475__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLMxPWfVg$">https://library.oapen.org/handle/20.500.12657/42475</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Media studies; American / British style comic books and graphic novels; Computer games / online games: strategy guides</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.4324/9781003035466</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9780367539016; 9780367474195; 9780367474195; 9780367539016; 9781003035466</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22274__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLRD7NOzY$">Taylor & Francis</a>
</div>
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<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://taylorandfrancis.com/__;!!KGKeukY!1_Qp71_Esqjf2hCxGxdPqNzabwysbE3pGimWHBlHspjp9eSAN5iZZv9fT12OBSlHECjF8WDk1cNj7UvsYhBLaAzI4xE$">https://taylorandfrancis.com/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>2021</div>
<div class="gmail-item-page-field-wrapper">
<h5>Imprint</h5>Routledge</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Series</h5>Routledge Advances in Game Studies, </div></div>
</div></div>
</div></div>
</div></div>
</div></div>
</div>