[Comicsstudiessociety] Qiana Whitted's Desegregation Comics available for IJOCA review

Thu Apr 13 11:16:30 EDT 2023

US only due to postage. Email me directly making your case.

Mike
mrhode at gmail.com

Desegregating Comics

Debating Blackness in the Golden Age of American Comics

https://urldefense.com/v3/__https://www.rutgersuniversitypress.org/desegregating-comics/9781978825017__;!!KGKeukY!wrb8-UJc9IArTCKAS3WQmC8zNDdZtkAB_8Mpv2FFcz2V-OMLTauE3Cn3wIDhVuw1ZGHqUun9Ze0zwLDJICyO1S0-QGQ$ 

by Qiana Whitted
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Edited by Qiana Whitted
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Contributions by Ian Gordon
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Nicholas Sammond
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Andrew J. Kunka
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Rebecca Wanzo
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Chris Gavaler
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Monalesia Earle
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Blair Davis
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Eli Boonin-Vail
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Carol L. Tilley
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Qiana Whitted
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Brian Cremins
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Mora Beauchamp-Byrd
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Phillip Lamarr Cunningham
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Jacque Nodell
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Julian C. Chambliss
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Mike Lemon
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368 pages, 37 bw, 29 color, 6.12 x 9.25
Paperback,May 12, 2023,$34.95
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9781978825017
Cloth,May 12, 2023,$79.95
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9781978825024
EPUB,May 12, 2023,$34.95
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9781978825031
PDF,May 12, 2023,$34.95
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9781978825055

Published by Rutgers University Press

Disciplines: Comics Studies
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American Studies
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Popular
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American Studies
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History:
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and Ethnic Studies
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PREVIEW THIS BOOK
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RELATED SUBJECTS

   - LITERARY CRITICISM / Comics & Graphic Novels
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   - SOCIAL SCIENCE / Popular Culture
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   - SOCIAL SCIENCE / Ethnic Studies / African American Studies
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   - SOCIAL SCIENCE / Race & Ethnic Relations
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   - LITERARY CRITICISM / American / African American
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About This Book
Some comics fans view the industry’s Golden Age (1930s-1950s) as a
challenging time when it comes to representations of race, an era when the
few Black characters appeared as brutal savages, devious witch doctors, or
unintelligible minstrels. Yet the true portrait is more complex and reveals
that even as caricatures predominated, some Golden Age comics creators
offered more progressive and nuanced depictions of Black people.

*Desegregating Comics *assembles a team of leading scholars to explore how
debates about the representation of Blackness shaped both the production
and reception of Golden Age comics. Some essays showcase rare titles
like *Negro
Romance *and consider the formal innovations introduced by Black comics
creators like Matt Baker and Alvin Hollingsworth, while others examine the
treatment of race in the work of such canonical cartoonists as George
Herriman and Will Eisner. The collection also investigates how Black fans
read and loved comics, but implored publishers to stop including hurtful
stereotypes. As this book shows, Golden Age comics artists, writers,
editors, distributors, and readers engaged in heated negotiations over how
Blackness should be portrayed, and the outcomes of those debates continue
to shape popular culture today.

Introduction: “An Apt Cartoon”
QIANA WHITTED

Part I Iconographies of Race and Racism

1 Rose O’Neill and Visual Tropes of Blackness
IAN GORDON
2 The Passing Fancies of *Krazy Kat *
NICHOLAS SAMMOND
3 “How Else Could I Have Created a Black Boy in That Era?”: Racial
Caricature and Will Eisner’s Legacy 61
ANDREW J. KUNKA

Part II Formal Innovation and Aesthetic Range

4 Desegregating Black Art Genealogies: An Invitation
REBECCA WANZO
5 Misdirections in Matt Baker’s *Phantom Lady *
CHRIS GAVALER AND MONALESIA EARLE
6 The Art of Alvin Hollingsworth
BLAIR DAVIS
7 “Hello Public!”: Jackie Ormes in the Print Culture of the* Pittsburgh
Courier *
ELI BOONIN-VAIL

Part III Comics Readership and Respectability Politics

8 “Never Any Dirty Ones”: Comics Readership among African American Youth in
the Mid-Twentieth Century
CAROL L. TILLEY
9 *All-Negro Comics* and Counterhistories of Race in the Golden Age
QIANA WHITTED
10 “This Business of White and Black”: Captain Marvel’s Steamboat, the
Youthbuilders, and Fawcett’s *Roy Campanella, Baseball Hero*
BRIAN CREMINS
11 Al Hollingsworth’s *Kandy*: Race, Colorism, and Romance in African
American Newspaper Comics
MORA J. BEAUCHAMP-BYRD

Part IV Disrupting Genre, Character, and Convention

12 Diabolical Master of Black Magic: Examining Agency through Villainy in
“The Voodoo Man”
PHILLIP LAMARR CUNNINGHAM
13 Love in Color: Fawcett’s Revolutionary *Negro Romance*
JACQUE NODELL
14 An Afrofuturist Legacy: Neil Knight and Black Speculative Capital
JULIAN C. CHAMBLISS
15 “For They Were There!”: Dell Comics’ *Lobo* and the Black Cowboy in
American Comic Books
MIKE LEMON
Acknowledgments
Bibliography
Notes on Contributors
Index
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