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I don't believe any of these have been reviewed by IJOCA and we'd be glad to hear from interested reviewers. Mike Rhode mrhode@ gmail. com The Ethics of Affect: Lines and Life in a Tokyo Neighborhood
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<h2>
</h2><h2><font size="2"><span style="font-weight:normal">I don't believe any of these have been reviewed by IJOCA and we'd be glad to hear from interested reviewers.</span></font></h2><div>Mike Rhode</div><div><a href="mailto:mrhode@gmail.com" target="_blank">mrhode@gmail.com</a></div>
</div><div class="gmail-page-header gmail-first-page-header"><br><h2>The Ethics of Affect: Lines and Life in a Tokyo Neighborhood<br>
</h2>
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<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/50996/9789176351567.pdf.jpg?sequence=6&isAllowed=y"></div>
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<h5>Author(s)</h5>
<div class="gmail-ds-dc_contributor_author-authority">Galbraith, Patrick<a href="https://urldefense.com/v3/__https://orcid.org/0000-0002-1085-4558__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8ayOqFEVY$" target="_blank" class="gmail-orcid_icon"> <img alt="cc" src="https://library.oapen.org/themes/Mirage2//images/orcid_icon.png"></a>
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<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/50996?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aR6Saq8Y$">Show full item record</a>
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<div>Based on ongoing fieldwork in the Akihabara neighborhood of Tokyo,
specifically a targeted subproject from 2014 to 2015, this book explores
how and to what effect lines are drawn by producers, players and
critics of bishōjo games. Focusing on interactions with
manga/anime-style characters, these adult computer games often feature
explicit sex acts. Noting that the bishōjo, or “cute girl characters,”
in these games can appear quite young, legal actions have been taken in a
number of countries to categorize and prohibit the content as child
abuse material. In response to the risk of manga/anime images
encouraging underage sexualization, lawmakers are moved to regulate them
in the same way as photographs or film; triggered by images, the line
between fiction and reality is erased, or redrawn to collapse forms
together. While Japanese politicians continue to debate a similar
course, sustained engagement with bishōjo game producers, players and
critics sheds light on alternative movement. Manga/anime-style
characters trigger an affective response in interactions with their
creators and users, who draw and negotiate lines between fiction and
reality. Interacting with characters and one another, bishōjo gamers
draw lines between what is fictional and what is “real,” even as the
characters are real in their own right and relations with them are
extended beyond games; some even see the characters as significant
others and refer to them using intimate terms of commitment such as “my
wife.” This book argues for understanding the everyday practice of
insisting on lines, or drawing a line between humans and nonhumans and
orienting oneself toward the drawn lines of the latter, as demonstrating
an emergent form of ethics. Occurring individually and socially in both
private and public spaces, the response to fictional characters not
only discourages harming human beings, but also supports life in
more-than-human worlds. For many in contemporary Japan and beyond,
interactions and relations with fictional and real others are nothing
short of lifelines.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/50996__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aoE1X_uU$">https://library.oapen.org/handle/20.500.12657/50996</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>ethnography; adult computer games; Japanese popular culture; freedom of expression; ethics</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.16993/bbn</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9789176351567, 9789176351574, 9789176351581, 9789176351598, 9789176351567</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22985__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aqM67a2Q$">Stockholm University Press</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.stockholmuniversitypress.se/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aR4tHpww$">https://www.stockholmuniversitypress.se/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>Stockholm, 2021</div>
<div class="gmail-item-page-field-wrapper">
<h5>Imprint</h5>Stockholm University Press</div><div class="gmail-item-page-field-wrapper">--------------</div><div class="gmail-item-page-field-wrapper"><br></div><div class="gmail-item-page-field-wrapper">
<div class="gmail-page-header gmail-first-page-header">
<h2>Comics Beyond the Page in Latin America</h2>
<p class="gmail-lead"></p>
<p></p>
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<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/22336/Comics-Beyond-the-Page-in-Latin-America.pdf.jpg?sequence=3&isAllowed=y"></div>
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<h5>Contributor(s)</h5>
<div>Scorer, James (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
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<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22336?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8auqT3BwI$">Show full item record</a>
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<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Comics Beyond the Page in Latin America is a cutting-edge study of
the expanding worlds of Latin American comics. Despite lack of funding
and institutional support, not since the mid-twentieth century have
comics in the region been so dynamic, so diverse and so engaged with
pressing social and cultural issues. Comics are being used as essential
tools in debates about, for example, digital cultures, gender identities
and political disenfranchisement.
