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This issue is only available digitally at the moment - see http://ijoca.blogspot.com/2022/04/ijoca-goes-electric.html for details on ordering it. Vol. 23, No. 2 Fall/Winter 2021 Editor's Notes John A. Lent 1 Comics in East Asia: Symposium
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<div>This issue is only available digitally at the moment - see <a href="https://urldefense.com/v3/__http://ijoca.blogspot.com/2022/04/ijoca-goes-electric.html__;!!KGKeukY!k-TY9ADa0LNcROoiwqOBy5UGjpxbN_AMb3Daf6XjtfzGRm-MKecgcwaxYVB8tNkFTObdzS9pJqzP$">http://ijoca.blogspot.com/2022/04/ijoca-goes-electric.html</a> for details on ordering it.<br></div><div><br></div><div><br></div><div>Vol. 23, No. 2 Fall/Winter 2021</div><div><br></div><div>Editor's Notes<br>John A. Lent<br>1<br>Comics in East Asia: Symposium<br>edited by Marie Laureillard with John A. Lent</div><div><br></div><div>Introduction<br>Marie Laureillard<br>6</div><div><br></div><div>Small Objects, Old Pictures, New Drawings: Forms of Historiography<br>in Contemporary Taiwanese Graphic Novels (Past and Future) Corrado Neri<br>8</div><div><br></div><div>Tales from Vietnam: Testifying about War and Exile in France and the United States<br>Justin S. Wadlow<br>30</div><div><br></div><div>The Other East Asian Cartoon Powerhouse--South Korea<br>John A. Lent<br>50</div><div><br></div><div>The
Evolution of the Character of the Monkey King (Songokû) from Journey to
the West in the Illustrated Books and Paintings in Edo Period<br>Delphine Mulard<br>57</div><div><br></div><div>Comics Outside of Japan: Manga by Spanish Authors<br>Julia Rigual Mur and Pablo César Anía Ruiz-Flores<br>71<br>"Fuichin-san" (1957-1962), a Dramatization of a Girl's Lifein Harbin and the Stylistic Research of Ueda Toshiko<br>Naoko Morita<br>83</div><div><br></div><div>Shonen and Seinen Manga, Repositories of the Pacific War<br>Anthony Tristani<br>94</div><div><br></div><div>History of Comics in Senegal<br>Christophe Cassiau-Haurie<br>Translated by Issa Nyaphaga<br>124</div><div><br></div><div>What's in a Signature?: The Comic War over the Twins<br>Aswathy Senan<br>150</div><div><br></div><div>The New Yorker's Greatest Cartoonist and the Little Spaniard: Peter Arno and Pablo Picasso<br>Michele Ann Abate<br>177</div><div><br></div><div>When Quetzalcoatl and Shenlong Collide: Image of the Dragon on Quetzalcoatl's Representation within the Mexican Comic Aztectopía<br>Sarahi Isuki Castelli-Olvera<br>202</div><div><br></div><div>Tiny Country, Monumental Event: Cyprus Olive Cartoon Festival<br>John A. Lent with Huseyin Cakmak and Musa Kayra<br>216</div><div><br></div><div>The Mayor's Comments<br>Nidai Güngördü with John A. Lent<br>237</div><div><br></div><div>Pioneers of Comic Art Scholarship<br>A Bumpy and Proud Academic Journey<br>Pascal Lefèvre<br>244</div><div><br></div><div>The Legacy of José Carioca/Zé Carioca: A Critical History of the Brazilian Disney Ambassador<br>Wiliam Machado de Andrade and Aaron Humphrey<br>272</div><div><br></div><div>An "In-betweener" Chinese Cartoonist: An Interview with Chang Jin<br>Xu Ying<br>290</div><div><br></div><div>"I Ain't a Bad Swab at Heart-- I Does the Best I Know How": Popeye and Boxing in E. C. Segar's Thimble Theatre<br>Jeffrey O. Segrave<br>John A. Cosgrove<br>303</div><div><br></div><div>Freedom and Regulation of Expression, Manga, and Women:<br>A Symposium<br>edited by Fusami Ogi</div><div><br></div><div>The Imaginary Republic<br>Nagayama Kaoru<br>Translated by Patrick W. Galbraith<br>322</div><div><br></div><div>Shōjo Manga [Japanese Comics for Girls] and Her Freedom: Globalizing the Half-century Challenge of Going Beyond Difficulties<br>Fusami Ogi<br>333</div><div><br></div><div>Places for Expressing Women's Independence and Media Condition: Focusing on Essay Manga on SNS<br>Miho Takeuchi<br>Translated by Nick Hall<br>350</div><div><br></div><div>Expressing Visceral Female Subjectivity in Women's Manga: Double Standards, Censorship, and Staying Ahead in the Game<br>Jessica Bauwens-Sugimoto<br>359</div><div><br></div><div>Bodies
Reconfigured between the National and Global Realms: An Exploration of
the Shift of Moral Panic Codes Against Sexual Expression in Manga in