Rather than analysing the current boom in comics by focusing just on the
printed text, however, this book looks at diverse manifestations of
comics ‘beyond the page’. Contributors explore digital comics and social
media networks; comics as graffiti and stencil art in public spaces;
comics as a tool for teaching architecture or processing social trauma;
and the consumption and publishing of comics as forms of shaping
national, social and political identities.
Bringing together authors from across Latin America and beyond, and
covering examples from Argentina, Brazil, Colombia, Mexico, Peru and
Uruguay, the book sets out a panoramic vision of Latin American comics,
whether in terms of scholarly contribution, geographical diversity or
interdisciplinary methodologies.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__http://library.oapen.org/handle/20.500.12657/22336__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aQBuJEjQ$">http://library.oapen.org/handle/20.500.12657/22336</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Latin America; comics; media; culture; representation</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.14324/111.9781787357549</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22334__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aL26t30A$">UCL Press</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.uclpress.co.uk/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aPZh8Zn4$">https://www.uclpress.co.uk/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>London, 2020</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">------------------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table"><br></div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Posthumanism and the Graphic Novel in Latin America</h2>
<p class="gmail-lead"></p>
<p></p>
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<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/31284/632431.pdf.jpg?sequence=8&isAllowed=y"></div>
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<h5>Author(s)</h5>
<div class="gmail-ds-dc_contributor_author-authority">King, Edward</div>
<div class="gmail-ds-dc_contributor_author-authority">Page, Joanna</div>
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<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/31284?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aIvRzXm4$">Show full item record</a>
</div>
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<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Latin America is experiencing a boom in graphic novels that are
highly innovative in their conceptual play and their reworking of the
medium. Inventive artwork and sophisticated scripts have combined to
satisfy the demand of a growing readership, both at home and abroad.
Posthumanism and the Graphic Novel in Latin America, which is the first
book-length study of the topic, argues that the graphic novel is
emerging in Latin America as a uniquely powerful force to explore the
nature of twenty-first century subjectivity. The authors place
particular emphasis on the ways in which humans are bound to their
non-human environment, and these ideas are productively drawn out in
relation to posthuman thought and experience. The book draws together a
range of recent graphic novels from Argentina, Brazil, Chile, Mexico and
Uruguay, many of which experiment with questions of transmediality, the
representation of urban space, modes of perception and cognition, and a
new form of ethics for a posthuman world.</div>
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<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__http://library.oapen.org/handle/20.500.12657/31284__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8a7Ix-yUI$">http://library.oapen.org/handle/20.500.12657/31284</a></span>
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<h5>Keywords</h5>comics; latin america; graphic novels; Modernity; Posthuman; Posthumanism</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.14324/111.9781911576501</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9781911576500</div>
<div class="gmail-item-page-field-wrapper">
<h5>OCN</h5>992785369</div>
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<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22334__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aL26t30A$">UCL Press</a>
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<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.uclpress.co.uk/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aPZh8Zn4$">https://www.uclpress.co.uk/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>2017</div></div>----------------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table"><br></div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Manhua Modernity</h2>
<p class="gmail-lead"></p>
<p>Chinese Culture and the Pictorial Turn<br>
</p>
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<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/45697/manhua-modernity.pdf.jpg?sequence=4&isAllowed=y"></div>
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<h5>Author(s)</h5>
<div class="gmail-ds-dc_contributor_author-authority">Crespi, John A.</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/45697?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8a_wvYFjU$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>From fashion sketches of Shanghai dandies in the 1920s, to
phantasmagoric imagery of war in the 1930s and 1940s, to panoramic
pictures of anti-American propaganda rallies in the 1950s, the
cartoon-style art known as manhua helped define China’s modern
experience. Manhua Modernity offers a richly illustrated and deeply
contextualized analysis of these illustrations from the lively pages of
popular pictorial magazines that entertained, informed, and mobilized a
nation through a half century of political and cultural transformation.
“An innovative reconceptualization of manhua. John Crespi’s meticulous
study shows the many benefits of interpreting Chinese comics and other
illustrations not simply as image genres but rather as part of a larger
print culture institution. A must-read for anyone interested in modern
Chinese visual culture.” CHRISTOPHER REA, author of The Age of
Irreverence: A New History of Laughter in China “A rich media-centered
reading of Chinese comics from the mid-1920s through the 1950s, Manhua
Modernity shifts the emphasis away from ideological interpretation and
demonstrates that the pictorial turn requires examinations of manhua in
its heterogenous, expansive, spontaneous, and interactive ways of
engaging its audience’s varied experiences of fast-changing everyday
life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a
Globalizing China</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/45697__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8a7sF9Lfg$">https://library.oapen.org/handle/20.500.12657/45697</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Asian Studies; Media Studies</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.1525/luminos.97</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/22398__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aHLg63Q8$">University of California Press</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.ucpress.edu/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aZyAz0yw$">https://www.ucpress.edu/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>Oakland, California, 2020</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">----------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Manga Vision</h2>
<p class="gmail-lead"></p>
<p>Cultural and Communicative Perspectives<br>
</p>
</div>
<div class="gmail-row">
<div class="gmail-col-sm-4">
<div class="gmail-row">
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-thumbnail">
<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/30562/645347.pdf.jpg?sequence=2&isAllowed=y"></div>
</div>
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-item-page-field-wrapper gmail-table gmail-word-break">
<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Pasfield-Neofitou, Sarah (editor)</div>
<div>Sell, Cathy (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Collection</h5>Knowledge Unlatched (KU)</div>
<div class="gmail-item-page-field-wrapper">
<h5>Number</h5>101453</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/30562?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aMUPYpXo$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Manga Vision examines cultural and communicative aspects of
Japanese comics, drawing together scholars from Japan, Australia and
Europe working in areas as diverse as cultural studies, linguistics,
education, music, art, anthropology, and translation, to explore the
influence of manga in Japan and worldwide via translation, OEL manga and
fan engagement. This volume includes a mix of theoretical,
methodological, empirical and professional practice-based chapters,
examining manga from both academic and artistic perspectives. Manga
Vision also provides the reader with a multimedia experience, featuring
original artwork by Australian manga artist Queenie Chan, cosplay
photographs, and an online supplement offering musical compositions
inspired by manga, and downloadable manga-related teaching resources.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__http://library.oapen.org/handle/20.500.12657/30562__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aUIQU9Zk$">http://library.oapen.org/handle/20.500.12657/30562</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Literature; Manga; Literary Studies; Japanese Culture;
Pop Culture; Linguistics; Cultural Studies; Translation; Cosplay; Anime;
Onomatopoeia; Yaoi</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9781925523041</div>
<div class="gmail-item-page-field-wrapper">
<h5>OCN</h5>1035827910</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/25733__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aUb6w4ZE$">Monash University Publishing</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.publishing.monash.edu/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aoMVnnFI$">https://www.publishing.monash.edu/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>Clayton, Victoria, Australia, 2016-06-01</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">-----------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts<br>
</h2>
</div>
<div class="gmail-row">
<div class="gmail-col-sm-4">
<div class="gmail-row">
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-thumbnail">
<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/25335/1004764.pdf.jpg?sequence=3&isAllowed=y"></div>