Contemporary Japan<br>Takeshi Hamano<br>367</div><div><br></div><div>An
Analysis of Frame Structures in LGBTQ-themed Manga: How the
(Im)permeability of Manga Frames Enhances LGBTQ Manga Characterization,
Design, and Narrative<br>Kazumi Nagaike<br>373</div><div><br></div><div>Is Eromanga a Bad Word? Confronting "the Erotic Barrier"<br>Patrick W. Galbraith<br>383</div><div><br></div><div>The
Cultural Tensions of Non-Kuwaiti Video Games Circulating in Kuwaiti
Culture: Kuwaiti Gamers' Views on Gender, Sexuality, and Censorship in
Gaming<br>Ahmed Baroody<br>398</div><div><br></div><div>Laughing All the Way: Saseo Ono in His Indonesia Days, 1941-1945<br>Kosei Ono<br>429</div><div><br></div><div>Frankenstein and Its Legacy in the Comics<br>Michael A. Torregrossa<br>432</div><div><br></div><div>Oleg Dergachov's Perpetual Quest for Comic Art Fulfillment<br>John A. Lent<br>441</div><div><br></div><div>Discussion about Typhoto Poem<br>Sun Kil Whang<br>451</div><div><br></div><div>Teaching Exercises<br>New Visual Worlds: Introducing a Visual Pedagogy<br>Jason DeHart<br>471</div><div><br></div><div>Not STAN LEE's Soapbox, But STAN LEE's JACK-In-The-Box! Stan "The Man" Talks About Jack Kirby "The King" -- 1961-2014<br>Barry Pearl<br>480</div><div><br></div><div>A Few Words from a Children's Graphic Novelist<br>Jason D. DeHart<br>499</div><div><br></div><div>Remembrance (Giannalberto Bendazzi 1946-2021)<br>John A. Lent<br>502</div><div><br></div><div>Research Prompts<br>John A. Lent<br>505</div><div><br></div><div>A Review Essay<br>David Kunzle. Ally Sloper, His Life & Times, by Alan Clark,<br>Sugar-Plums and Tootletum, The Work of C. H. Ross, by Alan Clark.<br>511</div><div><br></div><div>A Review Essay<br>Richard Scully. Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870, by David Kunzle.<br>528</div><div><br></div><div>A Review Essay<br>Héctor Fernández L'Hoeste. La función del comic, by Michel Matly.<br>537</div><div><br></div><div>Book Reviews<br>-Leonard Rifas. Red Lines: Political Cartoons and the Struggle<br>Against Censorship, by Cherian George and Sonny Liew,<br>p.546.<br>-Matthew J. Costello. The Comics World: Comic Books, Graphic<br>Novels, and Their Publics, by Benjamin Woo and Jeremy<br>Stoll, p.549.<br>-Eric Berlatsky. Authorizing Superhero Comics: On the Evolution of<br>a Popular Serial Genre, by Daniel Stein, p.551.<br>-Leonard ("Labe") Rifas. Is Superman Circumcised? by Roy<br>Schwartz, p.556.<br>-James Willetts. Mixed-Race Superheroes, by Sika A. Dagbovie-<br>Mullins and Eric L. Berlatsky, p.562.<br>-Michael Kobre. The Stan Lee Universe, by Danny Fingeroth and<br>Roy Thomas,p.565.<br>-John A. Lent. Pulp Empire: The Secret History of Comic Book<br>Imperialism, by Paul S. Hirsch, p.570.<br>-Kirsten Møllegaard. Documenting Trauma in Comics: Traumatic<br>Pasts, Embodied Histories, and Graphic Reportage, by Dominic<br>Davies and Candida Rifkind, p.573.<br>-Lizzy Walker. Comics and the Body: Drawing, Reading, and<br>Vulnerability, by Eszter Szép, p.575.<br>-John A. Lent. World Press Cartoon. Caldas da Rainha. 2021, by<br>Antόnio Antunes, et al., p.576.<br>-John A. Lent. The Comics of R. Crumb. Underground in the Art<br>Museum, by Daniel Worden, p.580.<br>-Christopher Roman. The Life and Comics of Howard Cruse: Taking<br>Risks in the Service of Truth, by Andrew J. Kunka, p.581.<br>-John A. Lent. Manhua Modernity: Chinese Culture and the Pictorial<br>Turn, by John A. Crespi, p.584.<br>-John A. Lent. The Waiting, by Keum Suk Gendry-Kim, p.586.<br>-John A. Lent. Caricature and National Character: The United States<br>at War, by Christopher J. Gilbert, p.587.<br>J-ohn A. Lent. Charlie Brown's America: The Popular Politics of<br>Peanuts, by Blake Scott Ball, p.587.<br></div><div><br></div><div>Exhibition Reviews<br>-Mark Hibbett. "Beano: The Art of Breaking the Rules," by Andy<br>Holden, p.589.<br>-Wim Lockefeer. Exhibition Notes from Belgium -- Congolese<br>Comics & Brecht Evens, p.590.<br>-Mike Rhode. Moomin Animations -- Thrills and Cuddles, by Minna<br>Honkasalo, p.599.<br>-Pedro Moura. "Bob Spit" -- We Do Not Like People, by Cesar<br>Cabral, p.601.</div>
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