</div>
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-item-page-field-wrapper gmail-table gmail-word-break">
<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Jones, Anna (editor)</div>
<div>Mitchell, Rebecca (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Collection</h5>Knowledge Unlatched (KU)</div>
<div class="gmail-item-page-field-wrapper">
<h5>Number</h5>102795</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>English</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/25335?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8a-o3Lq8U$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Late 19th-century Britain experienced an explosion of visual print
culture and a simultaneous rise in literacy across social classes. New
printing technologies facilitated quick and cheap dissemination of
images—illustrated books, periodicals, cartoons, comics, and ephemera—to
a mass readership. This Victorian visual turn prefigured the
present-day impact of the Internet on how images are produced and
shared, both driving and reflecting the visual culture of its time. From
this starting point, Drawing on the Victorians explores the
relationship between Victorian graphic texts and today’s steampunk,
manga, and other neo-Victorian genres that emulate and reinterpret their
predecessors. Neo-Victorianism is a flourishing worldwide phenomenon,
but one whose relationship with the texts from which it takes its
inspiration remains underexplored.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__http://library.oapen.org/handle/20.500.12657/25335__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aOyiRxIc$">http://library.oapen.org/handle/20.500.12657/25335</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Literature; Victorian studies; art history; comics and graphic novel culture; literary studies; Victorian</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>ISBN</h5>9780821445877</div>
<div class="gmail-item-page-field-wrapper">
<h5>OCN</h5>1100537100</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/24388__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aYFna4EE$">Ohio University Press</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.ohioswallow.com/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8afnLgYTM$">https://www.ohioswallow.com/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>2015-12-15</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">---------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>Maskierte Helden: Zur Doppelidentität in Pulp-Novels und Superheldencomics<br>
</h2>
</div>
<div class="gmail-row">
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<div class="gmail-row">
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-thumbnail">
<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/41445/9783034015080.pdf.jpg?sequence=3&isAllowed=y"></div>
</div>
<div class="gmail-col-xs-6 gmail-col-sm-12">
<div class="gmail-item-page-field-wrapper gmail-table gmail-word-break">
<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
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<div class="gmail-simple-item-view-authors gmail-item-page-field-wrapper gmail-table">
<h5>Author(s)</h5>
<div class="gmail-ds-dc_contributor_author-authority">von Holzen, Aleta-Amirée<a href="https://urldefense.com/v3/__https://orcid.org/0000-0001-9910-7710__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8akCtLIjM$" target="_blank" class="gmail-orcid_icon"> <img alt="cc" src="https://library.oapen.org/themes/Mirage2//images/orcid_icon.png"></a>
</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Collection</h5>Swiss National Science Foundation (SNF)</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>German</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/41445?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8acJBZUjQ$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Populäre Heldengestalten wie Zorro, Batman oder Spider-Man
vollbringen ihre Taten in der Öffentlichkeit nur maskiert, verbergen
aber in Zivil jeden Anschein von Heldentum. Mit diesem Geheimnis
ermöglichen solche maskierten Helden in ihren Geschichten die
vielfältige Thematisierung von Identitätsvorstellungen – kommt der Maske
doch schon immer die Funktion zu, Identitätskategorien und
-kategorisierungen zu hinterfragen. In den Spannungsfeldern der
Maskerade zwischen Sein und Schein versuchen diese Figuren seriellen
Erzählens immer wieder aufs Neue, die Balance zwischen Individualität
und Konformität zu finden oder zu halten. Was maskierte Helden ausmacht
und wie solche Figuren zwischen Fragen nach dem 'wahren' Ich und
multiplen Selbsten oszilieren, zeigt dieses Buch in einem grossen
zeitlichen Bogen über das gesamte 20. bis ins beginnende 21.
Jahrhundert, in dem auch die Genese des maskierten Helden als
Figurentypus nachgezeichnet wird. Weltbekannte Figuren wie Superman,
weniger bekannte wie Daredevil, die Thunderbolts oder The Shadow sowie
eine Vielzahl fast vergessener Helden aus den US-amerikanischen
Pulp-Novels und frühen Superheldencomics stehen dabei im Fokus.</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/41445__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aPuPpIKY$">https://library.oapen.org/handle/20.500.12657/41445</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Maskierter Held; Pulp-Novels; Maske; Identität; Geheimnis; Superhelden</div>
<div class="gmail-item-page-field-wrapper">
<h5>DOI</h5>10.33057/chronos.1508</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/31813__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aYjv4SIk$">Chronos Verlag</a>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher website</h5>
<a href="https://urldefense.com/v3/__https://www.chronos-verlag.ch/__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8a11BY65M$">https://www.chronos-verlag.ch/</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>Zürich, 2019</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">-----------------------------</div><div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<div class="gmail-page-header gmail-first-page-header">
<h2>La bande dessinée: Perspectives linguistiques et didactiques<br>
</h2>
</div>
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<div class="gmail-row">
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<div class="gmail-thumbnail">
<img alt="Thumbnail" class="gmail-img-thumbnail" src="https://library.oapen.org/bitstream/handle/20.500.12657/58485/external_content.pdf.jpg?sequence=7&isAllowed=y"></div>
</div>
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<div>
</div></div></div></div></div></div><div class="gmail-col-sm-4"><div class="gmail-row">
</div>
<div class="gmail-simple-item-view-contributors gmail-item-page-field-wrapper gmail-table">
<h5>Contributor(s)</h5>
<div>Pustka, Elissa (editor)</div>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Collection</h5>Knowledge Unlatched (KU)</div>
<div class="gmail-item-page-field-wrapper">
<h5>Language</h5>French</div>
<div class="gmail-simple-item-view-show-full gmail-item-page-field-wrapper gmail-table">
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58485?show=full__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8aCaoexq0$">Show full item record</a>
</div>
</div>
<div class="gmail-col-sm-8">
<div class="gmail-simple-item-view-description gmail-item-page-field-wrapper gmail-table">
<div>Pour la première fois, un ouvrage collectif traite de la bande
dessinée francaise et francophone d'un point de vue linguistique et
didactique. 17 contributions de romanistes, d'expert.e.s en bandes
dessinées et d'enseignant.e.s de FLE présentent un tour d'horizon de ce
vaste domaine, allant de classiques comme Tintin, Astérix ou Les
Schtroumpfs à des publications plus récentes comme Les Cahiers d'Esther,
Les Vieux Fourneaux ou la BD de non-fiction féministe. Les
contributions linguistiques analysent la grammaire de l'oral mise en
scène (négation, dislocations, etc.), différentes variétés (langage des
jeunes, francais québécois) et des problèmes de traduction. Les
contributions didactiques montrent le potentiel de la BD pour
l'enseignement du FLE au lycée et à l'université (notamment dans les
pays germanophones).</div>
</div>
<div class="gmail-simple-item-view-uri gmail-item-page-field-wrapper gmail-table">
<h5>URI</h5>
<span><a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58485__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8amTWajAw$">https://library.oapen.org/handle/20.500.12657/58485</a></span>
</div>
<div class="gmail-item-page-field-wrapper">
<h5>Keywords</h5>Literary Criticism; European</div>
<div class="gmail-item-page-field-wrapper">
<h5>Publisher</h5>
<a href="https://urldefense.com/v3/__https://library.oapen.org/handle/20.500.12657/58495__;!!KGKeukY!2Agt8dwtJp_OS8taWQHoc9xtBCbCRmtXAo6gEQzYRo1JFYok_sAdQET6_4B50aj-aaptdxk1LZmcLxnIRA8agSuJHIM$">Gunter Narr Verlag</a>
</div>
<div class="gmail-simple-item-view-date gmail-word-break gmail-item-page-field-wrapper gmail-table">
<h5>Publication date and place</h5>2022</div></div>
</div></div>
</div></div>
</div></div>
</div></div>
</div></div>
</div></div>
</div>